Jacques Coulardeau | Université Paris 1 - Panthéon-Sorbonne (original) (raw)

Videos by Jacques Coulardeau

1- Trapped by our translation/translating machine: “le fait linguistique” is not “language”. Is “... more 1- Trapped by our translation/translating machine: “le fait linguistique” is not “language”. Is “linguistic fact” enough?
2- Concept “mother tongue” ARCHAIC. Replaced by “first language” as opposed to all other foreign languages. […]
3- […]
4- Multilinguistic education based on first languages elaborating on differences and metalinguistic understanding […].
5- English is only one more language. A multilinguistic universe best captured with V.R. and A.I. The Chinese are already experimenting.
6- Language and culture. Trapped by translation. ”Esclavage-Slavery.” […] “Laïcité-Secularism.” […] “Vérité-Truth.” In any society “truth” has many values: divine, rational, and scientific truths. Only the last one accepts all truth is relative.
7- What is culture? […] The phylogeny of culture? What is a multicultural world? The concept of P.T. DECULTURATION S.S.
CONCLUSION
Literacy v. illiteracy. Total v. partial illiteracy. Full v. partial literacy. European culture? […]

12 views

Langage – culture – éducation My presentation will envisage the following points as listed benea... more Langage – culture – éducation
My presentation will envisage the following points as listed beneath.

The concept of “mother tongue” is ARCHAIC and must be replaced by “first language as opposed to all others that
are for any person foreign languages. The objectives of education: mastering one’s first language FIRST; the right to
receive one’s education in one’s first language; the duty to learn the vernacular official language of the country.

What is culture? Is culture dependent on its language? The phylogeny of culture? What is a multicultural world? The
concept of POST TRAUMATIC DECULTURATION STRESS SYNDROME.

CONCLUSION
Literacy versus illiteracy. Total versus partial illiteracy. Full versus partial literacy. What is European culture? A
patchwork, a meta-culture, or a systematic or partial hybridized mix?

11 views

COVID-19 IS RULING HIGH AND STRONG; AS COMPARED TO THE WORLD EUROPE IS HIGH AS FOR NEW CASES AN... more COVID-19 IS RULING HIGH AND STRONG;
AS COMPARED TO THE WORLD

EUROPE IS HIGH AS FOR NEW CASES AND RISING
EUROPE IS AVERAGE AS FOR DEATHS BUT RISING

WE ARE NOT OUT, FAR, FAR FROM IT

FRANCE IS IN THE PROCESS
OF LEGALLY VALIDATING IN PARLIAMENT
THE USE OF THE SANITARY PASS
UP TO JULY 2022
DRAMATICALLY INCLUDING
THE PRESIDENTIAL ELECTION
AND THE GENERAL ELECTIONS
AND BOTH CAMPAIGNS
IN APRIL-MAY 2022

THE MAIN MISTAKE WOULD BE TO CONSIDER WE CAN GO BACK TO NORMAL THE WAY IT WAS BEFORE THE PANDEMIC

Five elements to take into account
1. VACCINATION HAS TO BECOME QUASI MANDATARY.
2. BARRIER GESTURES HAVE TO REMAIN ACTIVE IN SOME SITUATIONS.
3. TESTING HAS TO BE SYSTEMATIC.
4. THE POST-PANDEMIC PERIOD SHOULD BE THE OPPORTUNITY TO DEVELOP A COMPLETELY NEW WAY OF LEARNING AND TEACHING.
5. THAT IMPLIES ALL TEACHERS HAVE TO BE RETRAINED TO COPE WITH THIS SITUATION IN THEIR CLASSES.

8 views

Papers by Jacques Coulardeau

Éditions La Dondaine, Medium.com, 2025

I knew them from 1976 to 1995 when I finally migrated to our Central Mountains and Auvergne. They... more I knew them from 1976 to 1995 when I finally migrated to our Central Mountains and Auvergne. They were a tremendous experience. They were able to make music speak and laugh and they moved Carmen, the opera, of course, dumb ass! Picmuche and Poupinou were for me the perfect extraterrestrial neighborly pair if not a couple of clowns. Now that Gilles Defacques is gone, are they still going to wait for the coming of some God? Probably because clowns always stick to their antics. And they have, had, and will always have plenty of tricks in their pockets, and if not in their pockets probably in their shoes, socks, but beware the hats: they always hide some deadly weapons of general laughter there, laughing louse that is ready to jump onto you just like fleas on a famished dog.

Éditions La Dondaine, Medium.com, 2025

3RD ROUND KNOCKED OUT KAPUTT This third round is centered on crime and the police. 1- Benoit Po... more 3RD ROUND
KNOCKED OUT
KAPUTT

This third round is centered on crime and the police.

1- Benoit Poelvoorde, Dany Boon, Rien à Déclarer. Customs officers are playing carnival.
2- Jeremy Brett, David Burke, Sherlock Holmes, a series and a handful of films.
3- Basil Rathbone, Tribute to Sherlock Holmes with four films, Sherlock Holmes and the Secret Weapons, The Adventures of Sherlock Holmes, The Woman in Green, and Dressed to Kill.
4- Stephen King's Dark Tower, The Gunslinger, the full omnibus edition of the comic book.

The series with Jeremy Brett and David Burke is probably not a masterpiece but they tried to keep the proper environment for the stories that take place at the end of the 19th century and the beginning of the 20th century. The acting is good though it becomes slightly routine-minded towards the end.

The four films with Basil Rathbone are from just before WW2 to just after it. No color, no real special effects, and small budgets. One is mediocre war propaganda. The others are banal with no real plot or suspense. Maybe the fourth one might be slightly in Holmes’ line.

Plus a small magazine with some simple data about Sir Conan Doyle, Sherlock Holmes, the various stories written for the character, and the various films. But today that’s a little bit meager with the Internet. Google Sherlock Holmes and you’ll see the myriad of pages you will get. So, it is a little bit disappointing.

I kept Stephen King for the end because the comic book is absolutely phenomenal and marvelous. Creative art, multi-layer narrator, piled up universes revealing what humanity is doing to the cosmos. Nothing good at all. The art is by far outstanding. We could discuss a lot the idea that in this phantasmagorical universe, the principle you can achieve nothing good if you do not sacrifice a human being before getting on the road is barbaric, and feudal, but deeply ingrained in all religions in this world, apart from Theravada Buddhism.

So, enjoy these series, films, and comic books in the weeks leading to Twelfth Night, Mardi Gras, and the Carnival.

