Hadrien J Rambach | Université de Lille (original) (raw)

Engraved gems by Hadrien J Rambach

Hadrien Rambach, « Conjectures upon the British and Saxon Coins etc. Notes on a Manuscript in the... more Hadrien Rambach, « Conjectures upon the British and Saxon Coins etc. Notes on a Manuscript in the ANS Library », in American Numismatic Society magazine, vol. 17-2 (2018), pp. 40-45

Hadrien Rambach, « A manuscript description in Kraków of the ‘Trivulzio museum’ in Milan », in Studies in Ancient Art and Civilization, vol. 21 (2017), pp. 261-274

Hadrien Rambach, « Collecting engraved gems », in GemGuide, vol. 37.2 (March-April 2018), pp. 13-18

Membre de la Chambre belge des experts en oeuvres d'art. Expertise: glyptique

in: Bulletin du cercle d'études numismatiques, vol. 52.1 (January-April 2015), pp. 2-5 Un dénomm... more in: Bulletin du cercle d'études numismatiques, vol. 52.1 (January-April 2015), pp. 2-5

Un dénommé « Baer », à l’époque de la Révolution, était graveur en pierres fines du comte d’Artois. Son nom se retrouve dans les ouvrages de glyptique, mais son œuvre reste inconnu, à l’exception d’une intaille en cornaline à l’effigie du roi Henri IV, une pierre reproduite par Tassie dès avant 1791 et republiée ici en détails. C’est grâce à ce terminus post quem que, en la quasi-absence d’information sur l’artiste, ce portrait peut être attribué aux années 1770-1780 durant lesquelles survint un renouveau d’affection pour le premier des Bourbon.
At the time of the Revolution, a Parisian named Baer was the gem-engraver of the count of Artois. Books on glyptics list his name, but his work remains un- known, with the exception of a carnelian intaglio depicting the French king Henry IV. This stone was reproduced by Tassie by 1791, and is re-published here with details. In the near absence of any information on the artist, and based on this terminus post quem, we can ascribe this portrait to the 1770s-1780s, during which time there was a surge of affection for the first of the Bourbons.

Hadrien Rambach & François Planet, notice on two cameos and one intaglio, pp. 69-71.

American Numismatic Society magazine, vol. 13-2 (2014), pp. 34-49

in "Cahiers numismatiques. Revue trimestrielle de la Société d'Etudes Numismatiques et Archéologiques", issue 198 (December 2013), pp. 43-46

Publication of a previously unknown cameo of Napoleon by the Roman gem-engraver Vincenzo Teoli. I... more Publication of a previously unknown cameo of Napoleon by the Roman gem-engraver Vincenzo Teoli. It copies the marble bust by Antonio Canova, but constitutes a masterpiece by itself - if only by its exceptional dimensions.

"A large gold ring, set with an oval paste-intaglio of 19 x 15 mm, together with a letter by Joha... more "A large gold ring, set with an oval paste-intaglio of 19 x 15 mm, together with a letter by Johann Wolfgang von Goethe (1749-1832) was recently sold in New York . The auction-catalogue described this ring as having been previously owned by Goethe, and engraved c.1826 by Angelica Facius (1806-1887). (...) The Lempertz-Christie’s ring is undoubtedly a genuine late Georgian / Biedermeier gold ring, set with a paste-impression. Its Goethe-provenance is not attested, nor is Angelica Facius’ authorship: why Lempertz believed it is still uncertain. But it remains nevertheless an attractive collector’s item."

