Juan Bautista Juan López | Ghent University (original) (raw)
Books by Juan Bautista Juan López
You can find it here: https://www.etd.ceu.edu/2024/juan-lopez\_juan.pdf My PhD dissertation exami... more You can find it here: https://www.etd.ceu.edu/2024/juan-lopez_juan.pdf
My PhD dissertation examines the life, works and thought of Manuel Gabalas, also known as Matthew of Ephesus, a Byzantine scholar and theologian who lived from approximately 1272 to 1357. It highlights his active involvement in political and religious discourse, during the Palaiologan era, and emphasizes his synthesis of secular wisdom and Christian theology, with ethics as a central theme. Through detailed examination of Gabalas' biography, intellectual network, as well as a new critical edition of his writings, the dissertation aims to shed light on a figure previously overlooked in Byzantine scholarship. Gabalas' experiences as Metropolitan of Ephesus and his participation in theological controversies provide insights into the complex dynamics of late Byzantine society, including church politics, imperial authority, and philosophical debates. The research also presents Gabalas' interpretations of Homeric literature (metaphrasis and allegories) and his philosophical and theological works, which offer alternative perspectives on deification and spirituality that diverge from the dominant narratives of Palamite Hesychasm. Additionally, it explores Gabalas' integration of pagan philosophy with Christian theology, particularly evident in his interpretation of the Odyssey and portrayal of monastic life. Overall, the dissertation contributes to a deeper understanding of late Byzantine intellectual history, spanning disciplines such as history, politics, hermeneutics, ethics, philosophy, and theology, and positions Gabalas as a significant figure in the intellectual landscape of his time.
Papers by Juan Bautista Juan López
Dykinson, 2024
This paper examines the content, authorship, and textual transmission of a set of scholia devoted... more This paper examines the content, authorship, and textual transmission of a set of scholia devoted to Hesiod’s Shield, Works and Days and Theogony, and a set of paraphrases and epitomes to four minor treatises of Michael Psellos. Modern scholarship has attributed these texts to three different authors: John Pediasimos, John Protospatharius and John Diaconos Galenos. However, the analysis of the content shows that they were all written by the same author, probably John Pediasimos. In this paper I will offer several arguments in support of his authorship: the internal coherence of the texts, the textual transmission, the analysis of the titles of the manuscript of Hesiod by Demetrius Triclinius, which is the earliest source for most of these writings, and the adequacy of the content to the so far known oeuvre of John Pediasimos. The conclusion of this paper will be the creation of a coherent corpus of writings that will add to the understanding of the reception of Michael Psellos and Hesiod in the early Palaiologan Era. This paper will also shed light on the scholiastic work of John Pediasimos and will pave the way for further research on his scholarly network and teaching practice.
L'antiquité Classique, 2021
This study offers an interpretation of Plutarch’s preface to De audiendis poetis that points out ... more This study offers an interpretation of Plutarch’s preface to De audiendis poetis that points out its expository and thematic coherence. This suggests that the author of the dithyrambs Philoxenus of Kythera (ca. 435-380 BC) may have also been the author of the proverb quoted by Plutarch: “The head of the octopus contains something bad, but also something good”. The Dinner or Δεῖπνον of Philoxenus and the Phaon of Plato Comicus reveal that octopus was a main dish at the dithyrambist’s feasts. The poet Macho (VIII BC) relates that Philoxenus died from intoxication with octopus. Philoxenus' gluttony and his episodes at the court of Dionysus I of Syracuse made him a proverbial character, as the Paremiographers Zenobius and Diogenianus attest. Thus, there is reason to believe that the saying recorded by Plutarch can be attributed to Philoxenus of Kythera. The study concludes with a note on phonetics.
The present essay offers an introductory commentary to De Ulixis Erroribus as well as the first E... more The present essay offers an introductory commentary to De Ulixis Erroribus as well as the first English translation of a crucial episode: Odysseus’s encounter with Circe. This allegorical interpretation was considered anonymous, until the treatise was found in two manuscript copies which date back to the early XIV century. I will add some notes on the authorship of the document. Finally, I offer a history of its textual transmission and some disquisitions on literary theory.
