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Exhibition Catalogues by Didem Yazici

Research paper thumbnail of A Symphony, Three Love Songs and One Game

Move, Oct 2012

The publication that accompanies "The Move" exhibition at ARTER features Başak Şenova's conceptua... more The publication that accompanies "The Move" exhibition at ARTER features Başak Şenova's conceptual framework text along with essays by Mia Jankowicz, Kerstin Stakemeier and Didem Yazici. The book also includes dialogues between the curator and each artist, Adel Abidin, Rosa Barba and Runa Islam as well as stills from and photos of the works in the exhibition.

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Research paper thumbnail of Tripping Up But Not Falling

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Research paper thumbnail of A Musical and Political Calendar

The research starting with the question “What is left if we take the music out of a band?” brings... more The research starting with the question “What is left if we take the music out of a band?” brings us to an imaginary band, the unreal gigs of this band, and the set up that was designed with the fake objects that were left over from these performances. Masa lies as a massive four-legged animal in the form of a phony museum crafted with fake objects. In fact, we are on a suspicious ground that the tickets to non-existing concerts and unwritten newspaper articles are laid out in front of us, and actually it doesn’t really matter if the audience believes in them or not.

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Research paper thumbnail of ‘Saudade’ For The Undefinable

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Research paper thumbnail of Electronic Music – Traditional Paper Cutting Art – Mural – Politics and Women: Notes on Halil Vurucuoğlu’s Art

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Interview with Curators by Didem Yazici

Research paper thumbnail of On running an off-space: Conversation with Anatoli Nat Skatchov

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Research paper thumbnail of Conversation with Daniel Birnbaum and Donatien Grau

RES Art World / World Art, Jun 2011

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Research paper thumbnail of Conversation with Achim Borchardt-Hume

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Exhibition / Artist Reviews by Didem Yazici

Research paper thumbnail of Art Propaganda and Politics: Goshka Macuga

RES Art World / World Art, Mar 2010

With her exhibition titled The Nature of the Beast, Goshka Macuga’s intention is to question not ... more With her exhibition titled The Nature of the Beast, Goshka Macuga’s intention is to question not only the roles of the artist and the spectator, but also the notion of contemporary democracy. Bringing back one of the most iconic works related to politics in modern art history, Guernica (the original was previously exhibited in 1939 at the Whitechapel Gallery), is both a reference to the history of The Whitechapel Gallery’s space, as well as to the current relation of art, propaganda and politics.

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Research paper thumbnail of 10th Istanbul Biennial

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Conversation with Artists by Didem Yazici

Research paper thumbnail of Conversation with Jimmie Durham

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Research paper thumbnail of Conversation with Franziska Stenglin

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Research paper thumbnail of Conversation with Paul Philipp Heinze

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Research paper thumbnail of Conversation with Scott Rogers

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Research paper thumbnail of Conversation with Khaled Barakeh

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Papers by Didem Yazici

Research paper thumbnail of Triennials In Asia Pacific: The Curatorial Shift In “The Asia Pacific Triennail”

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Research paper thumbnail of The Curatorial Turn in The International Istanbul Biennial

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Books by Didem Yazici

Research paper thumbnail of Adel Abidin. Symphony

Adel Abidin. Symphony, 2011

This book, edited by Basak Senova, documents different perspectives on Adel Abidin’s four-part pr... more This book, edited by Basak Senova, documents different perspectives on Adel Abidin’s four-part project, which reflects the artist’s reaction to the horrific incident in Baghdad in March 2012, in which young people were stoned to death by religious extremists for emulating the ‘emo’ style. The project is the accumulation of a year long process of research and production with two separate phases. It began to take shape immediately after the incident and emerged first as a two-part project presented in different media. This first phase consisted of a sculpture-based installation and a video installation as part of the artist’s solo exhibition at Arter, Istanbul in November 2012. In the second phase, additional research led Abidin to discover fresh sources and new points of departure, bringing him deeper into his subject. Then he presented the second and final phase of the journey in a different location, in Lawrie Shabibi, Dubai. In this book, writers and curators such as Nat Muller, Arie Amaya-Akkermans, Daniella
Rose King, Didem Yazici, and the curator of the project, Basak Senova discuss and respond to this specific project. Through different viewpoints, they focus on Abidin’s artistic approach and working methodology, the works that the project inhabits, the curatorial approach and spatial design of the presentation along with the conceptual basis in a critical framework. The book starts with an interview with Abidin which reveals the evolution of his motives, ideas, and objectives.

The publication coincides with an exhibition of the same title by Adel Abidin and curated by Basak Senova at Lawrie Shabibi, Dubai 18 March - 18 April 2013. Copyright © 2011 Lawrie Shabibi, writers and artist.
Copy Editing and Proofreading: Abeer Seikaly; Graphic Design Joud Malhas; and Photography: Pekka Niittyvirta.