Éditions La Dondaine, Medium.com, 2024

This second batch contains five references. 1- Main Director Jeffrey G. Hunt – Main Author Julie ... more This second batch contains five references.
1- Main Director Jeffrey G. Hunt – Main Author Julie Plec, Creator – Based On L.J. Smi/Th – Legacies – 2018-2022. Vampires & Witches – Males & Females – Trans-Werewolves – Among All In-Betweens
2- Stephen King – Aka Beryl Evans – Ned Dameron – Charlie The Choo-Choo – 2016. Choo-Choo Train – Kiddy Kids – All Aboard
3- Michael Hirst – Vikings – 2013-2020. Roaring Evil – Restless Species – Spoiling & Invading
4- Jean-Baptiste Doulcet – Un Mon De Fantastique – Gounod – Liszt – Schuman – Doulcet, Endymion (Keats) – 2022. Doulcet Fantastic – Gounod Transcended – Schuman Liszt – & Keats Transfigured
5- Jean-Baptiste Doulcet – Soleils Blancs – Grieg – Sibelius – Nielsen – 2024 Grieg – Nielsen – Sibelius – Doulcet – Nordic Nirvana

More music and more video too. Only one book for children by the grand-master of horror and fantastic surreal nightmares. But Stephen King for once caresses the sweet and mellow nostalgia of children, for and from the past that is just what they can maybe imagine or desire from the ranting and raving of their old grandparents who are living entirely in those distant days in their dementia.

The video Legacies is in a softened fantastic style that makes all these mutants or paranormal beings like vampires, werewolves, witches, and wizards nothing but ordinary passers-by in the street, except they will cast a curse of some and any sort on your flesh and body because that’s the only thing they want, to take possession of your body and do with it what they want, even if it is crazy for you and because it is deliciously mellow for them. And be happy that’s one essential inspiration that comes from northern Europe, I mean Scandinavia with two old populations, that arrived in Europe around 50,000 BCE. That’s a long time ago, indeed. They were arriving directly from Black Africa on some kind of underground railroad of immigration and they brought their languages and cultures along.

The Vikings are their indirect heirs since they had to wait for the Germanic tribes to arrive after 8,000 BCE not directly from Black Africa because they stopped on the Iranian Plateau for something like 40,000 years. And they collected there some fire-spitting flying animals, generally called dragons, and the taste for human sacrifice and dying on the battlefield to honor and magnify their many gods born inside a fighting armor, and sucking their milk from the spear, arrows, and axes of their mother/father Ymir, that hermaphrodite being, the ancestors of all humans and all gods who grew from the various parts of its body, like the Hindi castes out of Brahma’s body.

We are thus, all of us, the descendants of Ymir’s hermaphrodite self-fornication. And that’s a consolation. Ymir had a moment of bliss in his creational orgasm from its own onanism. Lutherism came later on top of this old mythology after the Vikings had sacrificed hundreds of human volunteers (maybe if you want to believe that: at least the Mayas and Aztecs did not pretend that absurdity) in Uppsala.

And we finish this batch with two disks of music from these Scandinavian countries, both Indo-Eruropean and agglutinative Turkic. Enjoy the trip.

Éditions La Dondaine, Medium.com, 2024

Here are six reviews I just wrote on quite a few things: 1- Stephen King, You Like It Darker 2-... more Here are six reviews I just wrote on quite a few things:
1- Stephen King, You Like It Darker
2- The Karate Kid, the four films before we can get the TV series, the Karate Kid Legends
3- Ennio Morricone, The Year of the Cannibals
4- Pier Paolo Pasolini, Edipo Re
5- Dune Part 1 & Part 2, with Timothée Chalamet
6- De l’Origine du Monde, a scatological reflection on parenthood by two women in Ambert, France

You might find it difficult to get to the last show: they do not travel too far and they do not believe in videos because their theatrical performance has to be “alive” as they say in French otherwise it is dead. Billions of people are deprived of most things produced in the world because artists believe stage arts have to be seen on the stage and not on a screen. Of course, the big names in the profession know it is wrong, but all the little ones in local little companies don’t even condescend to film their work with a smartphone and then provide it to anyone who wants to see what they did via email and an app like “Gros Fichiers” that can transfer to your email address giga-big files or folders.

All the others are interesting even if not what we could expect from them, from King, from Chalamet, from Pasolini, from Morricone, and even from any karateka. But they were sure important in their own periods. Some artists are aging and getting more cautious with their stories. Some are still young and do not yet know how to impose their dreams and desires Pasolini went very far in his career. King has his best books behind him not necessarily very far behind but his recent productions are not at the same level. It is strange how films and works from the old 1970s and 1980s are coming back. That was a time when we were trying to survive the big chaotic mess of 1968 and then the defeat of the US in Vietnam. It seems some people believe Trump 2.0 is starting a new four years of absolute messy crap… If it is only FOUR years. Does the constitutional limit to two terms have to apply to two consecutive terms or can it be understood as as many terms possible provided only two have to be consecutive to cancel all new opportunities? Imagine Trump in a third term, and even maybe another defeat and then another victory. President at the age of 92, or maybe even with modern medicine and all sorts of chips everywhere at the young age of 104.

Éditions La Dondaine, Medium.com, 2024

I went to Romania for the Conference of the Observatoire Européen du Plurilinguisme on May 23-24,... more I went to Romania for the Conference of the Observatoire Européen du Plurilinguisme on May 23-24, 2019, and presented the challenge of multilingualism for pay-managing human-resources technicians. I was able to meet Serban V.C. Enache and see the ailing city of Bucharest that had not yet been reconstructed since the 1977 Vrancea earthquake (https://en.wikipedia.org/wiki/List_of_earthquakes_in_Romania)

And that is when and how I discovered IFIASA. What attracted me to them?

First of all, their spirituality, in their case their Orthodox Christianity. […]

Second, the emphasis they set on science, technology, and knowledge as constructs of humanity, human beings in their daily life. […]

Third, this last fact or competency opens the door to communication. We are at least 300,000 BCE. The road will be long but this communicational competency will make Homo Sapiens literate in the languages they speak, literate in technology, science, and other knowledge, and literate in spirituality. […]

Any “invention” is nothing but the extension of something that existed before and evolves into what emerges from it.

Dr. Jacques COULARDEAU
Olliergues, December 12, 2024

Éditions La Dondaine, Medium.com, 2024

Europe was populated by Homo Sapiens as soon as 50,000 BCE. Who were these people who went throug... more Europe was populated by Homo Sapiens as soon as 50,000 BCE. Who were these people who went through the Peak of the Ice Age? What were their relations with the pre-Sapiens Hominins who had been there for some hundred thousand years? What language did they speak, both the pre-Sapiens and the Sapiens? When did the Indo-Europeans arrive in Europe? What linguistic, genetic, and cultural mixing did they invent with their predecessors?
This should help people centered on Proto Indo-European north of the Black Sea or in some place between Europe and Asia, to take into account, first, the Balkanic corridor, and second, what was in Europe before. The Indo-Europeans came later after millennia of contact with other populations speaking all sorts of PRE-Indo-European languages, languages from the previous migrations out of Black Africa, and of course, the mixture, meaning sexual and genetic mixing, with pre-Sapiens populations that also spoke some kind of probably limited lexical language. Even if the Biblical reference to "beginning" and "end" is absurd in our fields: it is always a constant and continuous evolution and emergence.