![Research paper thumbnail of On the identity and birthplace of the poet Philoxenus and the authorship of the dithyramb Δεῖπνον [Sobre la identidad y procedencia del poeta Filóxeno y la autoría del ditirambo Δεῖπνον], SPhV 21 (2019): 165-189.](https://attachments.academia-assets.com/62008848/thumbnails/1.jpg)
](The present study aims to solve the controversy concerning the identity and provenance of the poe... more The present study aims to solve the controversy concerning the identity and provenance of the poet Philoxenus, a famous dithyrambist from the 5th-4th century B.C. For this purpose, every account quoting a character called Philoxenus since the first mention by Aristophanes has been collected. The research has revealed that there are several individuals carrying the same name and common features. However, the review of these testimonies reveals the existence of only one dithyrambist: Philoxenus of Cythera. Furthermore, we believe that this poet was the author of the dithyramb Δεῖπνον, which some publishers wrongly attributed to Philoxenus of Leucas. Later, we reflect on the identity of Philoxenus of Leucas, who we should probably identify with Philoxenus of Cythera, and the authorship of an ὀψαρτυσία. Finally, we will devote some final considerations to Philoxenus Pternokopides.
El presente estudio pretende resolver la controversia en torno a la identidad y procedencia del poeta Filóxeno, célebre ditirambógrafo del siglo V-IV a.C. Para ello, hemos recopilado todos los testimonios que citan a personajes con el nombre de Filóxeno desde la primera mención de Aristófanes. La investigación ha revelado que existen varios individuos con el mismo nombre y rasgos comunes. No obstante, el examen de estos testimonios revela la existencia de un único autor de ditirambos: Filóxeno de Citera. Además, creemos que este poeta fue el autor del ditirambo Δεῖπνον, que algunos editores atribuyeron falsamente a Filóxeno de Léucade. Posteriormente, reflexionamos sobre la identidad de Filóxeno de Léucade, quien probablemente debamos identificar con Filóxeno de Citera, y la autoría de una ὀψαρτυσία. Finalmente, dedicaremos unas últimas consideraciones sobre Filóxeno Pternokopides.
eClassica, 2018
Brief research devoted to the study of De Ulixis Erroribus, which is a singular treatise that int... more Brief research devoted to the study of De Ulixis Erroribus, which is a singular treatise that interprets in an allegorical way the wanderings of Odysseus, who becomes a model of impassive endurance before pleasures and temptation. Stoicism, Neo-Platonism and pietas Christiana underlie this allegorical treatise, whose author was a Byzantine Odysseus from Philadelphia, Manuel Gabalas. Due to the discovery of his two still unpublished manuscript copies transmitting this document, it is necessary to elaborate a monographic study on this incomplete and unpublished text of the Palaeologan Renaissance (1261-1453).
The present essay provides the readers with the first English translation of an enlightening epis... more The present essay provides the readers with the first English translation
of an enlightening epistle belonging to a larger collection of letters written by Manuel Gabalas in the early fourteenth century, which depicts and provides new data on the relationship between the Byzantine Empire and the Turkmen chieftains.
This last number of the hashtag#Brolly. Journal of Social Sciences, Vol. 1, No. 3 (December 2018) can be accessed online at https://www.journals.lapub.co.uk/index.php/Brolly
Since its publication in 1952, the Dike Play (TrGF 281a‐b), a papyri from Oxyrrhynchus, has been ... more Since its publication in 1952, the Dike Play (TrGF 281a‐b), a papyri from Oxyrrhynchus, has been a subject of controversy among scholars of fragmentary ancient drama. A textual analysis has shed some light on the matter and nowadays most claim with some certainty that Aeschylus was the author. However, no solid consensus exists over the nature of its dramatic genre. Our research seeks to take a fresh look at this debate and argue the case for considering the Dike Play to be a satyr play.
Book Reviews by Juan Bautista Juan López
Conference Presentations by Juan Bautista Juan López
The proposed paper will focus on Manuel Gabalas’ Homeric works and 200 Chapters. Homeric gods ar... more The proposed paper will focus on Manuel Gabalas’ Homeric works and 200 Chapters. Homeric gods are interpreted as mental and psychological forces and activities (e.g., prudence, reason, internal dialogue), which influence Odysseus’ behaviour. Gabalas further interprets polytheism to manifestations of a singular divine entity, akin to the Christian Godhead. In this way, Gabalas emphasizes human freedom and moral accountability.