The famous "Seal of Nero, a Roman intaglio depicting Apollo, Marsyas and Olympus, was once in the... more The famous "Seal of Nero, a Roman intaglio depicting Apollo, Marsyas and Olympus, was once in the collection of Lorenzo il Magnifico and is now in the National Museum of Naples. Two gems related to that "Seal of Nero" are published here for the first time: one, a severely damaged intaglio kept in the Musée des Beaux-Arts de Lyon, is supposed to date from the third quarter of the first century BC. Another gem with a similar motif, a refined Renaissance cameo, recentlya ppeared in Oxfordshire and is now in a private collection in London. It is presumed that this perfectly preserved piece originally was in the possession of the Medici. The author considers a possible attribution of this work to the young Michelangelo Buonarroti and discusses a copy shown in a portrait painting by Botticelli now in the Städel Museum in Frankfurt on the Main. (summary by Matthias Barth)

Greek and Roman mythology tell us how the patron deity of the newly founded city of Athens was ch... more Greek and Roman mythology tell us how the patron deity of the newly founded city of Athens was chosen in a competition between Athena and Poseidon. The gods raced to the Acropolis, where they offered gifts to Athens . Athena caused an olive tree to spring up, whereas Poseidon struck the ground with his trident, prompting a spring of water to gush forth. Although Poseidon had reached the Acropolis first, Cecrops – the legendary king of Athens, shown in art as half-human and half-snake – favoured Athena. This displeased Poseidon, who cursed the city with a flood. Zeus intervened and allowed the Athenians to choose the goddess. This story has inspired several works of art of different periods, sizes and materials. This article examines the depiction on engraved gems – with essential detours to marble sculpture and numismatics – of the ‘dispute of Athena and Poseidon’, or rather the presentation of the gifts, with the gods facing each other.

Short article on the cameos and intaglios by Nicolas-Pierre Tiolier (1784-1853), general engraver... more Short article on the cameos and intaglios by Nicolas-Pierre Tiolier (1784-1853), general engraver of the French Mint

Ancient glyptic is suggested as a possible source of inspiration for a proposed coin-design now k... more Ancient glyptic is suggested as a possible source of inspiration for a proposed coin-design now kept in the Musée d’Art et d’Industrie de Saint-Étienne by Augustin Dupré (1748-1833).

I would like to introduce engraved gems to you, and their collecting-tradition. Under the name of... more I would like to introduce engraved gems to you, and their collecting-tradition. Under the name of “engraved gems” are grouped two types: intaglios and cameos. Intaglios are engraved into, allowing its owner to use it as a seal. Cameos instead are carved in relief, so they are decorative jewels.

La maison de ventes aux enchères Christie’s vient d’adjuger un exceptionnel service de porcelaine... more La maison de ventes aux enchères Christie’s vient d’adjuger un exceptionnel service de porcelaine de Sèvres ; son sujet justifie l’inclusion d’une notice dans une publication numismatique et archéologique, car il reproduit le Grand Camée.

Numismatics by Hadrien J Rambach

Hadrien Rambach, “Le témoignage de Michelet d’Ennery sur sa visite à Vienne en 1769”, in Bulletin... more Hadrien Rambach, “Le témoignage de Michelet d’Ennery sur sa visite à Vienne en 1769”, in Bulletin de la Société française de Numismatique, vol. 79.06 (June 2024), pp. 291-298

Le 28 août 1769, Abraham Joseph Michelet de Vatimont d’Ennery (1709-1786) partit pour un voyage qui le conduisit de Paris à Dijon, via Sens et Auxerre ; puis en ligne quasi droite vers le sud : Beaune, Châlons, Tournus, Mâcon, Villefranche, Lyon, Vienne ; et enfin à l’est du Gard et en Provence : Nîmes, Vesenobre, Avignon, Villeneuve, Orange, Carpentras, Saint-Rémy, Aix-en-Provence, Marseille puis enfin Toulon . Nous avons connaissance de ce voyage et de son itinéraire grâce à un journal, dont le manuscrit semble perdu, mais qui fut publié en 1846 . Ce journal non commenté mérite d’être republié, ce que je ferai dans ma thèse de doctorat. Mais le passage concernant Vienne, dont la date n’est pas précisée, est intéressant dans le contexte de ces 67e Journées numismatiques organisées à Saint-Romain-en-Gal, et j’ai donc souhaité le publier à part.

