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Papers by Antonius R. Pujo Purnomo
MASSIVE: Jurnal Ilmu Komunikasi
Tujuan dilaksanakannya penelitian ini adalah untuk mengetahui penerimaan khalayak khususnya para ... more Tujuan dilaksanakannya penelitian ini adalah untuk mengetahui penerimaan khalayak khususnya para generasi muda terhadap banyaknya grup idol K-Pop yang menjadi brand ambassador bagi produk maupun lembaga di Indonesia saat ini. Penelitian dilaksanakan dengan menggunakan metode deskriptif kualitatif dengan pendekatan analisis resepsi milik Stuart Hall. Data dalam penelitian ini didapat dari beberapa responden yang merupakan kawula muda yang tinggal di Surabaya. Data dikumpulkan dengan menggunakan metode wawancara semi-terstruktur, yang kemudian dianalisis dengan analisis resepsi milik Stuart Hall yang berusaha untuk melihat penerimaan khalayak ke dalam tiga posisi penerimaan yakni posisi dominan hegemoni, negosiasi, dan oposisi. Dari hasil analisis yang telah dilakukan, didapatkan bahwa resepsi atau pemaknaan yang diberikan baik terhadap keberadaan Hallyu Wave dan penggunaan brand ambassador idol K-Pop di Indonesia didominasi oleh posisi negosiasi atau negotiated position yang dapat di...
AYUMI: Jurnal budaya, sastra, dan bahasa, 2023
The focus of this research problem discusses the inner conflict experienced by Chokichi as the ma... more The focus of this research problem discusses the inner conflict experienced by Chokichi as the main character in the short story Sumidagawa by Nagai Kafu which has a background in the Meiji era. This study uses the conflict theory put forward by Lewin, which divides inner conflict into three, namely approach-approach, approach-avoidance and avoidance-avoidance conflict. The purpose of this study is to identify and interpret the form of inner conflict in the main character in the short story Sumidagawa by Nagai Kafu. The benefit of this research is to contribute to the development of science, especially in Japanese literature in Indonesia. For general readers, it is hoped that this research article can introduce Nagai Kafu’s work as a reading reference, especially for the Sumidagawa short story, as well as a means for readers to appreciate contemporary works of Japanese literature. This research method use a descriptive qualitative analysis method to analyze each form of the main character’s inner conflict in each storyline of Sumidagawa short story. The data source for this research comes from the Sumidagawa short story by Nagai Kafu which is contained in the Aozora Bunko digital library along with an Indonesian translation book entitled Sungai Sumida which is included in the Collection of Japanese Short Stories by Hanafi (2017). The results of research on Chokichi’s inner conflict based on Lewin’s conflict theory show that he experiences a form of approach-avoidance conflict and avoidance-avoidance conflict. This form of inner conflict is represented in Chokichi in the form of desires that are not in line with reality, disputes that are not in line with the will, and confusion in dealing with a problem.
Kiryoku, 2023
This study mainly discusses about bravery and unyielding from character Asirpa and Sugimoto in an... more This study mainly discusses about bravery and unyielding from character Asirpa and Sugimoto in anime "The Golden Kamuy" (2018). Bravery is an element needed to survive in life and fighting the enemy. Bravery and unyielding are represented through various thrilling and heroic actions. This study aims to: 1) explain the background of the Ainu in the historical, social and cultural context; 2) identify the Bushido code of Asirpa and Sugimoto; and 3) analyzing the aspects of bravery and unyielding in each scene. The research method used qualitative with the subject matter of this research viewed from anthropological and sociological aspects. The data used from the Japanese animation "Golden Kamuy". This anime shows the life of the Ainu people who are the focus of this research who lives in the northern part of Japan and Russia and depends on hunting and fishery. In the anime at least some elements of bravery and unyielding which are: 1) Sugimoto tried to kill Russian soldiers alone when his friends were dead; 2) when Sugimoto tries to catch a big bear with Asirpa at night; 3) Sugimoto was interrogated by Lieutenant Tsurumi regarding the whereabouts of prisoners carrying gold nuggets belonging to the Ainu tribe; and 4) Sugimoto tried to save a prisoner who had died at sea. This incident is an example of an attitude of bravery and unyielding which will be discussed in the following research using the interpretation of Bushido code.
