Paul C Finney | University of Missouri - St. Louis (original) (raw)
Papers by Paul C Finney
A catalog record for this book is available from the Library of Congress Slipcase illustration: I... more A catalog record for this book is available from the Library of Congress Slipcase illustration: Ivory panel (416 × 143 mm) with an archangel (probably Michael); right panel of a diptych (left panel lost). In his right hand the figure holds a globe surmounted by a Greek cross; in his left, a long staff, perhaps a scepter. The architectural setting consists in an arch supported by fluted columns, capped with Corinthian capitals; there are steps beneath the plinths below left and right. Beneath the arch is a wreath enclosing a Greek cross; a scalloped shell frames the wreath. Above the arch, within a long narrow rectangular tabula, is written: +ΔΕΧΟΥ ΠΑΡΟΝΤΑ ΚΑΙ ΜΑΘΩΝ ΤΗΝ ΑΙΤΙΑΝ ("Receive the suppliant, although you know his guilt"); London.BM, OA.9999. (Photo courtesy Trustees of the British Museum)
A catalog record for this book is available from the Library of Congress Slipcase illustration: I... more A catalog record for this book is available from the Library of Congress Slipcase illustration: Ivory panel (416 × 143 mm) with an archangel (probably Michael); right panel of a diptych (left panel lost). In his right hand the figure holds a globe surmounted by a Greek cross; in his left, a long staff, perhaps a scepter. The architectural setting consists in an arch supported by fluted columns, capped with Corinthian capitals; there are steps beneath the plinths below left and right. Beneath the arch is a wreath enclosing a Greek cross; a scalloped shell frames the wreath. Above the arch, within a long narrow rectangular tabula, is written: +ΔΕΧΟΥ ΠΑΡΟΝΤΑ ΚΑΙ ΜΑΘΩΝ ΤΗΝ ΑΙΤΙΑΝ ("Receive the suppliant, although you know his guilt"); London.BM, OA.9999. (Photo courtesy Trustees of the British Museum)
A catalog record for this book is available from the Library of Congress Slipcase illustration: I... more A catalog record for this book is available from the Library of Congress Slipcase illustration: Ivory panel (416 × 143 mm) with an archangel (probably Michael); right panel of a diptych (left panel lost). In his right hand the figure holds a globe surmounted by a Greek cross; in his left, a long staff, perhaps a scepter. The architectural setting consists in an arch supported by fluted columns, capped with Corinthian capitals; there are steps beneath the plinths below left and right. Beneath the arch is a wreath enclosing a Greek cross; a scalloped shell frames the wreath. Above the arch, within a long narrow rectangular tabula, is written: +ΔΕΧΟΥ ΠΑΡΟΝΤΑ ΚΑΙ ΜΑΘΩΝ ΤΗΝ ΑΙΤΙΑΝ ("Receive the suppliant, although you know his guilt"); London.BM, OA.9999. (Photo courtesy Trustees of the British Museum)
Late Antique Glass Pendants in the British Museum With an appendix by Philip Fletcher on the Meas... more Late Antique Glass Pendants in the British Museum With an appendix by Philip Fletcher on the Measurement of Colour
Pressed glass pendants in the BM 4th 5th c. Mostly Levantine provenience
Journal of Early Christian Studies, 1993
Antiguedad Y Cristianismo Monografias Historicas Sobre La Antiguedad Tardia, 2004
En los últimos veinte años, el tema del lugar sagrado ha ocupado de manera importante las mentes ... more En los últimos veinte años, el tema del lugar sagrado ha ocupado de manera importante las mentes de los estudiosos de la antigüedad Tardía. El tema de los lugares sagrados o de la sacralización de los lugares ha sido un catalizador en el estudio del desarrollo de la arquitectura cristiana durante los siglos IV al VI. El acceso a los lugares sagrados y el control de los mismos constituyó una importante señal de identidad para cristianos, judíos y paganos, durante la Antigüedad Tardía. El paradigma de Ritschl y Harnack, que suponía que el su esencia (Wesen) el Cristianismo era una forma de religiosidad opuesta a la sacralización de los lugares es poco más que un fleco antihistórico, desgajado de la amplia túnica de la polémica del siglo XVI. La mayor parte de los investigadores del siglo XX, que han trabajado sobre arte, arqueología, historia y religión, han ignorado tal paradigma, en el modo como operaba -solamente la investigación germana lo ha mantenido vivo. Pero en la última década del siglo XX, el paradigma ha pasado a tener carta de ciudadanía en la investigación anglófona, con consecuencias nada satisfactorias.