Éditions La Dondaine, Medium.com, 2024

And they say the weather will be fine and the music intense. Follow the wind and you might be tak... more And they say the weather will be fine and the music intense. Follow the wind and you might be taken back to Homo Naledi 300,000 BCE and they will explain to you what entoptic symbols are.
https://lespaulsthepauls.bandcamp.com/album/going-down-fighting?from=fanpub_fnb
Country music is so nostalgic, and supposedly it makes Trump romantic, down the track line where it all began, and still begins or even will begin.

Éditions La Dondaine, Medium.com, 2024

ENGLISH The Carolingian Reform of Charlemagne, a reform that we still live on: the 52 Sundays and... more ENGLISH
The Carolingian Reform of Charlemagne, a reform that we still live on: the 52 Sundays and some holidays such as Christmas, Easter, the Assumption, and All Saints' Day. It is about understanding the transition from the slave society before the Carolingians to the feudal society which for our Livradois-Forez introduced an unprecedented green revolution, water management in drainage and irrigation without any equivalent except in Babylon, Sri Lanka, India, China, and some other Asian countries. The Benedictines largely contributed to this evolution.

The Casadean Benedictines introduced water mills that could supply mechanical energy to grain, tan and oil mills, plus fulling mills for hemp and later paper. They were also able to help set up and operate the braiding machines that made Livradois the homeland of rope and therefore cable, a technology that the Omerin company still develops and today spreads worldwide, the Olliergues factory (now closed but maintained) running on the hydraulic energy of the Repote, a gentle Forézienne river, a tributary of the Dore. The Benedictines also built many Romanesque churches, rich in historiated capitals, frescoes, stained glass windows, and underground water circulations, statues of the Virgin, represented standing or in majesty, always carrying the baby Jesus, all statues we can admire today...

FRENCH
La Réforme Carolingienne de Charlemagne, réforme sur laquelle nous vivons encore : les 52 dimanches et quelques fêtes comme Noël, Pâques, l’Assomption et Toussaint. Il s’agit de comprendre le passage de la société esclavagiste d’avant les Carolingiens à la société féodale qui pour notre Livradois-Forez introduit une révolution verte sans précédent, une gestion de l’eau en drainage et irrigation sans équivalent sauf à Babylone. Les Bénédictins ont largement contribué à cette évolution.

Les Bénédictins casadéens introduisirent les moulins à eau qui purent alimenter en énergie mécanique les moulins à grain, à tan, à huile, et les moulins à foulon pour le chanvre et plus tard le papier. Ils purent aussi aider à la mise en place et au fonctionnement des métiers à tresser qui firent du Livradois la patrie du cordage et donc du câble, technologie que l’entreprise Omerin développe et exploite encore aujourd’hui au niveau mondial, l’usine d’Olliergues (aujourd’hui fermée mais entretenue) fonctionnant à l’énergie hydraulique de la Repote, gentille rivière Forézienne, affluent de la Dore.
Ils ont aussi construit nombre d’églises romanes, riches de chapiteaux historiés, de fresques, de vitraux, et de souterraines circulations aquatiques, de statues de la Vierge, représentée debout ou en majesté, portant toujours l’enfant Jésus, que nous pouvons admirer aujourd’hui…

Éditions La Dondaine, Medium.com, 2024

ENGLISH In our modern digital and GenAI world, we need to become literate, autonomous, and endow... more ENGLISH
In our modern digital and GenAI world, we need to become literate, autonomous, and endowed with self-learning sustainability in three domains, autonomous yet articulated together.

SYMBOLERACY is the symbolic value of images, hence imageracy, then, the symbolic value of words, semantic references, and syntactic constructions, in one single word, utterancy, and finally, the symbolic value of sounds, hence sounderacy for music, intonation, and tempo, and LITERACY for the symbolism of language. NUMERACY is numbers and numerical operations, thus counting, percentages, fractions, and mathematical operational numeracy. TECHNERACY was using a stone to chip marks on a durable medium at the beginning, and tools to write down data, long before writing systems made it simpler from stylus/brush inscriptions to the printing press. Then came machines transmitting oral messages like telephone, telegram, morse code, radio, and television, before the machine had its self-managed processing way. Now, we are developing deep human learning and enhanced human intelligence.

WHAT COMES NEXT? Pascal Bornet slams on our desk his three humics, genuine creativity, critical thinking, and social authenticity. We are not dispossessed of our intelligence or creativity, mind or empathy. We are yet challenged to make this GenAI a tool that we must use symbiotically to develop both communication and collaboration to learn and teach, which implies, in tomorrow’s no-work world, moving from traditional routine or submissive work to self-development, self-learning, and self-implementing our enhanced, augmented, and upgraded human intelligence to work with the GenAI tools so many people fear. The target is a new type of not yet specified symbolic literacy that would enable us to differentiate true human contact and exchange from deep-fake (the faker, the funnier) or even not-so-deep-fake controlling manipulation. And the ethical challenge of good and evil has never been so profound and awesomely frightening. What will we do, split as we are between adoption and rejection?

FRENCH
Dans notre monde numérique et GenAI moderne, nous devons devenir alphabétisés, autonomes et dotés d'une durabilité d'auto-apprentissage dans trois domaines, Indépendants mais articulés les uns sur les autres.

La SYMBOLORATIE est la valeur symbolique des images, d'où l'imageoratie, puis la valeur symbolique des mots, des références sémantiques et des constructions syntaxiques, en un seul mot, l'énoncioratie, et enfin la valeur symbolique des sons, d'où la sonoratie pour la musique, l'intonation et le tempo, et le LETTRISME ou ALPHABÉTISME pour le symbolisme du langage. La NUMÉRATIE concerne les nombres et les opérations mathématiques, donc l’arithmétique, les pourcentages, les fractions et le calcul opérationnel mathématique. La TECHNORATIE utilisait au début une pierre pour graver des marques sur un support durable, et des outils pour écrire des données, bien avant que les systèmes d'écriture ne simplifient les inscriptions au stylet/pinceau jusqu'à la presse à imprimer. Puis sont arrivées les machines transmettant des messages oraux comme le téléphone, le télégramme, le code morse, la radio et la télévision, avant que la machine n'ait son mode de traitement autogéré. Aujourd’hui, nous développons un apprentissage humain profond et une intelligence humaine améliorée. Pour l’homme ou pour la machine ?