BORDER CROSSINGS: The Journal of Japanese-Language Literature Studies, 2022
The Journey of the Wounding Heart ：Trauma Healing Therapy in the Novel Malika's Sofa by Yoshimoto... more The Journey of the Wounding Heart ：Trauma Healing Therapy in the Novel Malika's Sofa by Yoshimoto Banana Yoshimoto Banana's novels are referred to as 'self-help' literature. As a result of Yoshimoto's impactful role in literature, it has the power to be of use in self-healing. One of them is Yoshimoto Banana's novel which describes the search for meaning within oneself by reconnecting with nature called Marika no Sofa (Malika's Sofa). This novel tells the story of a female doctor named Junko sensei and Malika, her patient who has many personalities. The symptoms of DID (Dissociative Identity Disorder) are shown by Yoshimoto in this novel, and it shows an interesting part that is highlighted how Yoshimoto offers a method of trauma healing by traveling and dialogue. In addition, in this study, the friendship connection and empathy emotion between the therapist and her patient are seen from the imago dialogue approach in Alfred Adler's therapy. And then, followed by the natural therapy method using green trees approach. The researcher chose to use the concept of shinrin yoku (forest bathing), which is an immersion in the natural surroundings to have a good physiological effect and provide relaxation on the mind and body. Junko sensei and Malika's trip to Bali can also be interpreted as a desire (motivation) to leave old wounds in the healing stage. Both of them rediscovered something that had been missing in their lives for a long time, it is to feel and live a full life like humans.
ELS Journal on Interdisciplinary Studies in Humanities, 2022
Diasporas are often said to live in “two worlds”. The conflicting relationship between their phys... more Diasporas are often said to live in “two worlds”. The conflicting relationship between their physical and mental states results in a fissure where symbolic and physical violence become the main drive for diaspora to survive. This violence comes not only due to these diaspora’s own inner conflicts, but also due to the discrepancies between their native and internalized culture with the external norms and values that surround them in their current stay. The theme of diaspora and violence has been recurrent in American cinematic representation. As the most recent example, an independent film entitled Everything, Everywhere All at Once delves into this issue by incorporating a storyline of a Chinese-diasporic family in the United States who encounters various problems regarding their cultural differences to their surroundings. This article seeks to examine the cultural dynamics only of Evelyn, Waymond, and Joy in the film’s storyline amidst the abundance of multiversal plot points that serve as the pivotal exposition in the film. The analyses are textually grounded based on Homi Bhabha’s notion of liminality and contextually on the differing conception of violence in Chinese and American contexts respectively. This article draws from a Taoist concept of Wu wei to interpret the latter point. This study finds that the film represents diasporic characters within a liminal space that forces them to produce their own “maneuver” in order to survive. The parental problems that Evelyn has with Joy as well as her familial and ideological problems with Waymond are found to be propelled by such culturally-laden maneuvers. The film then can be read as an allegory of Chinese-American diaspora’s liminal experience in the United States. This allegory contains an ethical stance where the idea of non-violence (wu wei) becomes the utopian message of the film.
Border Crossings: The Journal of Japanese-Language Literature Studies
Border Crossings: The Journal of Japanese-Language Literature Studies
Border Crossings: The Journal of Japanese-Language Literature Studies, 2020
The purpose of this thesis is to discuss the characteristics of Indonesian translations of Japane... more The purpose of this thesis is to discuss the characteristics of Indonesian translations of Japanese literary works which were published in the magazines Pandji Poestaka and Djawa Baroe during the Japanese occupation of Indonesia (1942-1945). Moreover, it also examines Indonesians' perceptions of these literary translations at that time. The study shows that attention to detail was lacking in the translation process because of the restrictions in place during the period of emergency of the military administration and the limited space available in these magazines. However, none of this diminishes the essence of the stories that were translated. Although they contained a lot of propagandistic elements that were insisted upon by the Japanese military government, the most important factor in determining the final form in which they were published was the role of their translators and editors. Since the magazine was published in two languages, readers from both Japan and Indonesia each gained new knowledge about and experiences of the culture and thinking of the other through the literary works that were translated. Ultimately these works were a medium of cultural exchange between the two nations during the war.
Border Crossings, 2018
Nanpō Shishū is a collection of poetry written by Jinbō Kotarō (1905-1990) when he was serving as... more Nanpō Shishū is a collection of poetry written by Jinbō Kotarō (1905-1990) when he was serving as a member of the Propaganda Division during the Japanese military occupation of Singapore (Shonan) from 1942 to1945. The poems, which describe his feelings during his ten months of duty in Singapore were written in Japanese and self-published in 1944 after Kotarō’s return to Japan. In other words, the target readers of his poems were Japanese only. This study does not delve into the reasons for Jinbō’s involvement in the Asia-Pacific War, since he was known as a romantic poet, but to analyze the characteristic of his poems and how he describes the relationship between Japanese and the multiethnicity of Singaporean people at that time. This study employs a qualitative approach that prioritizes the literary materials, especially Jinbō’s poetry collection, Nanpō Shishū.