La matrícula se realizará preferentemente a través de la página WEB del Centro Mediterráneo http:... more La matrícula se realizará preferentemente a través de la página WEB del Centro Mediterráneo http://cemed.ugr.es
SESIÓN I: REESCRITURA (con la colaboración del proyecto "El autor bizantino II. Reescritura y ori... more SESIÓN I: REESCRITURA (con la colaboración del proyecto "El autor bizantino II. Reescritura y originalidad")
POLYMNIA Réseau de recherche sur les mythographes anciens et modernes
by Gabriel Estrada San Juan, Christian Høgel, Moschos Morfakidis Filactós / Μόσχος Μορφακίδης-Φυλακτός, Łukasz Różycki, Encarnación Motos Guirao, José-Domingo Rodríguez Martín, Ignasi Vidiella Puñet, Francisco del Rio Sanchez, Carlos Martínez Carrasco, Jordina Sales-Carbonell, Antonio Manuel Poveda Navarro, David Pérez Moro, Juan Bautista Juan López, Mariam Chkhartishvili, Agustín R . Avila, Nicola Bergamo, Arantxa Illgen Izquierdo, Ángel Narro, Montserrat Camps-Gaset, Héctor Francisco, Panagiota Papadopoulou / Παναγιώτα Παπαδοπούλου, Marina Díaz Bourgeal, Raúl Villegas Marín, Ioannis Kioridis, Enrique Santos Marinas, Victoria Legkikh, Dmitry I Makarov, Nina Sietis, Paula Caballero Sánchez, Divna Manolova, Raúl Caballero-Sánchez, and Massimo Limoncelli
You can find it here: https://www.etd.ceu.edu/2024/juan-lopez\_juan.pdf My PhD dissertation exami... more You can find it here: https://www.etd.ceu.edu/2024/juan-lopez_juan.pdf
My PhD dissertation examines the life, works and thought of Manuel Gabalas, also known as Matthew of Ephesus, a Byzantine scholar and theologian who lived from approximately 1272 to 1357. It highlights his active involvement in political and religious discourse, during the Palaiologan era, and emphasizes his synthesis of secular wisdom and Christian theology, with ethics as a central theme. Through detailed examination of Gabalas' biography, intellectual network, as well as a new critical edition of his writings, the dissertation aims to shed light on a figure previously overlooked in Byzantine scholarship. Gabalas' experiences as Metropolitan of Ephesus and his participation in theological controversies provide insights into the complex dynamics of late Byzantine society, including church politics, imperial authority, and philosophical debates. The research also presents Gabalas' interpretations of Homeric literature (metaphrasis and allegories) and his philosophical and theological works, which offer alternative perspectives on deification and spirituality that diverge from the dominant narratives of Palamite Hesychasm. Additionally, it explores Gabalas' integration of pagan philosophy with Christian theology, particularly evident in his interpretation of the Odyssey and portrayal of monastic life. Overall, the dissertation contributes to a deeper understanding of late Byzantine intellectual history, spanning disciplines such as history, politics, hermeneutics, ethics, philosophy, and theology, and positions Gabalas as a significant figure in the intellectual landscape of his time.
Dykinson, 2024
This paper examines the content, authorship, and textual transmission of a set of scholia devoted... more This paper examines the content, authorship, and textual transmission of a set of scholia devoted to Hesiod’s Shield, Works and Days and Theogony, and a set of paraphrases and epitomes to four minor treatises of Michael Psellos. Modern scholarship has attributed these texts to three different authors: John Pediasimos, John Protospatharius and John Diaconos Galenos. However, the analysis of the content shows that they were all written by the same author, probably John Pediasimos. In this paper I will offer several arguments in support of his authorship: the internal coherence of the texts, the textual transmission, the analysis of the titles of the manuscript of Hesiod by Demetrius Triclinius, which is the earliest source for most of these writings, and the adequacy of the content to the so far known oeuvre of John Pediasimos. The conclusion of this paper will be the creation of a coherent corpus of writings that will add to the understanding of the reception of Michael Psellos and Hesiod in the early Palaiologan Era. This paper will also shed light on the scholiastic work of John Pediasimos and will pave the way for further research on his scholarly network and teaching practice.