QU’EST-CE QUI VIENT ENSUITE ? Pascal Bornet balance sur notre bureau ses trois humiques, la créativité authentique, la pensée critique et l’authenticité sociale. Nous ne sommes pas dépossédés de notre intelligence ou de notre créativité, de notre esprit ou de notre empathie. Nous sommes encore mis au défi de faire de cette GenAI un outil que nous devons utiliser en symbiose pour développer à la fois la communication et la collaboration pour apprendre et enseigner, ce qui implique, dans le monde sans travail de demain, de passer de la routine traditionnelle ou du travail soumis d’une part, au développement personnel, à l’auto-apprentissage et à l’auto-mise en œuvre de notre intelligence humaine améliorée, augmentée et mise à niveau pour travailler avec les outils GenAI que tant de gens craignent d’autre part. L’objectif est un nouveau type d’alphabétisation symbolique non encore spécifié qui nous permettrait de différencier le véritable contact et l’échange humains, d’un côté, de la manipulation de contrôle deep-fake (Plus c’est faux, plus c’est fou) ou même pas si deep-fake que ça, de l’autre. Et le défi éthique du bien et du mal n’a jamais été aussi profond et terriblement effrayant. Que ferons-nous, partagés comme nous le sommes entre l’adoption et le rejet ?

Éditions La Dondaine, 2024

Christmas is already looming up on the winter horizon. E-books will never run out of print and yo... more Christmas is already looming up on the winter horizon. E-books will never run out of print and you can transport your whole library in your shirt's front pocket. You can read them anywhere, in any place where you can plug your own mental roots onto any WIFI cloud. Then you can savor your quenching all your thirsts and hungers for anything that can be represented in an e-book, practically everything you can imagine; Then buy e-books and put them under your Christmas tree and surprise your neighbors, friends, and family with stories about another mental world than their own.

Éditions La Dondain e, Medium, YouTube, 2024

In our modern digital and AI world, we need to become literate, autonomous, and endowed with self... more In our modern digital and AI world, we need to become literate, autonomous, and endowed with self-learning sustainability in three domains, autonomous yet articulated together. SYMBOLERACY- ... And at the end 300,000 years later, GenAI is colonizing the universe.

Éditions La Dondaine, Medium.com, 2024

The challenge then is to find out how we can individualize learning to satisfy and respond to an... more The challenge then is to find out how we can individualize learning to satisfy and respond to any desire and ability of the learners. They have to be self-learners first. This means they have to choose by themselves the topic they want to study, even if – and even though – within a vast range of knowledge set as the object of the class. Then, the children must have all the necessary means available without any limits, and by “necessary” I do not mean that “unnecessary means” can be expelled or banned: banning anything is the negation of the self-learning process itself. Then, all production has to be shared with the other members of the class, and this sharing has to be done orally and with only sketchy notes if any. Finally, this means all tests, all testing has to be done individually and orally. This last requirement is the only way to avoid simple copy-and-paste from some AI-managed site directly into the test, at best from memory, and at worst from some spying hearing device. And such devices can be bought by practically everyone. They are not guns, but they are very good prompters.

Then, yes, all students are capable of learning, at times a lot, about any subject they are interested in and have selected as their goal, hoping this goal does not become a fenced-in to be precise. The main danger of self-learning is for the self-learner to become locked up in his personal interest and this becomes at least self-centered if not narcissistic and egotistic. How can we make sure the self-learners do not run this risk? A lot more in my recent article “Review of the Trikirion of Communication: Symboleracy, Numeracy and Techneracy,” in Progress in Language, literature and Education Research, Volume 7 [Reference 19, 2024]

Only one way to do it, and to know: sustained practice of group work, and round-the-clock oral debating.

Medium.com, 2024

Votre dernière chance avant le cauchemar présidentiel. Your last chance before the presidential ... more Votre dernière chance avant le cauchemar présidentiel.
Your last chance before the presidential nightmare.
Next time you will have been trumped or harrissed.
La prochaine fois vous aurez été charlatanisés par les clowns noir et blanc.
Vive un monde monochrome.
Long live a monochrome world.

Éditions La Dondaine, Medium.com, 2024

Robert Eisenman is an adventurer who goes around and finds treasures in caves. His specialty is t... more Robert Eisenman is an adventurer who goes around and finds treasures in caves. His specialty is the scrolls in old Hebrew he found in the caves around the Dead Sea, the famous Dead Sea Scrolls, and today it is accepted that they must have been written and deposited in these caves in the late half of the first century BCE and the first half, a little bit more probably, of the first century AD. The Teacher of this group seemed to be James, Jesus’s own brother, who was assassinated by the High Priest of the Temple in Jerusalem in the most horrible way you could imagine. He was thrown over the walls and obliged to undress completely, which is unacceptable in Jewish ethics. Then he had to dig his own vertical tomb, was set in it, the head over the ground, buried up to the neck, and then stoned and abandoned to die of thirst.

These documents show a perfect continuity with the Old Testament, which is not surprising, but also with the New Testament and the Gospels, which proves the continuity between Judaism and Christianity.

For me, the most surprising element is the presence, and very well developed what’s more, of the zealot ideology, a dogmatic vision of what Jews are supposed to be, absolutely dominated by and submissive to the Torah. Total fundamentalism that goes along with the elimination of those who are not perfect Jews, who are not even Jews at all like the Gentiles and the Arabs. This zealot ideology is very present in Islam, but it is also present in Judaism and even if in more subtle words in the modern world in Christianity. The three Abrahamic religions have inherited this from the old Torah tradition and the three religions have integrated it into their general preaching.

A phenomenal piece of heritage that gives you cold shivers along your spine. We can really be worried about this, about the future of our world.

Éditions La Dondaine, Medium.com, 2024

Croyez en qui vous voulez, ou en quoi que vous puissiez souhaiter, mais l’histoire n’a cure de ce... more Croyez en qui vous voulez, ou en quoi que vous puissiez souhaiter, mais l’histoire n’a cure de ce que vous pouvez bien penser ou désirer. L’histoire est une grosse machine qui passe avec ses milliers de roues, de voitures, de tanks, de vélos, de motos et même de robots automombiles ou autres aspirateurs de maison, ET VOUS N’ÊTES QU’UN OBSTACLE.

Et les générations suivantes héritent de tout çà. Merci mon Dieu, Merci mon Diable.

Believe in who you want, or whatever you might wish, but history does not care what you may/might/could think or desire. History is a big machine that passes with its thousands of wheels, cars, tanks, bicycles, motorcycles and even self-driving robots or other home vacuum cleaners, AND YOU ARE ONLY AN OBSTACLE.

And the following generations inherit all that. Thank you, my God, Thank you, my Satan.

Éditions La Dondaine, Medium.com, 2024

Jakub Josef Orlinski will never step back in front of a difficulty. Hence, breakdancing just in f... more Jakub Josef Orlinski will never step back in front of a difficulty. Hence, breakdancing just in front of The Albert Hall in London is for him more than a Promenade Concert. It is a Manifesto, not the one by Karl Marx who rests in peace in some London cemetery, but his own manifesto that lets him say music is not a code, but it is a spiritual trip to the other end of our world where you can dance the waltz to a Gregorian chant. So why not breakdancing on a baroque Black and Soul voodoo diabolical rhythm?