新渡戸稲造は近代日本教育の方針に於いてどのように考えているのかを説いているものである。また伝統文化と西洋の思想の組み合わせによって、新たな日本の「人格形成」に対してどのような役割を果たしたのかに... more 新渡戸稲造は近代日本教育の方針に於いてどのように考えているのかを説いているものである。また伝統文化と西洋の思想の組み合わせによって、新たな日本の「人格形成」に対してどのような役割を果たしたのかについて説いているものである。
新渡戸稲造は外国人に向けて日本の伝統文化の価値観の意義を主張する一方、国内に向けては、近代国家形成を支える武士道とキリスト教が結合した新たな精神のモデルを提案している。これが新渡戸稲造『武士道』... more 新渡戸稲造は外国人に向けて日本の伝統文化の価値観の意義を主張する一方、国内に向けては、近代国家形成を支える武士道とキリスト教が結合した新たな精神のモデルを提案している。これが新渡戸稲造『武士道』の特質であり、同時に明治期という時代に規定された彼独自のナショナリズムの形でもあった。
教育者の新渡戸稲造と文豪の夏目漱石はどういう風に西洋を見ているのか、両者の欧米留学体験を通じてその思いを明らかにしている。
MASSIVE: Jurnal Ilmu Komunikasi
Tujuan dilaksanakannya penelitian ini adalah untuk mengetahui penerimaan khalayak khususnya para ... more Tujuan dilaksanakannya penelitian ini adalah untuk mengetahui penerimaan khalayak khususnya para generasi muda terhadap banyaknya grup idol K-Pop yang menjadi brand ambassador bagi produk maupun lembaga di Indonesia saat ini. Penelitian dilaksanakan dengan menggunakan metode deskriptif kualitatif dengan pendekatan analisis resepsi milik Stuart Hall. Data dalam penelitian ini didapat dari beberapa responden yang merupakan kawula muda yang tinggal di Surabaya. Data dikumpulkan dengan menggunakan metode wawancara semi-terstruktur, yang kemudian dianalisis dengan analisis resepsi milik Stuart Hall yang berusaha untuk melihat penerimaan khalayak ke dalam tiga posisi penerimaan yakni posisi dominan hegemoni, negosiasi, dan oposisi. Dari hasil analisis yang telah dilakukan, didapatkan bahwa resepsi atau pemaknaan yang diberikan baik terhadap keberadaan Hallyu Wave dan penggunaan brand ambassador idol K-Pop di Indonesia didominasi oleh posisi negosiasi atau negotiated position yang dapat di...
AYUMI: Jurnal budaya, sastra, dan bahasa, 2023
The focus of this research problem discusses the inner conflict experienced by Chokichi as the ma... more The focus of this research problem discusses the inner conflict experienced by Chokichi as the main character in the short story Sumidagawa by Nagai Kafu which has a background in the Meiji era. This study uses the conflict theory put forward by Lewin, which divides inner conflict into three, namely approach-approach, approach-avoidance and avoidance-avoidance conflict. The purpose of this study is to identify and interpret the form of inner conflict in the main character in the short story Sumidagawa by Nagai Kafu. The benefit of this research is to contribute to the development of science, especially in Japanese literature in Indonesia. For general readers, it is hoped that this research article can introduce Nagai Kafu’s work as a reading reference, especially for the Sumidagawa short story, as well as a means for readers to appreciate contemporary works of Japanese literature. This research method use a descriptive qualitative analysis method to analyze each form of the main character’s inner conflict in each storyline of Sumidagawa short story. The data source for this research comes from the Sumidagawa short story by Nagai Kafu which is contained in the Aozora Bunko digital library along with an Indonesian translation book entitled Sungai Sumida which is included in the Collection of Japanese Short Stories by Hanafi (2017). The results of research on Chokichi’s inner conflict based on Lewin’s conflict theory show that he experiences a form of approach-avoidance conflict and avoidance-avoidance conflict. This form of inner conflict is represented in Chokichi in the form of desires that are not in line with reality, disputes that are not in line with the will, and confusion in dealing with a problem.