Hadrien Rambach, « A manuscript description in Kraków of the ‘Trivulzio museum’ in Milan », in Studies in Ancient Art and Civilization, vol. 21 (2017), pp. 261-274

Hadrien Rambach, « Collecting engraved gems », in GemGuide, vol. 37.2 (March-April 2018), pp. 13-18

Membre de la Chambre belge des experts en oeuvres d'art. Expertise: glyptique

in: Bulletin du cercle d'études numismatiques, vol. 52.1 (January-April 2015), pp. 2-5 Un dénomm... more in: Bulletin du cercle d'études numismatiques, vol. 52.1 (January-April 2015), pp. 2-5

Hadrien Rambach & François Planet, notice on two cameos and one intaglio, pp. 69-71.

American Numismatic Society magazine, vol. 13-2 (2014), pp. 34-49

in "Cahiers numismatiques. Revue trimestrielle de la Société d'Etudes Numismatiques et Archéologiques", issue 198 (December 2013), pp. 43-46

Hadrien Rambach, « A propos du grand collectionneur numismate Jacob de Wilde (1645-1721) et de se... more Hadrien Rambach, « A propos du grand collectionneur numismate Jacob de Wilde (1645-1721) et de ses dédicaces », in Bulletin du Cercle d’Études Numismatiques, vol. 59.3 (September-December 2022), pp. 20-27

in Jean-Christophe Blanchard and Isabelle Guyot-Bachy (eds), Dictionnaire de la Lorraine savante,... more in Jean-Christophe Blanchard and Isabelle Guyot-Bachy (eds), Dictionnaire de la Lorraine savante, Metz 2022, pp. 226-227

Hadrien Rambach, “Additions to the corpus of the ‘heifer’ aurei (RIC Augustus I2 536-538)”, in Ja... more Hadrien Rambach, “Additions to the corpus of the ‘heifer’ aurei (RIC Augustus I2 536-538)”, in Jahrbuch für Numismatik und Geldgeschichte, vol. 71 (2021), pp. 387-393

Hadrien Rambach and Michel Amandry, “In Memoriam : Jean-Baptiste Giard (1932-2018)”, in Revue num... more Hadrien Rambach and Michel Amandry, “In Memoriam : Jean-Baptiste Giard (1932-2018)”, in Revue numismatique, vol. 176 (2019), pp. 3-14

Hadrien Rambach, “Collectionner les monnaies : Michelet d'Ennery et le collectionnisme au XVIIIe ... more Hadrien Rambach, “Collectionner les monnaies : Michelet d'Ennery et le collectionnisme au XVIIIe siècle”, in Bulletin de la Société française de Numismatique, vol. 76.4 (April 2021), pp. 172-179

Hadrien Rambach, « Numismatographie et numismaticite, nummophiles et numismanes : note à propos d... more Hadrien Rambach, « Numismatographie et numismaticite, nummophiles et numismanes : note à propos de divers termes désuets », in Revue belge de numismatique et de sigillographie, vol. CLXIV (2018), pp. 524-529

Jean-Marc Doyen and Hadrien Rambach, “Concordia augg – Deux notes sur un aureus à bustes jumelés ... more Jean-Marc Doyen and Hadrien Rambach, “Concordia augg – Deux notes sur un aureus à bustes jumelés de Gallien et Salonine”, in Bulletin du Cercle d’Etudes Numismatiques, vol. 57 (September – December 2020), pp. 12-21

[Hadrien Rambach], historical commentaries on the ancient coins for sale by Maison Palombo, aucti... more [Hadrien Rambach], historical commentaries on the ancient coins for sale by Maison Palombo, auction 19 (Geneva – 12 December 2019), pp. 13-50