Journal of Theological Studies, 1998
American Journal of Archaeology, 1992
... VOLUME/EDITION: PAGES (INTRO/BODY): xv, 211 p. SUBJECT(S): Architecture, Early Christian; Bas... more ... VOLUME/EDITION: PAGES (INTRO/BODY): xv, 211 p. SUBJECT(S): Architecture, Early Christian; Basilicas; Temples, Roman; Mithraea; Synagogues; Buildings; Remodeling for other use; Rome. DISCIPLINE: No discipline assigned. LC NUMBER: NA4817 .W55 1990. HTTP: ...
Shofar: An Interdisciplinary Journal of Jewish Studies, 2001
Journal of Early Christian Studies, 1997
Journal of Early Christian Studies, 1994
The American Historical Review, 1997
Dustjacket for forthcoming 3 vol. work to appear August 2016
Page 1. THE INVISIBLE GOD The Earliest Christians on Art PAUL CORBY FINNEY Page 2. THE INVISIBLE ... more Page 1. THE INVISIBLE GOD The Earliest Christians on Art PAUL CORBY FINNEY Page 2. THE INVISIBLE COD Page 3. Page 4. THE INVISIBLE COD The Earliest Christians on Art Paul Corby Finney New York Oxford OXFORD UNIVERSITY PRESS 1994 Page 5. ...
The Harvard Theological Review, Jan 1, 1988
Page 1. HTR 81:3 (1988) 319-39 EARLY CHRISTIAN ARCHITECTURE: THE BEGINNINGS (A REVIEW ARTICLE) * ... more Page 1. HTR 81:3 (1988) 319-39 EARLY CHRISTIAN ARCHITECTURE: THE BEGINNINGS (A REVIEW ARTICLE) * Paul Corby Finney University of Missouri For George Huntston Williams Since the end of the Second World ...
Page 1. Seeing Beyond THE WORD Visual Arts and the Calvinist Tradition Edited b1 Paul Corby Finne... more Page 1. Seeing Beyond THE WORD Visual Arts and the Calvinist Tradition Edited b1 Paul Corby Finney Page 2. Page 3. Page 4. 358 Seeing Beyond the WORD Visual Arts and the Calvinist Tradition Editeh by Paul Corb^ Fi ...
A catalog record for this book is available from the Library of Congress Slipcase illustration: I... more A catalog record for this book is available from the Library of Congress Slipcase illustration: Ivory panel (416 × 143 mm) with an archangel (probably Michael); right panel of a diptych (left panel lost). In his right hand the figure holds a globe surmounted by a Greek cross; in his left, a long staff, perhaps a scepter. The architectural setting consists in an arch supported by fluted columns, capped with Corinthian capitals; there are steps beneath the plinths below left and right. Beneath the arch is a wreath enclosing a Greek cross; a scalloped shell frames the wreath. Above the arch, within a long narrow rectangular tabula, is written: +ΔΕΧΟΥ ΠΑΡΟΝΤΑ ΚΑΙ ΜΑΘΩΝ ΤΗΝ ΑΙΤΙΑΝ ("Receive the suppliant, although you know his guilt"); London.BM, OA.9999. (Photo courtesy Trustees of the British Museum)
A catalog record for this book is available from the Library of Congress Slipcase illustration: I... more A catalog record for this book is available from the Library of Congress Slipcase illustration: Ivory panel (416 × 143 mm) with an archangel (probably Michael); right panel of a diptych (left panel lost). In his right hand the figure holds a globe surmounted by a Greek cross; in his left, a long staff, perhaps a scepter. The architectural setting consists in an arch supported by fluted columns, capped with Corinthian capitals; there are steps beneath the plinths below left and right. Beneath the arch is a wreath enclosing a Greek cross; a scalloped shell frames the wreath. Above the arch, within a long narrow rectangular tabula, is written: +ΔΕΧΟΥ ΠΑΡΟΝΤΑ ΚΑΙ ΜΑΘΩΝ ΤΗΝ ΑΙΤΙΑΝ ("Receive the suppliant, although you know his guilt"); London.BM, OA.9999. (Photo courtesy Trustees of the British Museum)