Kiryoku, 2023
This study mainly discusses about bravery and unyielding from character Asirpa and Sugimoto in an... more This study mainly discusses about bravery and unyielding from character Asirpa and Sugimoto in anime "The Golden Kamuy" (2018). Bravery is an element needed to survive in life and fighting the enemy. Bravery and unyielding are represented through various thrilling and heroic actions. This study aims to: 1) explain the background of the Ainu in the historical, social and cultural context; 2) identify the Bushido code of Asirpa and Sugimoto; and 3) analyzing the aspects of bravery and unyielding in each scene. The research method used qualitative with the subject matter of this research viewed from anthropological and sociological aspects. The data used from the Japanese animation "Golden Kamuy". This anime shows the life of the Ainu people who are the focus of this research who lives in the northern part of Japan and Russia and depends on hunting and fishery. In the anime at least some elements of bravery and unyielding which are: 1) Sugimoto tried to kill Russian soldiers alone when his friends were dead; 2) when Sugimoto tries to catch a big bear with Asirpa at night; 3) Sugimoto was interrogated by Lieutenant Tsurumi regarding the whereabouts of prisoners carrying gold nuggets belonging to the Ainu tribe; and 4) Sugimoto tried to save a prisoner who had died at sea. This incident is an example of an attitude of bravery and unyielding which will be discussed in the following research using the interpretation of Bushido code.
BORDER CROSSINGS: The Journal of Japanese-Language Literature Studies, 2022
The Journey of the Wounding Heart ：Trauma Healing Therapy in the Novel Malika's Sofa by Yoshimoto... more The Journey of the Wounding Heart ：Trauma Healing Therapy in the Novel Malika's Sofa by Yoshimoto Banana Yoshimoto Banana's novels are referred to as 'self-help' literature. As a result of Yoshimoto's impactful role in literature, it has the power to be of use in self-healing. One of them is Yoshimoto Banana's novel which describes the search for meaning within oneself by reconnecting with nature called Marika no Sofa (Malika's Sofa). This novel tells the story of a female doctor named Junko sensei and Malika, her patient who has many personalities. The symptoms of DID (Dissociative Identity Disorder) are shown by Yoshimoto in this novel, and it shows an interesting part that is highlighted how Yoshimoto offers a method of trauma healing by traveling and dialogue. In addition, in this study, the friendship connection and empathy emotion between the therapist and her patient are seen from the imago dialogue approach in Alfred Adler's therapy. And then, followed by the natural therapy method using green trees approach. The researcher chose to use the concept of shinrin yoku (forest bathing), which is an immersion in the natural surroundings to have a good physiological effect and provide relaxation on the mind and body. Junko sensei and Malika's trip to Bali can also be interpreted as a desire (motivation) to leave old wounds in the healing stage. Both of them rediscovered something that had been missing in their lives for a long time, it is to feel and live a full life like humans.
ELS Journal on Interdisciplinary Studies in Humanities, 2022
Diasporas are often said to live in “two worlds”. The conflicting relationship between their phys... more Diasporas are often said to live in “two worlds”. The conflicting relationship between their physical and mental states results in a fissure where symbolic and physical violence become the main drive for diaspora to survive. This violence comes not only due to these diaspora’s own inner conflicts, but also due to the discrepancies between their native and internalized culture with the external norms and values that surround them in their current stay. The theme of diaspora and violence has been recurrent in American cinematic representation. As the most recent example, an independent film entitled Everything, Everywhere All at Once delves into this issue by incorporating a storyline of a Chinese-diasporic family in the United States who encounters various problems regarding their cultural differences to their surroundings. This article seeks to examine the cultural dynamics only of Evelyn, Waymond, and Joy in the film’s storyline amidst the abundance of multiversal plot points that serve as the pivotal exposition in the film. The analyses are textually grounded based on Homi Bhabha’s notion of liminality and contextually on the differing conception of violence in Chinese and American contexts respectively. This article draws from a Taoist concept of Wu wei to interpret the latter point. This study finds that the film represents diasporic characters within a liminal space that forces them to produce their own “maneuver” in order to survive. The parental problems that Evelyn has with Joy as well as her familial and ideological problems with Waymond are found to be propelled by such culturally-laden maneuvers. The film then can be read as an allegory of Chinese-American diaspora’s liminal experience in the United States. This allegory contains an ethical stance where the idea of non-violence (wu wei) becomes the utopian message of the film.