Hadrien Rambach “In Memoriam Jean-Baptiste Giard (14.02.1932-18.05.2018)” in Jean-Baptiste Giar... more Hadrien Rambach
“In Memoriam Jean-Baptiste Giard (14.02.1932-18.05.2018)”

in
Jean-Baptiste Giard
L’illusion du Portrait ; avec des compléments par Marie-Noëlle Goffin et Hadrien Rambach
Trieste, EUT Edizioni Università di Trieste, 2020
(Polymnia : Numismatica antica e medievale. Studi, 14)

This article contains a transcription of and comments on the will of William Till, a major coin-d... more This article contains a transcription of and comments on the will of William Till, a major coin-dealer in London, active from the early 1830s until his death in 1844. He somehow founded a dynasty, being succeeded by his nephew William Webster, the son of which then worked for Spink & Son.

Cet article retranscrit et commente le testament de William Till, un grand marchand en monnaies londonien, actif du début des années 1830 jusqu’à sa mort en 1844. Il créa une dynastie, car son commerce fut repris par son neveu William Webster, dont le fils travailla ensuite pour Spink & Son.

Hadrien Rambach, « First time » (mes débuts en numismatique), in Bulletin mensuel du Cercle Numis... more Hadrien Rambach, « First time » (mes débuts en numismatique), in Bulletin mensuel du Cercle Numismatique Liégeois, issue 474 (December 2018), p. 12

Hadrien Rambach, “The Golden Stater of T. Quinctius Flamininus”, in De Muntmeester – Tijdschrift ... more Hadrien Rambach, “The Golden Stater of T. Quinctius Flamininus”, in De Muntmeester – Tijdschrift van de Dietse studiekring voor numismatiek, vol. 13.4 (December 2018), pp. 4-6

Hadrien Rambach, In Memoriam: “Jean-Baptiste Giard (14/II/1932-18/V/2018)”, in International Numi... more Hadrien Rambach, In Memoriam: “Jean-Baptiste Giard (14/II/1932-18/V/2018)”, in International Numismatic Council – Compte Rendu, vol. 64 (2018), pp. 46-49

Hadrien Rambach, « On the countermarked ancient coins from the collection of Alphonso II d’Este (... more Hadrien Rambach, « On the countermarked ancient coins from the collection of Alphonso II d’Este (1533-1597) », in The Asylum, vol. 36.1 (Spring 2018), pp. 13-17

Hadrien Rambach, « Un aigle contremarqué sur un dupondius de Titus appartenant à la Bibliothèque ... more Hadrien Rambach, « Un aigle contremarqué sur un dupondius de Titus appartenant à la Bibliothèque royale de Belgique, signe d’une provenance d’Este à Ferrare », in In Monte Artium, vol. 10 (2017), pp. 103-117

Hadrien Rambach The coin-collection of Don Carlo Trivulzio (1715-1789) in Maria Caccamo Cal... more Hadrien Rambach

The coin-collection of Don Carlo Trivulzio (1715-1789)

in Maria Caccamo Caltabiano (ed.), "XV international numismatic congress. Taormina 2015. Proceedings", Rome and Messina 2017, vol. I, pp. 248-251

in "Bulletin hommage à Solange Fouilleul", édité par l'Association Danses macabres d'Europe, janv... more in "Bulletin hommage à Solange Fouilleul", édité par l'Association Danses macabres d'Europe, janvier 2017, pp. 36-37

Short notices of a gold and enamel wedding-casket sold at Sotheby's, London, 5 December 2012, lot... more Short notices of a gold and enamel wedding-casket sold at Sotheby's, London, 5 December 2012, lot 55, and of an 18th-century painting sold at Dorotheum, Vienna, 13 December 2012, lot 110.

Report of the recent sale of four skulls, apparently displayed in Prague 1621-1848.

