Ady Nugeraha | Universitas Multimedia Nusantara (original) (raw)
Thesis by Ady Nugeraha
Art fair is one of distinguished art distribution model since 2000’s. There are two art fairs he... more Art fair is one of distinguished art distribution model since 2000’s. There are two
art fairs held in Indonesia since 2000’s, namely ART|JOG and Bazaar Art Jakarta.
Both art fair will be the object of this research.
This research will study the sociological aspects of art fairs in Indonesian
contemporary art through ART|JOG and Bazaar Art Jakarta, how these art fairs
are managed, and how commodification patterns in each of the art fair. Data in
were collected through literatures, interviews, and direct observations. While
qualitative methods will be used as analysis.
This research found that the terms ‘art fair’ is commonly used in Indonesia since
2000s. Nevertheless, exhibition models that show the characteristics of the art fair
has existed in Indonesia for a long time. This research also found that the difference
between ART | JOG and BAJ is in its production-consumption mechanism. ART |
JOG takes role in distributing artworks and also in conducting the supporting
activities. While BAJ only limited in conducting the supporting activities while not
directly distributing artworks.
This research also concluded that there are new patterns that exist in Indonesian
contemporary art market due to the emergence of an art fair, namely (1) the
acceleration of internationalization and openness to the circle of international
markets (2)Spectacles aspects in exhibition is put forward (3) Art fair as momentum
for celebration of contemporary art (4) Assimilation between commercial activities
and non-commercial in exhibition. These patters indicate that there is an expansion
in Indonesian contemporary art market.
Keywords: art fair, contemporary art, distribution, market
Papers by Ady Nugeraha
Kartala Visual Studies, Dec 5, 2021
Museum is a non-profit organization to serve and build society that is open to the public. Museum... more Museum is a non-profit organization to serve and build society that is open to the public. Museums are responsible to collect, conserve, investigate, communicate, and display human heritage and its environment, both tangible and intangible, for the purpose of education, research, and pleasure. According to the data published by the government in 2020, there are 439 museums in Indonesia. However, only 32 museums are included as Type A (Excellent). Meanwhile, almost 50% of the rest of the museums are yet to be evaluated. Despite the rapid growth in the number of museums in recent years, this data indicates the lack of design, management, and supervision of museums in Indonesia. This research is qualitative and descriptive research that observes a number of museums in major cities to identify general problems of museum's design and management. The result is evaluated through common practice of international museums as well as encompassing regulations. This research categorizes these problems into infrastructure and spatial design, narrative and curatorial, and pedagogy and visitor's interaction. With the cultural diversity and abundance of natural resources in Indonesia, proper design and management could maximize museum's potential as means of conserving humanity's heritage, informal education, recreation, as well as driving economic and cultural-tourism activities.
Dunia dalam Berita, 2019
Essay for the exhibition 'Dunia dalam Berita', 1 May - 21 July 2019 at Museum MACAN. Participati... more Essay for the exhibition 'Dunia dalam Berita', 1 May - 21 July 2019 at Museum MACAN.
Participating artists: Agus Suwage, FX Harsono, Heri Dono, I GAK Murniasih, I Nyoman Masriadi, Krisna Murti, Mella Jaarsma, S. Teddy D., Taring Padi, and Tisna Sanjaya.
Curatorial team: Aaron Seeto, Asep Topan, Asri Winata and Ady Nugeraha
Kartala Visual Studies, 2021
Museum is a non-profit organization to serve and build society that is open to the public. Museum... more Museum is a non-profit organization to serve and build society that is open to the public. Museums are responsible to collect, conserve, investigate, communicate, and display human heritage and its environment, both tangible and intangible, for the purpose of education, research, and pleasure. According to the data published by the government in 2020, there are 439 museums in Indonesia. However, only 32 museums are included as Type A (Excellent). Meanwhile, almost 50% of the rest of the museums are yet to be evaluated. Despite the rapid growth in the number of museums in recent years, this data indicates the lack of design, management, and supervision of museums in Indonesia. This research is qualitative and descriptive research that observes a number of museums in major cities to identify general problems of museum's design and management. The result is evaluated through common practice of international museums as well as encompassing regulations. This research categorizes these problems into infrastructure and spatial design, narrative and curatorial, and pedagogy and visitor's interaction. With the cultural diversity and abundance of natural resources in Indonesia, proper design and management could maximize museum's potential as means of conserving humanity's heritage, informal education, recreation, as well as driving economic and cultural-tourism activities.