L'antiquité Classique, 2021
This study offers an interpretation of Plutarch’s preface to De audiendis poetis that points out ... more This study offers an interpretation of Plutarch’s preface to De audiendis poetis that points out its expository and thematic coherence. This suggests that the author of the dithyrambs Philoxenus of Kythera (ca. 435-380 BC) may have also been the author of the proverb quoted by Plutarch: “The head of the octopus contains something bad, but also something good”. The Dinner or Δεῖπνον of Philoxenus and the Phaon of Plato Comicus reveal that octopus was a main dish at the dithyrambist’s feasts. The poet Macho (VIII BC) relates that Philoxenus died from intoxication with octopus. Philoxenus' gluttony and his episodes at the court of Dionysus I of Syracuse made him a proverbial character, as the Paremiographers Zenobius and Diogenianus attest. Thus, there is reason to believe that the saying recorded by Plutarch can be attributed to Philoxenus of Kythera. The study concludes with a note on phonetics.
The present essay offers an introductory commentary to De Ulixis Erroribus as well as the first E... more The present essay offers an introductory commentary to De Ulixis Erroribus as well as the first English translation of a crucial episode: Odysseus’s encounter with Circe. This allegorical interpretation was considered anonymous, until the treatise was found in two manuscript copies which date back to the early XIV century. I will add some notes on the authorship of the document. Finally, I offer a history of its textual transmission and some disquisitions on literary theory.
The present study aims to solve the controversy concerning the identity and provenance of the poe... more The present study aims to solve the controversy concerning the identity and provenance of the poet Philoxenus, a famous dithyrambist from the 5th-4th century B.C. For this purpose, every account quoting a character called Philoxenus since the first mention by Aristophanes has been collected. The research has revealed that there are several individuals carrying the same name and common features. However, the review of these testimonies reveals the existence of only one dithyrambist: Philoxenus of Cythera. Furthermore, we believe that this poet was the author of the dithyramb Δεῖπνον, which some publishers wrongly attributed to Philoxenus of Leucas. Later, we reflect on the identity of Philoxenus of Leucas, who we should probably identify with Philoxenus of Cythera, and the authorship of an ὀψαρτυσία. Finally, we will devote some final considerations to Philoxenus Pternokopides.
El presente estudio pretende resolver la controversia en torno a la identidad y procedencia del poeta Filóxeno, célebre ditirambógrafo del siglo V-IV a.C. Para ello, hemos recopilado todos los testimonios que citan a personajes con el nombre de Filóxeno desde la primera mención de Aristófanes. La investigación ha revelado que existen varios individuos con el mismo nombre y rasgos comunes. No obstante, el examen de estos testimonios revela la existencia de un único autor de ditirambos: Filóxeno de Citera. Además, creemos que este poeta fue el autor del ditirambo Δεῖπνον, que algunos editores atribuyeron falsamente a Filóxeno de Léucade. Posteriormente, reflexionamos sobre la identidad de Filóxeno de Léucade, quien probablemente debamos identificar con Filóxeno de Citera, y la autoría de una ὀψαρτυσία. Finalmente, dedicaremos unas últimas consideraciones sobre Filóxeno Pternokopides.
eClassica, 2018
Brief research devoted to the study of De Ulixis Erroribus, which is a singular treatise that int... more Brief research devoted to the study of De Ulixis Erroribus, which is a singular treatise that interprets in an allegorical way the wanderings of Odysseus, who becomes a model of impassive endurance before pleasures and temptation. Stoicism, Neo-Platonism and pietas Christiana underlie this allegorical treatise, whose author was a Byzantine Odysseus from Philadelphia, Manuel Gabalas. Due to the discovery of his two still unpublished manuscript copies transmitting this document, it is necessary to elaborate a monographic study on this incomplete and unpublished text of the Palaeologan Renaissance (1261-1453).
The present essay provides the readers with the first English translation of an enlightening epis... more The present essay provides the readers with the first English translation
of an enlightening epistle belonging to a larger collection of letters written by Manuel Gabalas in the early fourteenth century, which depicts and provides new data on the relationship between the Byzantine Empire and the Turkmen chieftains.