Border Crossings: The Journal of Japanese-Language Literature Studies
Border Crossings: The Journal of Japanese-Language Literature Studies
Border Crossings: The Journal of Japanese-Language Literature Studies, 2020
The purpose of this thesis is to discuss the characteristics of Indonesian translations of Japane... more The purpose of this thesis is to discuss the characteristics of Indonesian translations of Japanese literary works which were published in the magazines Pandji Poestaka and Djawa Baroe during the Japanese occupation of Indonesia (1942-1945). Moreover, it also examines Indonesians' perceptions of these literary translations at that time. The study shows that attention to detail was lacking in the translation process because of the restrictions in place during the period of emergency of the military administration and the limited space available in these magazines. However, none of this diminishes the essence of the stories that were translated. Although they contained a lot of propagandistic elements that were insisted upon by the Japanese military government, the most important factor in determining the final form in which they were published was the role of their translators and editors. Since the magazine was published in two languages, readers from both Japan and Indonesia each gained new knowledge about and experiences of the culture and thinking of the other through the literary works that were translated. Ultimately these works were a medium of cultural exchange between the two nations during the war.
Border Crossings, 2018
Nanpō Shishū is a collection of poetry written by Jinbō Kotarō (1905-1990) when he was serving as... more Nanpō Shishū is a collection of poetry written by Jinbō Kotarō (1905-1990) when he was serving as a member of the Propaganda Division during the Japanese military occupation of Singapore (Shonan) from 1942 to1945. The poems, which describe his feelings during his ten months of duty in Singapore were written in Japanese and self-published in 1944 after Kotarō’s return to Japan. In other words, the target readers of his poems were Japanese only. This study does not delve into the reasons for Jinbō’s involvement in the Asia-Pacific War, since he was known as a romantic poet, but to analyze the characteristic of his poems and how he describes the relationship between Japanese and the multiethnicity of Singaporean people at that time. This study employs a qualitative approach that prioritizes the literary materials, especially Jinbō’s poetry collection, Nanpō Shishū.
新渡戸稲造は近代日本教育の方針に於いてどのように考えているのかを説いているものである。また伝統文化と西洋の思想の組み合わせによって、新たな日本の「人格形成」に対してどのような役割を果たしたのかに... more 新渡戸稲造は近代日本教育の方針に於いてどのように考えているのかを説いているものである。また伝統文化と西洋の思想の組み合わせによって、新たな日本の「人格形成」に対してどのような役割を果たしたのかについて説いているものである。
新渡戸稲造は外国人に向けて日本の伝統文化の価値観の意義を主張する一方、国内に向けては、近代国家形成を支える武士道とキリスト教が結合した新たな精神のモデルを提案している。これが新渡戸稲造『武士道』... more 新渡戸稲造は外国人に向けて日本の伝統文化の価値観の意義を主張する一方、国内に向けては、近代国家形成を支える武士道とキリスト教が結合した新たな精神のモデルを提案している。これが新渡戸稲造『武士道』の特質であり、同時に明治期という時代に規定された彼独自のナショナリズムの形でもあった。
教育者の新渡戸稲造と文豪の夏目漱石はどういう風に西洋を見ているのか、両者の欧米留学体験を通じてその思いを明らかにしている。
アジア遊学286 近代アジアの文学と翻訳 AJIA YUUGAKU 286 KINDAI NIHON NO BUNGAKU TO HONYAKU, 2023
アジアの近代は、文学・文化が大きく変容を遂げた時代であった。 その地殻変動に「翻訳」の果たした役割は大きい。 日本近代文学は西欧やロシア文学からどのような影響を受けたのか。 中国の新文学は西欧や... more アジアの近代は、文学・文化が大きく変容を遂げた時代であった。
その地殻変動に「翻訳」の果たした役割は大きい。
日本近代文学は西欧やロシア文学からどのような影響を受けたのか。
中国の新文学は西欧や日本からどのような刺激を受けて誕生したのか。
日本の旧植民地、東南アジアの国々は西欧や日本とどう関わり、近代を創出したのか。
夏目漱石、永井荷風、川端康成、魯迅、周作人、ロシハン・アンワル、ハンス・バグエ・ヤシンら作家たちの翻訳を通して、日本や中国、韓国、台湾、旧満洲、インドネシア諸地域の近代を読み解く。
原典と翻訳との相違や、翻訳の役割・意義を明らかにするとともに、時代のコンテクストや政治的な思惑、ナショナリズムの相互刺激、西洋に対するまなざしの差異、ジェンダー、植民地と宗主国との関係といった諸問題も浮かび上がらせる。