About a rare 1677 print on "The Company of Marblers" by Richard Wallis

Short study of the book "Je Sublime" by Benjamin Peret (Paris 1936), illustrated with skulls by M... more Short study of the book "Je Sublime" by Benjamin Peret (Paris 1936), illustrated with skulls by Max Ernst (1891-1976).

in "The BRITISH ART Journal", vol. XIV-2 (Autumn 2013), pp. 21-34

A large number of people, including most collectors, have bought or sold at auction . In 2007 alo... more A large number of people, including most collectors, have bought or sold at auction . In 2007 alone, over 80 million people used the electronic auction-house Ebay (founded by Pierre Omidyar in September 1995), spending almost $50 billion in total. Although the Internet has made auctions global and more democratic, they are no novelty and have been found in most cultures, from antiquity onwards. This short history of auctions, their techniques, their customers, and what they offer for sale, is designed to give numismatists a broader understanding of a familiar and important element of their collecting life.

Acts of the 2003 round-table at the Centre culturel et d'information de Taipei, with André Bernhe... more Acts of the 2003 round-table at the Centre culturel et d'information de Taipei, with André Bernheim (Parisian collector), Marcel Brisebois (Director of the Musée d'Art contemporain de Montréal), and Eric Mézil (Director of the Yvon Lambert Collection in Avignon).

A research project executed at the Institute of Archaeology, Jagiellonian University in Krakow by... more A research project executed at the Institute of Archaeology, Jagiellonian University in Krakow by Paweł Gołyźniak, Ulf R. Hansson and Hadrien J. Rambach aiming to investigate scholarly and collecting activities of Philipp von Stosch (1691-1757) that contributed to transformation of eighteenth-century antiquarianism into proto-archaeology. The research is largely based on unknown pictorial and archival materials from the Princes Czartoryski Museum in Krakow, the Vatican Library and private collections (see project's description in the attached file).

« Cameo », for the US-coin collector, is a technical term used to describe a piece (usually a pro... more « Cameo », for the US-coin collector, is a technical term used to describe a piece (usually a proof) with frosted-looking design on a mirror-like flan. For the same collector, Augustus Saint-Gaudens is the most celebrated coin-engraver, especially famous for the 1907 gold coinage commissioned in 1905 by President Roosevelt. In reality, cameos are gemstones carved in relief, and cameo carving was the first trade of Saint-Gaudens, and he undoubtedly used these skills to create reliefs, medals, and coins.

This lengthy study is devoted to Giacinto Melillo, young manager of Castellani's workshop in Napl... more This lengthy study is devoted to Giacinto Melillo, young manager of Castellani's workshop in Naples and later independent jeweller. Trained under Castellani, he became is most gifted pupil with Giuliano, and was celebrated by collectors such as Tyszkiewicz. He notably made a small series of jewels set with Roman intaglios - the majority of which chromian (green) chalcedonies; a which a group remains in the Walters Art Museum, Baltimore.

An inventory of all known diamond intaglios (coats-of-arms as well as portraits, flowers and anim... more An inventory of all known diamond intaglios (coats-of-arms as well as portraits, flowers and animals), from the 15th-century until 1900.

seminar for MA- and PhD-students « Atelier épigraphie et numismatique ». Laboratoire HALMA – UM... more seminar for MA- and PhD-students

« Atelier épigraphie et numismatique ».
Laboratoire HALMA – UMR 8164 CNRS @ Université de Lille, Villeneuve d’Ascq (France)

2 February 2023

Monnaies & Méthodes (actualité de la recherche doctorale en numismatique) 2 : « L’exploitation de... more Monnaies & Méthodes (actualité de la recherche doctorale en numismatique) 2 : « L’exploitation des données issues du marché numismatique », @ Université de Caen Normandie & Iramat – Centre Ernest Babelon, Caen & Orléans (France), 8 April 2022 (online)

Paper entitled « Michelet d’Ennery (1709-1786) collector of Greek and Roman coins », presented at... more Paper entitled « Michelet d’Ennery (1709-1786) collector of Greek and Roman coins », presented at the IXth edition of the forum « Actual Problems of Theory and History of Art », Saint Petersburg, 30 October 2020