Art fair is one of distinguished art distribution model since 2000’s. There are two art fairs he... more Art fair is one of distinguished art distribution model since 2000’s. There are two
art fairs held in Indonesia since 2000’s, namely ART|JOG and Bazaar Art Jakarta.
Both art fair will be the object of this research.
This research will study the sociological aspects of art fairs in Indonesian
contemporary art through ART|JOG and Bazaar Art Jakarta, how these art fairs
are managed, and how commodification patterns in each of the art fair. Data in
were collected through literatures, interviews, and direct observations. While
qualitative methods will be used as analysis.
This research found that the terms ‘art fair’ is commonly used in Indonesia since
2000s. Nevertheless, exhibition models that show the characteristics of the art fair
has existed in Indonesia for a long time. This research also found that the difference
between ART | JOG and BAJ is in its production-consumption mechanism. ART |
JOG takes role in distributing artworks and also in conducting the supporting
activities. While BAJ only limited in conducting the supporting activities while not
directly distributing artworks.
This research also concluded that there are new patterns that exist in Indonesian
contemporary art market due to the emergence of an art fair, namely (1) the
acceleration of internationalization and openness to the circle of international
markets (2)Spectacles aspects in exhibition is put forward (3) Art fair as momentum
for celebration of contemporary art (4) Assimilation between commercial activities
and non-commercial in exhibition. These patters indicate that there is an expansion
in Indonesian contemporary art market.
Keywords: art fair, contemporary art, distribution, market
Kartala Visual Studies, Dec 5, 2021
Museum is a non-profit organization to serve and build society that is open to the public. Museum... more Museum is a non-profit organization to serve and build society that is open to the public. Museums are responsible to collect, conserve, investigate, communicate, and display human heritage and its environment, both tangible and intangible, for the purpose of education, research, and pleasure. According to the data published by the government in 2020, there are 439 museums in Indonesia. However, only 32 museums are included as Type A (Excellent). Meanwhile, almost 50% of the rest of the museums are yet to be evaluated. Despite the rapid growth in the number of museums in recent years, this data indicates the lack of design, management, and supervision of museums in Indonesia. This research is qualitative and descriptive research that observes a number of museums in major cities to identify general problems of museum's design and management. The result is evaluated through common practice of international museums as well as encompassing regulations. This research categorizes these problems into infrastructure and spatial design, narrative and curatorial, and pedagogy and visitor's interaction. With the cultural diversity and abundance of natural resources in Indonesia, proper design and management could maximize museum's potential as means of conserving humanity's heritage, informal education, recreation, as well as driving economic and cultural-tourism activities.
Dunia dalam Berita, 2019
Essay for the exhibition 'Dunia dalam Berita', 1 May - 21 July 2019 at Museum MACAN. Participati... more Essay for the exhibition 'Dunia dalam Berita', 1 May - 21 July 2019 at Museum MACAN.
Participating artists: Agus Suwage, FX Harsono, Heri Dono, I GAK Murniasih, I Nyoman Masriadi, Krisna Murti, Mella Jaarsma, S. Teddy D., Taring Padi, and Tisna Sanjaya.
Curatorial team: Aaron Seeto, Asep Topan, Asri Winata and Ady Nugeraha
Kartala Visual Studies, 2021
Museum is a non-profit organization to serve and build society that is open to the public. Museum... more Museum is a non-profit organization to serve and build society that is open to the public. Museums are responsible to collect, conserve, investigate, communicate, and display human heritage and its environment, both tangible and intangible, for the purpose of education, research, and pleasure. According to the data published by the government in 2020, there are 439 museums in Indonesia. However, only 32 museums are included as Type A (Excellent). Meanwhile, almost 50% of the rest of the museums are yet to be evaluated. Despite the rapid growth in the number of museums in recent years, this data indicates the lack of design, management, and supervision of museums in Indonesia. This research is qualitative and descriptive research that observes a number of museums in major cities to identify general problems of museum's design and management. The result is evaluated through common practice of international museums as well as encompassing regulations. This research categorizes these problems into infrastructure and spatial design, narrative and curatorial, and pedagogy and visitor's interaction. With the cultural diversity and abundance of natural resources in Indonesia, proper design and management could maximize museum's potential as means of conserving humanity's heritage, informal education, recreation, as well as driving economic and cultural-tourism activities.