This last number of the hashtag#Brolly. Journal of Social Sciences, Vol. 1, No. 3 (December 2018) can be accessed online at https://www.journals.lapub.co.uk/index.php/Brolly
Since its publication in 1952, the Dike Play (TrGF 281a‐b), a papyri from Oxyrrhynchus, has been ... more Since its publication in 1952, the Dike Play (TrGF 281a‐b), a papyri from Oxyrrhynchus, has been a subject of controversy among scholars of fragmentary ancient drama. A textual analysis has shed some light on the matter and nowadays most claim with some certainty that Aeschylus was the author. However, no solid consensus exists over the nature of its dramatic genre. Our research seeks to take a fresh look at this debate and argue the case for considering the Dike Play to be a satyr play.
The proposed paper will focus on Manuel Gabalas’ Homeric works and 200 Chapters. Homeric gods ar... more The proposed paper will focus on Manuel Gabalas’ Homeric works and 200 Chapters. Homeric gods are interpreted as mental and psychological forces and activities (e.g., prudence, reason, internal dialogue), which influence Odysseus’ behaviour. Gabalas further interprets polytheism to manifestations of a singular divine entity, akin to the Christian Godhead. In this way, Gabalas emphasizes human freedom and moral accountability.
La matrícula se realizará preferentemente a través de la página WEB del Centro Mediterráneo http:... more La matrícula se realizará preferentemente a través de la página WEB del Centro Mediterráneo http://cemed.ugr.es
SESIÓN I: REESCRITURA (con la colaboración del proyecto "El autor bizantino II. Reescritura y ori... more SESIÓN I: REESCRITURA (con la colaboración del proyecto "El autor bizantino II. Reescritura y originalidad")
POLYMNIA Réseau de recherche sur les mythographes anciens et modernes
by Gabriel Estrada San Juan, Christian Høgel, Moschos Morfakidis Filactós / Μόσχος Μορφακίδης-Φυλακτός, Łukasz Różycki, Encarnación Motos Guirao, José-Domingo Rodríguez Martín, Ignasi Vidiella Puñet, Francisco del Rio Sanchez, Carlos Martínez Carrasco, Jordina Sales-Carbonell, Antonio Manuel Poveda Navarro, David Pérez Moro, Juan Bautista Juan López, Mariam Chkhartishvili, Agustín R . Avila, Nicola Bergamo, Arantxa Illgen Izquierdo, Ángel Narro, Montserrat Camps-Gaset, Héctor Francisco, Panagiota Papadopoulou / Παναγιώτα Παπαδοπούλου, Marina Díaz Bourgeal, Raúl Villegas Marín, Ioannis Kioridis, Enrique Santos Marinas, Victoria Legkikh, Dmitry I Makarov, Nina Sietis, Paula Caballero Sánchez, Divna Manolova, Raúl Caballero-Sánchez, and Massimo Limoncelli
In Flore Novo , 2018
Disertación sobre El manuscrito original y la edición definitiva del De Ulixis Erroribus, donde p... more Disertación sobre El manuscrito original y la edición definitiva del De Ulixis Erroribus, donde pretendo compartir algunas reflexiones fruto de mi investigación, iniciada en Octubre de 2017 en la Universidad de Granada, con el título provisional La filosofía del náufrago: impasible a la deriva. Este proyecto se realiza bajo la supervisión de la profesora Minerva Alganza Roldán y se inserta en su línea de investigación sobre Mitografía Griega y Estudios bizantinos.
Mi investigación se ocupará de realizar la primera edición completa, traducción al español y comentario de un tratado bizantino poco conocido, pese a su belleza y su conocimiento, y que se ha transmitido con el nombre de De Ulixis Erroribus
La filosofía del náufrago: El obstáculo es el camino, 2018
Cómo entender la antigüedad para que repercuta de forma positiva en la vida cotidiana. Un breve r... more Cómo entender la antigüedad para que repercuta de forma positiva en la vida cotidiana. Un breve repaso sobre la filosofía estoica que nos enseña que el obstáculo es el camino para avanzar, a partir de la presentación de un tratado Bizantino llamado De Ulixis Erroribus
Complete edition, translation into Spanish and commentary of an almost unknown Byzantine treatise... more Complete edition, translation into Spanish and commentary of an almost unknown Byzantine treatise, which dates back to the early fourteenth century, called De Ulixis Erroribus.