Trieste, 24 September 2018 Dottorato Interateneo in Scienze dell’Antichità (Università di Venezi... more Trieste, 24 September 2018

Dottorato Interateneo in Scienze dell’Antichità
(Università di Venezia-Ca’ Foscari, Università di Trieste, Università di Udine)

9 June 2017, ArtConnoisseurs conference @ Brussels Info Place, Rue Royale 2-4, 1000 Bruxelles

Don Carlo Trivulzio (1715-1789) è probabilmente stato il più importante collezionista nella Milan... more Don Carlo Trivulzio (1715-1789) è probabilmente stato il più importante collezionista nella Milano del Settecento. La varietà della sua collezione è grandissima ma erano le monete a costituirne la parte più significativa, avendo egli acquisito centinaia di monete d’oro romane. Le migliaia di pezzi, antichi e moderni, che componevano la sua collezione numismatica sono ormai, purtroppo, disperse e identificarle è una sfida. Fortunatamente alcuni documenti, manoscritti e a stampa, mi hanno permesso di ricostruire il destino della collezione. Il diario di Don Carlo ne registra gli incontri, gli scambi e gli acquisti effettuati restituendo un quadro animato di un numismatico di tutto rispetto, le cui monete riaffiorano regolarmente in diverse collezioni private in tutto il mondo. Don Carlo possedeva inoltre alcuni importanti intagli, di cui mostrerò alcuni esemplari, il destino dei quali è – se possibile – ancor più intricato da seguire.

CENTRO CULTURALE NUMISMATICO MILANESE
Martedì 26 Settembre 2017, ore 20.45

International Numismatic Congress Taormina, 24 September 2015

Institute of Historical Research, “Collecting & Display (100BC to AD1700)” seminar To be held on ... more Institute of Historical Research, “Collecting & Display (100BC to AD1700)” seminar
To be held on 10 March 2008 at the Institute of Advanced Legal Studies, 17 Russell Square, London WC1B 5DR, room L104 at 6pm

Bayerische Numismatische Gesellschaft München, den 18. Mai 2010

Thursday, April 16th 2015 Talk presented to: The Worshipful Company of Arts Scholars

Stefan Krmnicek and Hadrien Rambach (eds), The Numismatic World in the Long Nineteenth Century – ... more Stefan Krmnicek and Hadrien Rambach (eds), The Numismatic World in the Long Nineteenth Century – vol. 2: Institutions and Individuals, London and New York, Routledge, 2023 (Studies in Cultural History), ISBN 9780367651831; 240 pp.

Table of Contents
1. Institutions and individuals—the numismatic world in the long 19th century: An introduction. 2. The coin collector Baron von Schellersheim (1752–1836). 3. Collectors and their coins—the sale of coins and medals at public auctions: The role that the Messrs. Christie played in the numismatic world in the early part of the ‘long 19th century’ (1766–1831). 4. Giacomo Verità, collector of coins and gems. 5. Domenico Promis (1804–1874), the Turin Royal Coin Cabinet and the birth of archaeological numismatics in Piedmont. 6. General Charles Richard Fox (1796–1873), coin collector. 7. From private collection to public museum—Nicola Bottacin (1805–1875), his numismatic collection and the birth of the Museo Bottacin of Padua (1865). 8. Western collectors of East Asian coins in the 19th century. 9. Chen Jieqi (1813–1884), a coin collector in 19th-century China. 10. A Collector at the periphery of the Austro-Hungarian Empire: Ormós Zsigmond (1813–1894). 11. Jan Pieter Six, a numismatist revisited. 12. Franciszek Piekosiński (1844–1906), his collection of ancient coins, the National Museum and 19th-century Krakow. 13. Greek and Swiss coins: Friedrich Imhoof-Blumer’s networks in two scientific communities. 14. The Spöttl collection in the Vienna Museum. 15. August Numismatist—Grand Duke George Mikhailovich of Russia (1863—1919): Fate and legacy. 16. Collector and dealer at the end of the long 19th century: Calouste Gulbenkian and Jacob Hirsch.

