Jann Matlock | University College London (original) (raw)
Jann Matlock is Senior Lecturer in the French Department at UCL (University College London) where she teaches French cultural history, film studies, and nineteenth-century French and Comparative literature. She has held research fellowships from the Guggenheim Foundation, the Getty Foundation, the National Endowment for the Humanities, and the AHRC. After receiving her AB from Brown University and her PhD from the University of California, Berkeley. she was an Assistant and Associate Professor at Harvard University between 1989 and 1998 and a Visiting Professor at the Université de Paris 7, Denis Diderot in 1998-99. She is the author of Scenes of Seduction: Prostitution, Hysteria, and Reading Difference in Nineteenth-Century France (Columbia University Press, 1994), the recently completed Before the Voyeur, and a book manuscript-in-progress entitled Looking at Risk: The Invisible Women and Their Secrets Unveiled. She has published widely on French and American culture, including recent projects on cinematic hotel registration desks, the Paris catacombs, and the photography of exile. In addition to coediting, with Marjorie Garber and Rebecca L. Walkowitz, Media Spectacles (Routledge, 1993) , she is the co-author of two films for the Musée du Louvre, Le Film 100 Têtes and Psychopathia sexualis: Fragments d’un enquête, and participated in the catalogue of a show at the Musée d’Orsay, Lanternes magiques, tableaux transparents. She is the Co-Organiser of the Film Studies Space at UCL where she leads the Autopsies Research Group (www.autopsiesgroup.com), a research project concerned with the filmic afterlife of the objects of modernity.
Address: University College London
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Papers by Jann Matlock
Art Journal, 1996
Поиск в библиотеке, Расширенный поиск. ...
Cultural Institutions of the Novel, 2012
The Yale Journal of Criticism, 1996
In the middle of a fully daylit room measuring 120 feet in periphery with a ceiling height of 12 ... more In the middle of a fully daylit room measuring 120 feet in periphery with a ceiling height of 12 feet, containing no furniture or decor, is suspended by a very thin rope a ball of Bohemian glass, fully visible from every angle. ... At each of the four angles of the horizontal circle of ...
The Art Bulletin, Dec 1, 1994
Sociétés & Représentations, 2014
Sociétés & Représentations, 2014
Sociétés & Représentations, 2014
Feminist Studies, 2007
Amazon with special powers on its cover, that comic book character has continued to find new audi... more Amazon with special powers on its cover, that comic book character has continued to find new audiences-and inspired debate about whether its happiest readers were female or male." "Beautiful as Aphrodite, Wise as Athena, Stronger than Hercules, and Swifter than Mercury,"'2 ...
In Ruptures, ed. Jean Galard, Musee du Louvre and ENSBA, 2002
On the battle over Olympia by Manet in the 1890s and its entrance into the Louvre
in Fetishism as Cultural Discourse, ed. Apter & Pietz, 1993
The Cultural Institutions of the Novel, ed. Lynch & Warner, 1996
Part TWO of article on the censorship of August Luchet, Le Nom de Famille in 1842 France
in The Cultural Institutions of the Novel, ed Lynch and Warner, 1996
On the censorship of Auguste Luchet, Le Nom de Famille in 1842 in France
Sociétés et Représentations, 2014
Article list for Sociétés et Représentations, No. 38 (2014) from Cairn
Sociétés et Représentations, 2014
Introduction to Special Issue of Sociétés et Représentations, No. 38, Aux marges de la France; L'... more Introduction to Special Issue of Sociétés et Représentations, No. 38, Aux marges de la France; L'histoire de France vue de Berkeley, Californie
Art Journal, 1996
Поиск в библиотеке, Расширенный поиск. ...
Cultural Institutions of the Novel, 2012
The Yale Journal of Criticism, 1996
In the middle of a fully daylit room measuring 120 feet in periphery with a ceiling height of 12 ... more In the middle of a fully daylit room measuring 120 feet in periphery with a ceiling height of 12 feet, containing no furniture or decor, is suspended by a very thin rope a ball of Bohemian glass, fully visible from every angle. ... At each of the four angles of the horizontal circle of ...
The Art Bulletin, Dec 1, 1994
Sociétés & Représentations, 2014
Sociétés & Représentations, 2014
Sociétés & Représentations, 2014
Feminist Studies, 2007
Amazon with special powers on its cover, that comic book character has continued to find new audi... more Amazon with special powers on its cover, that comic book character has continued to find new audiences-and inspired debate about whether its happiest readers were female or male." "Beautiful as Aphrodite, Wise as Athena, Stronger than Hercules, and Swifter than Mercury,"'2 ...
In Ruptures, ed. Jean Galard, Musee du Louvre and ENSBA, 2002
On the battle over Olympia by Manet in the 1890s and its entrance into the Louvre
in Fetishism as Cultural Discourse, ed. Apter & Pietz, 1993
The Cultural Institutions of the Novel, ed. Lynch & Warner, 1996
Part TWO of article on the censorship of August Luchet, Le Nom de Famille in 1842 France
in The Cultural Institutions of the Novel, ed Lynch and Warner, 1996
On the censorship of Auguste Luchet, Le Nom de Famille in 1842 in France
Sociétés et Représentations, 2014
Article list for Sociétés et Représentations, No. 38 (2014) from Cairn
Sociétés et Représentations, 2014
Introduction to Special Issue of Sociétés et Représentations, No. 38, Aux marges de la France; L'... more Introduction to Special Issue of Sociétés et Représentations, No. 38, Aux marges de la France; L'histoire de France vue de Berkeley, Californie
Scenes of Seduction: Prostitution, Hysteria, and Reading Difference, 1994
Scenes of Seduction: Prostitution, Hysteria, and Reading Difference, 1994
Scenes of Seduction: Prostitution, Hysteria, and Reading Difference, 1994
Scenes of Seduction: Prostitution, Hysteria, and Reading Difference, 1994
Scenes of Seduction: Prostitution, Hysteria, and Reading Difference, 1994
Scenes of Seduction: Prostitution, Hysteria, and Reading Difference, 1994
Scenes of Seduction: Prostitution, Hysteria, and Reading Difference, 1994
Scenes of Seduction: Prostitution, Hysteria, and Reading Difference, 1994
Scenes of Seduction: Prostitution, Hysteria, and Reading Difference, 1994
Scenes of Seduction: Prostitution, Hysteria, and Reading Difference, 1994
Scenes of Seduction, Front Matter, Intro, Chapter 1 (Eugene Sue, Mysteres of Paris), and Endnotes... more Scenes of Seduction, Front Matter, Intro, Chapter 1 (Eugene Sue, Mysteres of Paris), and Endnotes related to Intro & Chapter 1