Yes indeed, why not? I guess in Poland priests dance a polka just before and just after communion. So, you will not be surprised by this CD. You will be enchanted, I mean possessed and haunted forever, because then you will know baroque music is the favorite accompaniment of all mafia crimes and omerta is the rule afterward. It is sure. Orlinski is trying to tell us something, but it is locked between the lines and he did not provide us with the key to this healing chest.

Jakub Josef Orlinski ne recule jamais devant une difficulté. Ainsi, faire du breakdance devant l'Albert Hall de Londres est pour lui plus qu'un concert promenade. C'est un manifeste, pas celui de Karl Marx qui repose en paix dans quelque cimetière londonien, mais son propre manifeste qui lui permet de dire que la musique n'est pas un code, mais un voyage spirituel à l'autre bout de notre monde où l'on peut danser la valse sur un chant grégorien. Alors pourquoi ne pas faire du breakdance sur un rythme baroque diabolique de Black and Soul vaudou ?

Oui en effet, pourquoi pas ? Je suppose qu'en Pologne les prêtres dansent une polka juste avant et juste après la communion. Donc, vous ne serez pas surpris par ce CD. Vous serez enchantés, je veux dire possédés et hantés à jamais, car vous saurez alors que la musique baroque est l'accompagnement préféré de tous les crimes mafieux et que l'omerta est la règle après. C'est sûr. Orlinski essaie de nous dire quelque chose, mais c'est enfermé entre les lignes et il ne nous a pas fourni la clé de ce coffre de guérison.

Édition La Dondaine, Medium.com, 2024

This comic book is not a revolution in art, nor a revelation in history. If the facts are true, a... more This comic book is not a revolution in art, nor a revelation in history. If the facts are true, and not licensed by the freedom or artistic expression, then the top leadership of the Catholic Church is targeted as vicious, lying, perverse and hypocritical. The Peace of God becomes the Crusade of God and the Commerce of Spices and Silk. An enormous proportion of Crusaders do not come back and they kill at least as many as they are, one dead body for one Crusader if it is not more, and probably ten dead Arabs for hardly one dead Crusader.

We are better now. The end of the comic book is exposing George W. Bush and his Secretary of State, Dick Cheney, as liars but, once again, they do not tell us how many people were killed on the middle-eastern side and how many bodies were buried of such victims of the US invasion of Iraq and Afghanistan as compared to the total number of GIs and other military personnel sent to the Middle East by the US and some other countries.

There definitely is another way of reading these events, provided we change points of view and shift from today’s readership to the consciousness of ordinary people in the 13th century. The full contradiction between bigotry and educated critical mind has to be explored, and I am sure it could lead to very interesting pages.
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Cette bande dessinée n'est pas une révolution dans l'art, ni une révélation dans l'histoire. Si les faits sont vrais et ne sont pas couverts par la liberté d'expression artistique, alors les dirigeants de l'Église catholique sont considérés comme vicieux, menteurs, pervers et hypocrites. La Paix de Dieu devient la Croisade de Dieu et le Commerce des Épices et de la Soie. Une énorme proportion de Croisés ne revient pas et ils tuent au moins autant qu'ils sont de Croisés, un cadavre pour un Croisé si ce n'est plus, et probablement dix Arabes morts pour à peine un Croisé mort.

Nous faisons mieux maintenant. La fin de la bande dessinée expose George W. Bush et son Secrétaire d'État, Dick Cheney, comme des menteurs mais une fois de plus, ils ne nous disent pas combien de personnes ont été tuées du côté du Moyen-Orient et combien de corps ont été enterrés de ces victimes de l'invasion américaine de l'Irak et de l'Afghanistan par rapport au nombre total de GI et d'autres personnels militaires envoyés au Moyen-Orient par les États-Unis et certains autres pays.

Il y a certainement une autre façon de lire ces événements, à condition de changer de point de vue et de passer du lectorat d’aujourd’hui à la conscience des gens ordinaires du 13ème siècle. Il faut explorer toute la contradiction entre bigoterie et esprit critique éduqué, et je suis sûr que cela pourrait donner lieu à des pages très intéressantes.

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What is culture? Is culture dependent on its language? The phylogeny of culture? What is a multicultural world? The
concept of POST TRAUMATIC DECULTURATION STRESS SYNDROME.

CONCLUSION
Literacy versus illiteracy. Total versus partial illiteracy. Full versus partial literacy. What is European culture? A
patchwork, a meta-culture, or a systematic or partial hybridized mix?

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COVID-19 IS RULING HIGH AND STRONG; AS COMPARED TO THE WORLD EUROPE IS HIGH AS FOR NEW CASES AN... more COVID-19 IS RULING HIGH AND STRONG;
AS COMPARED TO THE WORLD

EUROPE IS HIGH AS FOR NEW CASES AND RISING
EUROPE IS AVERAGE AS FOR DEATHS BUT RISING

WE ARE NOT OUT, FAR, FAR FROM IT

THE MAIN MISTAKE WOULD BE TO CONSIDER WE CAN GO BACK TO NORMAL THE WAY IT WAS BEFORE THE PANDEMIC

8 views

Éditions La Dondaine, Medium.com, 2025

3RD ROUND KNOCKED OUT KAPUTT This third round is centered on crime and the police. 1- Benoit Po... more 3RD ROUND
KNOCKED OUT
KAPUTT

This third round is centered on crime and the police.

So, enjoy these series, films, and comic books in the weeks leading to Twelfth Night, Mardi Gras, and the Carnival.

Éditions La Dondaine, Medium.com, 2024

And we finish this batch with two disks of music from these Scandinavian countries, both Indo-Eruropean and agglutinative Turkic. Enjoy the trip.

Éditions La Dondaine, Medium.com, 2024

And that is when and how I discovered IFIASA. What attracted me to them?

First of all, their spirituality, in their case their Orthodox Christianity. […]

Second, the emphasis they set on science, technology, and knowledge as constructs of humanity, human beings in their daily life. […]

Any “invention” is nothing but the extension of something that existed before and evolves into what emerges from it.

Dr. Jacques COULARDEAU
Olliergues, December 12, 2024

Éditions La Dondaine, Medium.com, 2024

Éditions La Dondaine, 2024

Éditions La Dondain e, Medium, YouTube, 2024

Éditions La Dondaine, Medium.com, 2024

Only one way to do it, and to know: sustained practice of group work, and round-the-clock oral debating.

Medium.com, 2024

Éditions La Dondaine, Medium.com, 2024

A phenomenal piece of heritage that gives you cold shivers along your spine. We can really be worried about this, about the future of our world.

Éditions La Dondaine, Medium.com, 2024

Et les générations suivantes héritent de tout çà. Merci mon Dieu, Merci mon Diable.

And the following generations inherit all that. Thank you, my God, Thank you, my Satan.