De Ulixis Erroribus is divided into eleven chapters and, inside every one of them, the author introduces a paraphrase, which summarizes the original narration of Homer’s Odyssey and, then, originates an allegorical interpretation. This way, the Cyclops’s behavior, the impiety with the Cattle of Helios, Circe, Calypso and the Sirens become a symbol of the pleasures and the temptations against which Odysseus resists during his journey.
The aim of this conference is to explore how a turn towards materiality can help us to understand... more The aim of this conference is to explore how a turn towards materiality can help us to understand the Eastern Mediterranean world. The conference seeks research that investigates the role of physical “things” in history. How are material culture, technology, and the physical environment entangled in historical processes? How has the physical world shaped and been shaped by forms of social life in the Eastern Mediterranean? How have ideas and emotions been put into practice and how have they been embodied in material objects (e.g. artifacts, relics, and manuscripts)? How could materiality in the Eastern Mediterranean differ from other regions?
Call for papers! We invite 400 abstract contributions for our online conference "Medievalisms in ... more Call for papers!
We invite 400 abstract contributions for our online conference "Medievalisms in the Screen: The Representation of the Middle Ages in Audiovisual Media in the 21st Century", which will take place between April 20th-May1st 2021. The conference will discuss what are the characteristics and implications of a "medieval" cultural production from a multidisciplinary perspective. We ask for contributions from a broad range of topics and perspectives including, but not limited to: accuracy vs. authenticity, national identity and political implications, gender relations in medieval productions, gameplay and procedural rhetoric, global middle ages, among others. Please check the call for papers attached to this message for more information. All submissions should be sent to rubio-arevalo_juan@phd.ceu.edu no later than February 1st, 2021.
This is a recopilation of the Textual evidences for the datation of the Trojan War(s), in order t... more This is a recopilation of the Textual evidences for the datation of the Trojan War(s), in order to make a Cronology of the rulers of Arzawa lands, the Lords of Wilusa and the Achaean Kings with a collection of Hittite, Egyptian and accessory sources from the late bronze age (15th to 13th c.) dealing with the Ahhiyawa-Frage. The study is complete until 2021. It does not have a definitive redaction, that's why I am only offering the Index. I am happy to share the whole research with anyone interested in the topic. The study needs to be revisited with the information stemming from the new chronologies (particularly that of Prof. Nel Weggelaar).
This excel table is based on my unpublished study on the chronology of the War(s) of Troy and the... more This excel table is based on my unpublished study on the chronology of the War(s) of Troy and the genealogy of its main agents. It uses Egyptian, Hittite and Arzawa sources in relation to the Ahhiyawa. The inquiry is part of a much bigger research that requires further research and reflection, but may serve to anyone interested in the topic.
Translation for a forthcoming paper on etymologies and interpretation in The Allegories of Michae... more Translation for a forthcoming paper on etymologies and interpretation in The Allegories of Michael Psellos (42-48 Duffy).
Students will learn the methods of interpretation that was produced in the Hellenistic period and... more Students will learn the methods of interpretation that was
produced in the Hellenistic period and Late Antiquity by pagan, Jewish and Christian philosophers and theologians, when approaching to Ancient Greek epic poetry, Platonic and Aristotelian philosophy, the Tanakh (OT) and the Christian Bible (NT). Subsequently, they will understand the intellectual environment and some oratory from this agitated period spanning the first five centuries of the millennium. Twelve lectures are designed to provide students with the necessary tools to analyze and compare the methods and modes of interpretation in Late Antiquity and to place the exegetes within their relevant
philosophical or metaphysical system. In this way, the exegetes are classified depending on their approach to the authoritative text that is being translated, commented upon and interpreted.
