Ellen McClure | University of Illinois at Chicago (original) (raw)
Papers by Ellen McClure
Choice Reviews Online, May 1, 2007
... back of this book. Page 4. Sunspots and the Sun King SOVEREIGNTY AND MEDIATION IN SEVENTEENTH... more ... back of this book. Page 4. Sunspots and the Sun King SOVEREIGNTY AND MEDIATION IN SEVENTEENTH-CENTURY FRANCE ELLEN M. MCCLURE university of illinois press urbana and chicago Page 5. Publication of this ...
French Studies, Nov 30, 2022
The American Historical Review, Dec 1, 2021
Renaissance Quarterly, 2018
Sacred and Secular Agency in Early Modern France : Fragments of Religion
Renaissance Quarterly, 2016
Renaissance Quarterly, 2014
Dispositio N American Journal of Cultural Histories and Theories, 1996
Dix-septième siècle, 2013
The Journal of Modern History, 2004
Le Nouveau Molièriste
For documents surrounding the querelle de l'Ecole des femmes during 1663, see, in addition to Cou... more For documents surrounding the querelle de l'Ecole des femmes during 1663, see, in addition to Couton's edition of Molière, Georges Mongrédien, La Querelle de l'Ecole des femmes (Paris: Marcel Didier, 1971), and Mongrédien's introduction to the volume. 16 The issue of location comes up repeatedly in the play. See, for example, III, v, 988, where Arnolphe complains that his relationship with Agnès is a 'place usurpée' by Horace. At the start of Act IV, Arnolphe tells us that 'J'ai peine, je l'avoue, à demeurer en place' (IV, i, 1008). 17 This is the question asked by Maurice Blanchot in L'Espace littéraire (1955) and by a related, more recent body of writing and scholarship on the question of the 'place' of literature, or of the literary. See, for example, Georges Perec, Espèces d'espaces (Paris: Editions Galilée, 1974), and Marie-Claire Ropars-Wuilleumier, Ecrire l'espace (Paris: Presses universitaires de Vincennes, 2002). 18 The very concept of critical discussion involves a problem of conceptual 'distance', or what we today call 'critical distance'. For a reflection on this question, see Roland Barthes: '[Le critique] c'est un opérateur, il redistribue les éléments de l'oeuvre de façon à lui donner une certaine intelligence, c'est-à-dire une certaine distance', Critique et vérité (Paris: Editions du Seuil, 1966), p. 77.
Choice Reviews Online, May 1, 2007
... back of this book. Page 4. Sunspots and the Sun King SOVEREIGNTY AND MEDIATION IN SEVENTEENTH... more ... back of this book. Page 4. Sunspots and the Sun King SOVEREIGNTY AND MEDIATION IN SEVENTEENTH-CENTURY FRANCE ELLEN M. MCCLURE university of illinois press urbana and chicago Page 5. Publication of this ...
French Studies, Nov 30, 2022
The American Historical Review, Dec 1, 2021
Renaissance Quarterly, 2018
Sacred and Secular Agency in Early Modern France : Fragments of Religion
Renaissance Quarterly, 2016
Renaissance Quarterly, 2014
Dispositio N American Journal of Cultural Histories and Theories, 1996
Dix-septième siècle, 2013
The Journal of Modern History, 2004
Le Nouveau Molièriste
For documents surrounding the querelle de l'Ecole des femmes during 1663, see, in addition to Cou... more For documents surrounding the querelle de l'Ecole des femmes during 1663, see, in addition to Couton's edition of Molière, Georges Mongrédien, La Querelle de l'Ecole des femmes (Paris: Marcel Didier, 1971), and Mongrédien's introduction to the volume. 16 The issue of location comes up repeatedly in the play. See, for example, III, v, 988, where Arnolphe complains that his relationship with Agnès is a 'place usurpée' by Horace. At the start of Act IV, Arnolphe tells us that 'J'ai peine, je l'avoue, à demeurer en place' (IV, i, 1008). 17 This is the question asked by Maurice Blanchot in L'Espace littéraire (1955) and by a related, more recent body of writing and scholarship on the question of the 'place' of literature, or of the literary. See, for example, Georges Perec, Espèces d'espaces (Paris: Editions Galilée, 1974), and Marie-Claire Ropars-Wuilleumier, Ecrire l'espace (Paris: Presses universitaires de Vincennes, 2002). 18 The very concept of critical discussion involves a problem of conceptual 'distance', or what we today call 'critical distance'. For a reflection on this question, see Roland Barthes: '[Le critique] c'est un opérateur, il redistribue les éléments de l'oeuvre de façon à lui donner une certaine intelligence, c'est-à-dire une certaine distance', Critique et vérité (Paris: Editions du Seuil, 1966), p. 77.
Boydell & Brewer (Gallica series), 2020
A study of the impact of polemics around idolatry on considerations of authorship, consideration,... more A study of the impact of polemics around idolatry on considerations of authorship, consideration, love, and beauty in d'Urfé's L'Astrée, Descartes' Meditations, La Fontaine's Fables, Sévigné's Letters, Racine's Phèdre, and Molière's Sganarelle, ou le Cocu Imaginaire.