Maria Venuso | Università degli Studi di Napoli "Federico II" (original) (raw)
Address: Napoli, Campania, Italy
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Papers by Maria Venuso
Dido and Aeneas: Mark Morris e il dramma di Didone, in Mimesis Journal, vol. 10, n. 1, 2021
Giuseppe de Dominicis de Rossi alle Reali Scuole di Ballo di Napoli. Alcuni documenti inediti, in «Danza e Ricerca. Laboratorio di studi, scritture, visioni», 13 , 2021
Pulcinella, ‘maschera nuda’ di Francesco Nappa, 2018
Atti del Convegno internazionale di Studi Danza e Ballo a Napoli: un dialogo con l’Europa (1806-1861), a cura di Paologiovanni Maione e Maria Venuso, Napoli, Edizioni Turchini, 2021
Tipologia delle fonti ed esiti drammaturgici del balletto Giselle, 2013
Congress on Research in Dance Conference Proceedings
In Nikos Kazantzakis’ novel, Zorba the Greek, dance has a great importance. The transposition of ... more In Nikos Kazantzakis’ novel, Zorba the Greek, dance has a great importance. The transposition of the novel into a ballet by Lorca Massine (1987) simplified the novel's complexity, thus “rejuvenating” the ancient world described by Kazantzakis. The contrast of Apollonian vs. Dionysian is entrusted to the style of the protagonists. They propose the modern heritage of traditional Greece, imposing a new dance tradition (syrtaki), based on ancient and popular reminiscences—a new myth. This contribution aims to analyze how dance becomes expressed thus revealing of collective identity, in the transposition from the novel into a ballet through the movie.
in "Napoli e Rossini. Di questa luce un raggio". Atti del Convegno Internazionale di Studi ), Napoli-Avellino (25-27 ottobre 2018), a cura di Antonio Caroccia, Francesco Cotticelli, Paologiovanni Maione, Napoli, Edizioni San Pietro a Majella, 2020, 2020
In Nikos Kazantzakis' novel, Zorba the Greek, dance has a great importance. The transposition of ... more In Nikos Kazantzakis' novel, Zorba the Greek, dance has a great importance. The transposition of the novel into a ballet by Lorca Massine (1987), simplified the novel's complexity " rejuvenating " the ancient world described by Kazantzakis. The contrast Apollonian/Dionysian is entrusted to the style of the protagonists. They propose the modern heritage of traditional Greece, imposing a new dance tradition (syrtaki), based on ancient and popular reminiscences, a new myth. A considerable social phenomenon. This contribution wants to analyze how dance becomes expressed revealing of collective identity, in the transposition from the novel into a ballet through the movie.
Dance Reviews by Maria Venuso
Dido and Aeneas: Mark Morris e il dramma di Didone, in Mimesis Journal, vol. 10, n. 1, 2021
Giuseppe de Dominicis de Rossi alle Reali Scuole di Ballo di Napoli. Alcuni documenti inediti, in «Danza e Ricerca. Laboratorio di studi, scritture, visioni», 13 , 2021
Pulcinella, ‘maschera nuda’ di Francesco Nappa, 2018
Atti del Convegno internazionale di Studi Danza e Ballo a Napoli: un dialogo con l’Europa (1806-1861), a cura di Paologiovanni Maione e Maria Venuso, Napoli, Edizioni Turchini, 2021
Tipologia delle fonti ed esiti drammaturgici del balletto Giselle, 2013
Congress on Research in Dance Conference Proceedings
In Nikos Kazantzakis’ novel, Zorba the Greek, dance has a great importance. The transposition of ... more In Nikos Kazantzakis’ novel, Zorba the Greek, dance has a great importance. The transposition of the novel into a ballet by Lorca Massine (1987) simplified the novel's complexity, thus “rejuvenating” the ancient world described by Kazantzakis. The contrast of Apollonian vs. Dionysian is entrusted to the style of the protagonists. They propose the modern heritage of traditional Greece, imposing a new dance tradition (syrtaki), based on ancient and popular reminiscences—a new myth. This contribution aims to analyze how dance becomes expressed thus revealing of collective identity, in the transposition from the novel into a ballet through the movie.
in "Napoli e Rossini. Di questa luce un raggio". Atti del Convegno Internazionale di Studi ), Napoli-Avellino (25-27 ottobre 2018), a cura di Antonio Caroccia, Francesco Cotticelli, Paologiovanni Maione, Napoli, Edizioni San Pietro a Majella, 2020, 2020
In Nikos Kazantzakis' novel, Zorba the Greek, dance has a great importance. The transposition of ... more In Nikos Kazantzakis' novel, Zorba the Greek, dance has a great importance. The transposition of the novel into a ballet by Lorca Massine (1987), simplified the novel's complexity " rejuvenating " the ancient world described by Kazantzakis. The contrast Apollonian/Dionysian is entrusted to the style of the protagonists. They propose the modern heritage of traditional Greece, imposing a new dance tradition (syrtaki), based on ancient and popular reminiscences, a new myth. A considerable social phenomenon. This contribution wants to analyze how dance becomes expressed revealing of collective identity, in the transposition from the novel into a ballet through the movie.