Éditions La Dondaine, Medium.com, 2024

Édition La Dondaine, Medium.com, 2024

Éditions La Dondaine, Medium.com, 2024

Comment rendre en musique l’amour trahi par la politique, la souffrance de l’amour rejeté après ... more Comment rendre en musique l’amour trahi par la politique, la souffrance de l’amour rejeté après l’avoir partagé parce que la politique fait de l’homme un intouchable par les non-romains, du moins intouchable maritalement. Bérénice en paie le prix, mais encore elle n’est pas simplement exécutée comme une impropre. Elle est la seule Juive à subir ce sort du rejet comme Cléopâtre, l’Égyptienne, et on pense bien sûr à Judith qui remporta à sa maison la tête d’Holopherne, mais qu’est-ce que Bérénice pouvait attendre de la tête de Titus ?

Comme quoi les choses ont un peu changé, mais moins que l’on puisse penser. Cela vaut bien François Hollande, Président de la République Française, se faisant transporter par son garde du corps sur un scooter jusqu'au nid de sa maîtresse Julie Gayet. C’est peut-être mieux que Félix Faure mourant dans les bras de sa maîtresse au Palais de l’Élysée.

How can we translate love betrayed by politics into music, the suffering of love rejected after sharing it because politics makes the man untouchable by non-Romans, at least untouchable maritally? Berenice pays the price but is not simply executed as an unfit or misfit. She is the only Jew to suffer this fate of rejection like Cleopatra, the Egyptian, and we think of course of the Jewish Judith who took home the head of Holofernes, but what could Berenice have expected from the head of Titus?

It proves, doesn’t it, that things have changed a little, but less than one might think. It is as palatable as François Hollande, the President of the French Republic, being transported by his bodyguard on a scooter to the nest of his mistress Julie Gayet. This is perhaps more presentable than Félix Faure dying in the arms of his mistress at the Élysée Palace.

Éditions La Dondaine, Medium.com, 2024

POT POURRI D’UN ÉTÉ TROP LONG L’été 2024 fut une calamité monotone avec uniquement quelques orage... more POT POURRI D’UN ÉTÉ TROP LONG
L’été 2024 fut une calamité monotone avec uniquement quelques orages bienvenus, mais même la chaleur qu’on nous dit avoir été 0,7°C plus haute que la moyenne de saison n’a que rarement dépassé 35 et est resté sagement la plupart du temps entre 28°C et 32-33°C et très rarement moins de 10° de différence entre le jour (maximum) et la nuit (minimum). Pas donc une canicule, mais un temps monotone plutôt chaud mais sans plus avec quelques pointes de chaleur au-dessus de 35°C un jour par-ci et un jour par-là. J’ai utilisé deux fois moins d’eau – de pluie bien sûr tirée de ma grande bassine de dix mètres cubes - pour arroser tous mes jardins que l’année précédente et presque deux fois et demie moins que l’année encore d’avant. Et ce malgré le fait qu’il y ait eu un déficit de précipitations en Juillet-Août. Et je n’ai jamais autant récolté, sauf qu’un jardin a été la cible d’une invasion de rats taupiers qu’il a fallu éliminer, contenir et contrôler. Apparemment un joueur de pipeau ne suffît pas et les grands moyens à la Robert Lamoureux furent nécessaire comme dans sa chasse au canard dans sa cuisine et sa salle de bain, avec papa, maman, la bonne, et moi, sans oublier le canard en invité subalterne surprise. Dans l'autre jardin, l'invasion est venue d'une armada d'escargots qui s'étaient réfugiés dans les racines de mes iris et qui ont pillé tout ce qui était vert et juste sorti de la terre. Et là encore, j'ai dû utiliser les grands moyens et les gros canons d'un Grand Chambardement à la Guy Béart.

Voici quelques notes de lecture et visionnement, audition et divertissement durant cet été lassant et sans style.

POTLUCK MEDLEY OF TOO LONG A SUMMER

The summer of 2024 was a monotonous calamity with only a few welcome storms, but even the heat that we are told was 0.7°C higher than the seasonal average, rarely exceeded 35 and remained wisely most of the time between 28°C and 32-33°C and very rarely less than a 10°C difference between day (maximum) and night (minimum). So, no Summer dog days, but rather monotonous weather rather warm/hot but nothing more with a few peaks of heat above 35°C one day here and one day there. I used half as much water – rainwater of course drawn from my large ten-cubic-meter-basin, or huge bucket if you prefer – to water all my gardens than the previous year and almost two and a half times less than the year even before. And yet even though there was a deficit of precipitation in July-August. And I have never harvested so much, except that a garden was the target of an invasion of mole rats that had to be eliminated, contained, and controlled. Apparently, a pipe player is not enough, and the great means and big guns à la Robert Lamoureux were necessary like in his duck hunt in his kitchen and bathroom, with “dad, mom, the maid, and me,” without forgetting the duck as a surprise subordinate guest. In the other garden, the invasion came from an armada of snails who had taken refuge in the roots of my irises and raided everything green and just out of the soil. And here again, I had to use the big means and the great guns of a Big Upheaval à la Guy Béart.

Here are some notes about what I read and listened to, watched and entertained myself with during this boring and unstylish summer.

L'été 2024 fut une calamité monotone avec uniquement quelques orages bienvenus, mais même la chal... more L'été 2024 fut une calamité monotone avec uniquement quelques orages bienvenus, mais même la chaleur qu'on nous dit avoir été 0,7°C plus haute que la moyenne de saison n'a que rarement dépassé 35 et est resté sagement la plupart du temps entre 28°C et 32-33°C et très rarement moins de 10° de différence entre le jour (maximum) et la nuit (minimum). Pas donc une canicule, mais un temps monotone plutôt chaud mais sans plus avec quelques pointes de chaleur au-dessus de 35°C un jour par-ci et un jour par-là. J'ai utilisé deux fois moins d'eau-de pluie bien sûr tirée de ma grande bassine de dix mètres cubes-pour arroser tous mes jardins que l'année précédente et presque deux fois et demie moins que l'année encore d'avant. Et ce malgré le fait qu'il y ait eu un déficit de précipitations en Juillet-Août. Et je n'ai jamais autant récolté, sauf qu'un jardin a été la cible d'une invasion de rats taupiers qu'il a fallu éliminer, contenir et contrôler. Apparemment un joueur de pipeau ne suffît pas et les grands moyens à la Robert Lamoureux furent nécessaire comme dans sa chasse au canard dans sa cuisine et sa salle de bain, avec papa, maman, la bonne, et moi, sans oublier le canard en invité subalterne surprise. Dans l'autre jardin, l'invasion est venue d'une armada d'escargots qui s'étaient réfugiés dans les racines de mes iris et qui ont pillé tout ce qui était vert et juste sorti de la terre. Et là encore, j'ai dû utiliser les grands moyens et les gros canons d'un Grand Chambardement à la Guy Béart. Voici quelques notes de lecture et visionnement, audition et divertissement durant cet été lassant et sans style.