A catalog record for this book is available from the Library of Congress Slipcase illustration: I... more A catalog record for this book is available from the Library of Congress Slipcase illustration: Ivory panel (416 × 143 mm) with an archangel (probably Michael); right panel of a diptych (left panel lost). In his right hand the figure holds a globe surmounted by a Greek cross; in his left, a long staff, perhaps a scepter. The architectural setting consists in an arch supported by fluted columns, capped with Corinthian capitals; there are steps beneath the plinths below left and right. Beneath the arch is a wreath enclosing a Greek cross; a scalloped shell frames the wreath. Above the arch, within a long narrow rectangular tabula, is written: +ΔΕΧΟΥ ΠΑΡΟΝΤΑ ΚΑΙ ΜΑΘΩΝ ΤΗΝ ΑΙΤΙΑΝ ("Receive the suppliant, although you know his guilt"); London.BM, OA.9999. (Photo courtesy Trustees of the British Museum)
Late Antique Glass Pendants in the British Museum With an appendix by Philip Fletcher on the Meas... more Late Antique Glass Pendants in the British Museum With an appendix by Philip Fletcher on the Measurement of Colour
Pressed glass pendants in the BM 4th 5th c. Mostly Levantine provenience
Journal of Early Christian Studies, 1993
Antiguedad Y Cristianismo Monografias Historicas Sobre La Antiguedad Tardia, 2004
En los últimos veinte años, el tema del lugar sagrado ha ocupado de manera importante las mentes ... more En los últimos veinte años, el tema del lugar sagrado ha ocupado de manera importante las mentes de los estudiosos de la antigüedad Tardía. El tema de los lugares sagrados o de la sacralización de los lugares ha sido un catalizador en el estudio del desarrollo de la arquitectura cristiana durante los siglos IV al VI. El acceso a los lugares sagrados y el control de los mismos constituyó una importante señal de identidad para cristianos, judíos y paganos, durante la Antigüedad Tardía. El paradigma de Ritschl y Harnack, que suponía que el su esencia (Wesen) el Cristianismo era una forma de religiosidad opuesta a la sacralización de los lugares es poco más que un fleco antihistórico, desgajado de la amplia túnica de la polémica del siglo XVI. La mayor parte de los investigadores del siglo XX, que han trabajado sobre arte, arqueología, historia y religión, han ignorado tal paradigma, en el modo como operaba -solamente la investigación germana lo ha mantenido vivo. Pero en la última década del siglo XX, el paradigma ha pasado a tener carta de ciudadanía en la investigación anglófona, con consecuencias nada satisfactorias.
Journal of Theological Studies, 1998
American Journal of Archaeology, 1992
... VOLUME/EDITION: PAGES (INTRO/BODY): xv, 211 p. SUBJECT(S): Architecture, Early Christian; Bas... more ... VOLUME/EDITION: PAGES (INTRO/BODY): xv, 211 p. SUBJECT(S): Architecture, Early Christian; Basilicas; Temples, Roman; Mithraea; Synagogues; Buildings; Remodeling for other use; Rome. DISCIPLINE: No discipline assigned. LC NUMBER: NA4817 .W55 1990. HTTP: ...
Shofar: An Interdisciplinary Journal of Jewish Studies, 2001
Journal of Early Christian Studies, 1997
Journal of Early Christian Studies, 1994
The American Historical Review, 1997
Dustjacket for forthcoming 3 vol. work to appear August 2016
Page 1. THE INVISIBLE GOD The Earliest Christians on Art PAUL CORBY FINNEY Page 2. THE INVISIBLE ... more Page 1. THE INVISIBLE GOD The Earliest Christians on Art PAUL CORBY FINNEY Page 2. THE INVISIBLE COD Page 3. Page 4. THE INVISIBLE COD The Earliest Christians on Art Paul Corby Finney New York Oxford OXFORD UNIVERSITY PRESS 1994 Page 5. ...
The Harvard Theological Review, Jan 1, 1988
Page 1. HTR 81:3 (1988) 319-39 EARLY CHRISTIAN ARCHITECTURE: THE BEGINNINGS (A REVIEW ARTICLE) * ... more Page 1. HTR 81:3 (1988) 319-39 EARLY CHRISTIAN ARCHITECTURE: THE BEGINNINGS (A REVIEW ARTICLE) * Paul Corby Finney University of Missouri For George Huntston Williams Since the end of the Second World ...
Page 1. Seeing Beyond THE WORD Visual Arts and the Calvinist Tradition Edited b1 Paul Corby Finne... more Page 1. Seeing Beyond THE WORD Visual Arts and the Calvinist Tradition Edited b1 Paul Corby Finney Page 2. Page 3. Page 4. 358 Seeing Beyond the WORD Visual Arts and the Calvinist Tradition Editeh by Paul Corb^ Fi ...