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Research paper thumbnail of A Symphony, Three Love Songs and One Game

Move, Oct 2012

The publication that accompanies "The Move" exhibition at ARTER features Başak Şenova's conceptua... more The publication that accompanies "The Move" exhibition at ARTER features Başak Şenova's conceptual framework text along with essays by Mia Jankowicz, Kerstin Stakemeier and Didem Yazici. The book also includes dialogues between the curator and each artist, Adel Abidin, Rosa Barba and Runa Islam as well as stills from and photos of the works in the exhibition.

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Research paper thumbnail of Tripping Up But Not Falling

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Research paper thumbnail of A Musical and Political Calendar

The research starting with the question “What is left if we take the music out of a band?” brings... more The research starting with the question “What is left if we take the music out of a band?” brings us to an imaginary band, the unreal gigs of this band, and the set up that was designed with the fake objects that were left over from these performances. Masa lies as a massive four-legged animal in the form of a phony museum crafted with fake objects. In fact, we are on a suspicious ground that the tickets to non-existing concerts and unwritten newspaper articles are laid out in front of us, and actually it doesn’t really matter if the audience believes in them or not.

Bookmarks Related papers MentionsView impact

Research paper thumbnail of ‘Saudade’ For The Undefinable

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Research paper thumbnail of Electronic Music – Traditional Paper Cutting Art – Mural – Politics and Women: Notes on Halil Vurucuoğlu’s Art

Bookmarks Related papers MentionsView impact

Research paper thumbnail of On running an off-space: Conversation with Anatoli Nat Skatchov

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Research paper thumbnail of Conversation with Daniel Birnbaum and Donatien Grau

RES Art World / World Art, Jun 2011

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Research paper thumbnail of Conversation with Achim Borchardt-Hume

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Research paper thumbnail of Art Propaganda and Politics: Goshka Macuga

RES Art World / World Art, Mar 2010

With her exhibition titled The Nature of the Beast, Goshka Macuga’s intention is to question not ... more With her exhibition titled The Nature of the Beast, Goshka Macuga’s intention is to question not only the roles of the artist and the spectator, but also the notion of contemporary democracy. Bringing back one of the most iconic works related to politics in modern art history, Guernica (the original was previously exhibited in 1939 at the Whitechapel Gallery), is both a reference to the history of The Whitechapel Gallery’s space, as well as to the current relation of art, propaganda and politics.

Bookmarks Related papers MentionsView impact

Research paper thumbnail of 10th Istanbul Biennial

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Research paper thumbnail of Conversation with Jimmie Durham

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Research paper thumbnail of Conversation with Franziska Stenglin

Bookmarks Related papers MentionsView impact

Research paper thumbnail of Conversation with Paul Philipp Heinze

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Research paper thumbnail of Conversation with Scott Rogers

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Research paper thumbnail of Conversation with Khaled Barakeh

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Research paper thumbnail of Triennials In Asia Pacific: The Curatorial Shift In “The Asia Pacific Triennail”

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Research paper thumbnail of The Curatorial Turn in The International Istanbul Biennial

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Research paper thumbnail of Adel Abidin. Symphony

Adel Abidin. Symphony, 2011

This book, edited by Basak Senova, documents different perspectives on Adel Abidin’s four-part pr... more This book, edited by Basak Senova, documents different perspectives on Adel Abidin’s four-part project, which reflects the artist’s reaction to the horrific incident in Baghdad in March 2012, in which young people were stoned to death by religious extremists for emulating the ‘emo’ style. The project is the accumulation of a year long process of research and production with two separate phases. It began to take shape immediately after the incident and emerged first as a two-part project presented in different media. This first phase consisted of a sculpture-based installation and a video installation as part of the artist’s solo exhibition at Arter, Istanbul in November 2012. In the second phase, additional research led Abidin to discover fresh sources and new points of departure, bringing him deeper into his subject. Then he presented the second and final phase of the journey in a different location, in Lawrie Shabibi, Dubai. In this book, writers and curators such as Nat Muller, Arie Amaya-Akkermans, Daniella
Rose King, Didem Yazici, and the curator of the project, Basak Senova discuss and respond to this specific project. Through different viewpoints, they focus on Abidin’s artistic approach and working methodology, the works that the project inhabits, the curatorial approach and spatial design of the presentation along with the conceptual basis in a critical framework. The book starts with an interview with Abidin which reveals the evolution of his motives, ideas, and objectives.

The publication coincides with an exhibition of the same title by Adel Abidin and curated by Basak Senova at Lawrie Shabibi, Dubai 18 March - 18 April 2013. Copyright © 2011 Lawrie Shabibi, writers and artist.
Copy Editing and Proofreading: Abeer Seikaly; Graphic Design Joud Malhas; and Photography: Pekka Niittyvirta.

Bookmarks Related papers MentionsView impact