This story has to be dedicated to time and life. It is the result of meeting many people in the a... more This story has to be dedicated to time and life. It is the result of meeting many people in the avenues of big Paris, gay as is well-known, and gay it is, indeed.
The songs were written to the music Kévin Thorez had previously composed. All the songs are from 2011-2012.
The dramatic story of Ilya and Vanya was written in 2013, integrating the lyrics of the songs as part of the story. It is a full homage to a young man who does not like his name to be quoted or uttered. Anonymous he will stay, just the way he likes it, and he likes many things.
The two characters carry endearing shortenings of Russian names. The names are masculine and the two shortenings are built on a feminine ending. I was attracted by this ambiguity for our birds of a feather.

Apostasy is a crime against humanity because it refuses the right of any human being to choose hi... more Apostasy is a crime against humanity because it refuses the right of any human being to choose his or her religion and to change religions if he or she so decides on her own volition.

James Crittle, a famous pilot of the French Air Force, later turned university professor, on Febr... more James Crittle, a famous pilot of the French Air Force, later turned university professor, on February 18, 2015, was found dead in full uniform Rue Montmartre in Paris. He had used some cyanide to put an end to his life. The French Air Force took over his funeral in Bordeaux, but Joseph and Magdalena Seth, two young people who had been his friends up to three years before when James Crittle stepped out of their life without any explanation, hearing the news on the radio decided to claim his body since he had no known direct relatives.

Le destin est droit comme mon bras quand je me mouche Droit comme la rue qui tourne Entre la P... more Le destin est droit comme mon bras quand je me mouche
Droit comme la rue qui tourne
Entre la Porte Dijeaux
Et le Cours de l’Intendance
A Bordeaux.

This morning I went into the garden My nose wide open to the wind And since I am a nosy person ... more This morning I went into the garden
My nose wide open to the wind
And since I am a nosy person
I poked my nose around everything

The street is long Mind you all the lights The cars the zebra crossings Bicycles pedestrians ... more The street is long
Mind you all the lights
The cars the zebra crossings
Bicycles pedestrians
Never can I see it all alone

Love is a laughing bird That cackles at you When you are still floating On a pink cloud of fol... more Love is a laughing bird
That cackles at you
When you are still floating
On a pink cloud of folly
Up in the ravenous gorges
Of your mountainous mind

Yesterday I was alone All alone in my loneliness Yesterday I asked Satan Who are you?

Mathieu came first The son of a Commie Vain in his suburb Sure in his future Provocative prou... more Mathieu came first
The son of a Commie
Vain in his suburb
Sure in his future
Provocative proud
Love for him was
Whisky Vodka Cognac
Wine Beer laced with Hashish
And girls on top
When he was drunk

Paris t’es fini
Et dir’ que t’étais
Mon dernier amour
Paris pour toujours
Enterré parti
Paris t’es fini

I saw your reflection In the sliding glass door Of some cupboard in Vichy’s Pools playing pal... more I saw your reflection
In the sliding glass door
Of some cupboard in Vichy’s
Pools playing palace
I looked around and saw nothing
I looked back at the glass door
And there you were aping me wild

I looked for you at the top of the hills Right beyond in the mountains There still was some sno... more I looked for you at the top of the hills
Right beyond in the mountains
There still was some snow
A fox was hunting between two firs
Quite a few blue berries were dancing under their leaves
I could smell mushrooms in the moss
A rivulet was running among a few stones

The train was running along its tracks It could not believe what it was seeing The blue sky of ... more The train was running along its tracks
It could not believe what it was seeing
The blue sky of the summer full of stars
In the middle of the afternoon Hooray

Long périple d'un jeune perdu dans les ruelles de la vie en forme d'impasse. Long trip of a youn... more Long périple d'un jeune perdu dans les ruelles de la vie en forme d'impasse.
Long trip of a young man lost in the narrow streets of life in the form of a blind alley

Il n'y a que les petits hommes Et les petites femmes Dit le petit insolent Qui craignent les p... more Il n'y a que les petits hommes
Et les petites femmes
Dit le petit insolent
Qui craignent les petits écrits

Descente aux enfersentre Thiers et Ambert A descent to Hell between Thiers and Ambert, two citie... more Descente aux enfersentre Thiers et Ambert
A descent to Hell between Thiers and Ambert, two cities in hellish volcanic and radioactive old mountains

Poème dédié à Pierre, Il y a très longtemps Poem dédicated to Pierre, a long long time ago.

Version personnelle du Stabat lmater en français Personal version of Stabat Mater in French

Éditions La Dondaine, 2021

Ni Ange, Ni Diable: Narquoiseries Grivoises du Livradois Jacques COULARDEAU & Annunzio COULARDEAU... more Ni Ange, Ni Diable: Narquoiseries Grivoises du Livradois Jacques COULARDEAU & Annunzio COULARDEAU

Depuis au moins vingt ans les travaux picturaux, parfois d’écriture, souvent de musique d’Annunzio Coulardeau comme accompagnent les travaux d’écriture en poésie, contes, fiction et recherche de Jacques Coulardeau. Le présent recueil regroupe de nombreux textes de l’un et de l’autre et pour l’essentiel une riche iconographie d’Annunzio Coulardeau la plupart du temps sous le pseudonyme de Hallal.
Les nouvelles, contes et poèmes de ce recueil sont dans le style plutôt rugueux et caustique de la montagne du Livradois, pour sûr, et un peu du Forez. La culture de cette région montagneuse et volcanique de France est très richement illustrée par l’œuvre d’Henri Pourrat et surtout de son Gaspard des Montagnes. Cet imaginaire a à faire avec des êtres nocturnes inquiétants comme les Dracs (c’est bien la même racine linguistique que le Conte Roumain célèbre), ou les sorcières Galipotes. Un très riche héritage ancien de contes et mythes sont conservés et aujourd’hui deviennent aussi la matière première et l’inspiration d’une création nouvelle. Les esprits un peu fragiles devraient s’abstenir car certaines situations sont un peu scabreuses parfois.
Dans ce recueil, un conte de Noël a été intégré qui regroupe des traditions européennes diverses dans une histoire de l’ordre de l’expérience surréaliste que l’on peut effectivement mettre entre toutes les mains ou lire aux enfants avant le coucher le 24 décembre.
Les illustrations révèlent chez l’artiste Hallal une propension à dépasser la surface de la réalité pour trouver au-delà des formes qui surprennent souvent par simple travail plastique de couleurs et de formes, mais aussi de traitement informatique d’images. L’idée générale qui ressort c’est que la réalité n’est qu’une surface largement trompeuse, même si cette surface semble lisse et non-dérangeante. L’âme des choses et des êtres de cette œuvre picturale est torturée de désirs, passions et instincts qui relèvent souvent de la plus horrible nature. Nous avons tous un être difforme qui niche en nous comme une hirondelle dans son nid, du moins entre deux migrations.
Entrez donc dans l’aventure, mais laissez toutes vos illusions humaines derrière vous si vous voulez les retrouver quand vous sortirez de cet univers fantasques.