Stefan Krmnicek and Hadrien Rambach (eds), The Numismatic World in the Long Nineteenth Century – ... more Stefan Krmnicek and Hadrien Rambach (eds), The Numismatic World in the Long Nineteenth Century – vol. 1: Academia and Trade, London and New York, Routledge, 2023 (Studies in Cultural History), ISBN 9780367651800; 302 pp.

Table of Contents
1. Academia and Trade—The numismatic world in the long 19th century: An introduction. 2 Parva Burghesia: Two unpublished numismatic manuscripts by Bartolomeo Borghesi. 3. Numismatics and collections in Southern Italy: Some case studies. 4. Churchill Babington (1821–1889) and the Cambridge coin collection. 5. Eugène Hucher (1814–1889), ‘hoards historian’. 6. The Beginnings of collecting and research into Byzantine coinage in 19th-century Italy. 7. The small world of Byzantine coins at Parisian auction: Agents, collectors and value. 8. Numismatics in Bulgaria during the 19th century. 9. Collecting, learning and connecting: A case from 19th century Sweden. 10. The Delhaes-collection: Relation between Vienna and Budapest. 11. Dattàri and Egyptian numismatics. 12. Reconstructing the provenance of the Chinese coin collection at KBR. A story of 19th century collectors and gift giving. 13. Russian medallic art of the 19th century: Back to the national roots. 14. Vercingetorix and national identity in 19th-century France. 15. G. N. Olcott and the didactic importance of ancient coin collections. 16. Evolution and revolution: Four sculptors and the 19th amendment.

Studies in Ancient Art and Civilization (SAAC) 21, 2017

Table of Contents: Kuhn, Robert, "Das Frühdynastische Gräberfeld vom Gebel es-Silsileh Potential ... more Table of Contents:
Kuhn, Robert, "Das Frühdynastische Gräberfeld vom Gebel es-Silsileh Potential und Problem einer erneuten Annäherung"

Nicholson, Paul, "Pottery Production in Egypt: the chaîne opératoire as a Heuristic Tool"

Liesegang, Diana, "The Reign of Ramesses III – under the Influence of Personal Religion"

Wacławik, Maciej, "A Few Preliminary Remarks on the Cypriot Sculptures Known as Temple-Boys"

Kubala, Agata, "A Faience Aryballos in the Collection of the University Museum at Wroclaw"

Głuszek, Inga, "The Athenian Red-Figure Pottery Found in Nikonion During Excavations of 2007-2012"

Kopij, Kamil, "When Did Pompey the Great Engage in his imitatio Alexandri?"

Bonnefoy, Alexis, Feugère, Michel, "Hermès Dionysophore Le bronze Lormier"

Cravinho, Graça, "Roman Engraved Gems in the National Archaeological Museum in Lisbon"

Podvin, Jean-Louis, "Le Succès d’Harpocrate à Nea Paphos"

Rambach, Hadrien J., "A Manuscript Description in Kraków of the ‘Trivulzio Museum’ in Milan"

Bogucki, Mateusz, Dymowski, Arkadiusz, Śnieżko, Grzegorz, "The Common People and Material Relics of Antiquity the Afterlife of Ancient Coins in the Territory of Present-Day Poland in the Medieval and Modern Periods"

http://dx.doi.org/10.15496/publikation-19401

Vanessa Henry-Virly Pierres gravées et marché de l’art : portrait d’Hadrien Rambach, antiqua... more Vanessa Henry-Virly

Pierres gravées et marché de l’art :
portrait d’Hadrien Rambach, antiquaire, collectionneur et érudit

(accompanied by an automatic translation by DeepL)

4 mars 2024
https://eurhcp.hypotheses.org/227