Página 54 7. Bibliografía. Proyectos didácticos y libros de texto. BALME, MAURICE et alii (2003),... more Página 54 7. Bibliografía. Proyectos didácticos y libros de texto. BALME, MAURICE et alii (2003), Griego. 2º Bachillerato: Humanidades y ciencias sociales, Oxford Education. COLOMER, ROSA MARÍA&TOMÁS, MARIA DEL REMEI (2009), Griego. 2 Bachillerato, Almadraba Editorial, Barcelona. GÓMEZ ESPELOSÍN, JAVIER&GUZMÁN GUERRA, ANTONIO (2008), Griego. 2 Bachillerato, Ediciones SM, Boadilla del Monte. NAVARRO GONZÁLEZ, JOSÉ LUÍS&RODRÍGUEZ JIMÉNEZ, JOSÉ MARÍA (2016), Griego. 2 Bachillerato, Anaya Educación, Madrid. Libros de divulgación consultados. CLARKE, HOWARD C. (1994 [1967]), The art of the Odyssey, Bristol Classical Press, London, 58-66. FINKELBERG, MARGALIT (ed. 2011), Homer encyclopedia, Oxford. FREELY, JOHN (2015) [2014] El mundo de Homero. [A travel guide to Homer], Planeta, Barcelona. HARRAUER, CHRISTINE&HUNGER, HERBERT (2008) [2006], Diccionario de mitología griega y romana [trad. JOSE ANTONIO MOLINA], Herder, Barcelona. JULIEN, NADIA (2003), Enciclopedia de los mitos [traducción de Jose Antonio Bravo], Robinbook. MANGUEL, ALBERTO (2010), El legado de Homero, Debate, Madrid. Estudios científicos. ALGANZA ROLDÁN, M. "Genios alados, monstruos y mujeres fatales en la mitología griega" apud Vampiros a contraluz. Constantes y Modalizaciones del Vampiro en el Arte y la Cultura, ed. M. Carretero, D. Díaz Piedra, M. Reyes Martín y S. Rodríguez Fernández), Granada: Comares, 2013, pg. 1-17 BURKERT, WALTER (1985), Greek religion: Archaic and classical, Oxford. Página 55 DODDS, E. R. The Ancient Concept of Progress and other Essays on Greek Literature and Belief, Oxford, 1973. GOMOLLÓN, BENJAMÍN (2000): "Ixión y Pirítoo: mortalidad y transgresión en el mito", apud CRESPO, EMILIO&BARROS CASTRO, MARÍA J., Actas del X Congreso Español de Estudios Clásicos. Vol. I , SEEC, 439-444, Madrid. GONZÁLEZ DELGADO, RAMIRO (2013), "Exempla y deuda literaria: Los suplicios infernales en los descensus ad ínferos de la literatura grecolatina", apud HARTO TRUJILLO&VILLALBA ÁLVAREZ Exempla fidem faciunt, 63-74, Ediciones Clásicas, Madrid. GONZÁLEZ MERINO, JUAN IGNACIO (2013), «El final de la Nekuia (Od. 568-640)», Cuadernos filología clásica (CFC): Estudios griegos e indoeuropeos, 71-81, Madrid. GONZÁLEZ SERRANO, PILAR (1999), "Catábasis y resurrección", Espacio, Tiempo y Forma, Serie II, 129-179, Madrid. HAVELOCK, ERIK A.. (1958), "Parmenides and Odysseus", Harvard Studies in Classical Philology, 63, 133-143. LORENZO ANEGÓN, EMMA (2002), "El mito del descenso a los infiernos en el arte cinematográfico", Binaria: Revista de comunicación, cultura y tecnología, Madrid. LLOYD JONES, HUGH (1971) The justice of Zeus, London. MACCHIORO, VITTORIO D. (1928), "La Catabasi Orfica", Classical Philology, 23 (3), 239-249. MARINATOS, NANNO (2001), "The cosmic journey of Odysseus", Numen (48), 382-416. MORALES HARLEY, ROBERTO (2012), "La katábasis como categoría mítica en el mundo greco-latino", Káñina, Revista Artes y Letras, Universidad Costa Rica, 127-138. ROBERTSON, NOEL (1980), "Heracles' 'Catabasis'", Hermes, 58 (1), 274-300. Página 56 ROHDE, ERWIN (1973) [1890-4], Psique: el culto de las almas y la creencia en la inmortalidad entre los griegos [Psyche. Seelencult und Unsterblichkeitsglaube der Griechen], Labor. SAFIATOU AMADOU&PEDROSA (2012), El héroe que fue al infierno y escuchó que cantaban allí su epopeya. Cantos épicos del pueblo djerma de Níger, Calambur, Barcelona. SANTAMARÍA ÁLVAREZ, MARCO ANTONIO (2013) "El descenso de Dioniso al Hades en busca de su madre" apud Apocalipsi, Catàbasi i Mil·lenarisme a les literatures antigues i la seua recepció, 217-240.