Format Kindle
ASIN : ‎ B09NDPKK66
Éditeur‏ : ‎ Éditions La Dondaine; 1er édition (9 décembre 2021)
Langue‏ : ‎ Français
Synthèse vocale‏ : ‎ Activée
Nombre de pages de l'édition imprimée‏ : ‎ 242 pages
EUR 9,00 TVA incluse

Aujourd’hui je confesse publiquement mes crimes comme si je les commettais encore. Aujourd’hui je... more Aujourd’hui je confesse publiquement mes crimes comme si je les commettais encore. Aujourd’hui je raconte à qui veut l’entendre mon histoire peu ordinaire et pourtant régulière, cette histoire que j’ai vécue pendant des millénaires, jusqu’à ce qu’un bouffe-merde plus téméraire que d’habitude réussit à me piéger dans la mort. Me piéger dans la mort, c’est bien là le comble d’un mort vivant, puisque j’étais un mort vivant. Mais passons à cette histoire peu commune qui changea complètement la face de l’humanité, et certainement l’interface de ma vie.

Avec des suppléments:

Fifi Sans Tifs quand il était le Vampire de Roubaix sur Trichon en version scannée JPEG et illustrée par David Gommez.

AU ROYAUME DES PLAISIRS MILLÉNAIRES : LE THÉSAURUS SAURIEN DE LA RÉALITÉ HUMAINE SAUROPODE, manuel du tortureur mondialisé de haute technologie. Tout sur la civilisation barbare libératrice de la schizophrénie universelle des refoulés existentiels

La barbarie humaine a perdu une bataille là et la civilisation en a gagné une. On est passé de la... more La barbarie humaine a perdu une bataille là et la civilisation en a gagné une. On est passé de la civilisation féodale à la civilisation républicaine, certains diraient de l’économie de marché qui n’aime plus le sang versé à la face du monde et la douleur publique, qui aime qu’on les cache à jamais derrière les sept voiles de Salomé et les écrans télé.

C’est à cela que je dédie ces nouvelles, ces poèmes, ces cris qui montent du plus profond de l’enfer de Dante jusqu’au plus récent cas de violence gratuite contre autrui, comme ces enfants entre douze et quinze ans qui tuent d’autres enfants du même âge ou parfois un peu à peine plus âgés.

Il y a derrière chaque pavé qui casse une vitre la rage qui le lance et la bêtise à laquelle il e... more Il y a derrière chaque pavé qui casse une vitre la rage qui le lance et la bêtise à laquelle il est destiné. On trouve facilement le lanceur de pierre et autrefois on l’aurait envoyé à Cayenne, ou plus loin encore on l’aurait passé à la roue, un supplice délicieux qui fut supprimé par l’industrialisation de la peine de mort par la Révolution Française et la guillotine. On trouve plus difficilement la bêtise à laquelle le pavé est destiné, et si on la trouve il est encore plus hasardeux de lui donner visage humain.

Quelque part nous avons toujours des pavés, des lanceurs potentiels ou réels, mais nous n’avons plus nulle part ni la guillotine, ni la roue, et les séjours dans les prisons françaises, avec isolation et viol en alternance (SIDA à la clé de voute de ces internements), n’ont rien de comparable à mourir au soleil sur une roue à trois mètres du sol, les jambes, les cuisses, les avant-bras, les bras, le sternum, les côtes et pour bonne mesure les clavicules brisées à coups de barre de fer.

Il y a dans tout ce fatras qui couvre plus de quinze années, bien des choses qui vont de pair ave... more Il y a dans tout ce fatras qui couvre plus de quinze années, bien des choses qui vont de pair avec lui et moi, avec AC qui se dit Hal et moi JC qui se croit le frère aîné de Jésus.

C’est un parcours, une recherche, un délire qui explique et sous-tend sans la moindre limite ni ambiguïté ou même réticence la recherche scientifique, la pratique pédagogique et la fureur journalistique. Le critique des Festivals de La Chaise Dieu a usé de la même plume que l’auteur ou les auteurs de chacune de ces pièces.

Il y a derrière tous ces textes une histoire, une impasse, une souffrance, un désir, un cri et parfois simplement le coup de feu sur la voie ferrée de Biloxi au Mississippi qui donna voix à une frustration qui ne sera jamais assouvie.

SPECIAL FILE FOR A DISCUSSION SESSION ON ACADEMIA.edu This file gives you the introduction of w... more SPECIAL FILE
FOR A DISCUSSION SESSION ON ACADEMIA.edu

This file gives you the introduction of what is the first part of a long research that has been going on for most of my life and has been progressively intensified since 2005 when I moved to Paris Sorbonne, and other Paris private or public universities.

This first part counts seven chapters.

CHAPTER ONE: The Triple Articulation of Language
CHAPTER TWO: Philogeny and Migrations
CHAPTER THREE: Agglutinative Language
CHAPTER FOUR: Theo Vennemann
CHAPTER FIVE: The Migrations
CHAPTER SIX: Darwinization in Question
CHAPTER SEVEN: Where Gustave Guillaume Meets with Sally McBrearty

This long introduction gives all the concepts and procedures used in the research. I submit this file for discussion before the publication of the whole work (the first part only though, seven chapters). The second part is ready to go through its final proof reading and assessment, which will take at least six months of hard work.

I hope you enjoy reading these pages and I hope you take part in the discussion. I will integrate, in a way or another, all remarks or contributions in the final published work. At the present moment the manuscript counts 372 pages with 347 pages of text and 23 pages of notes (514 notes so far), and 228,379 words at (the) last count.

I have added some pictures in this introduction to make it easier to read. These pictures are all rock face paintings dated, most of them, from before the Ice Age, from all over the world. The oldest are from Indonesia and those from Baja California are undated due so far to the fact that the colors used by the people who painted these rocks do not contain any charcoal or carbon. More advanced dating procedure have not yet been used. The meaning is clear: no matter where these Homo Sapiens migrated they took along with them one or several languages, first, and some other capabilities, abilities and competences that made them do very similar things in very different conditions. Homo Sapiens has always been a communicational being with articulated languages and appetency for spiritual and artistic endeavors.

I consider that was unique with Homo Sapiens though some other Hominins had varying degrees of such tools and potentials, but apparently none equaled Homo Sapiens’ survival capability.

Dr. Jacques COULARDEAU
Olliergues July 2, 2017
(Ivan Eve being on a journey around the world with his love partner)

BENJAMIN BRITTEN’S OPERAS DEATH – MARGINALITY – TRANSCENDANCE – LOVE DENIAL On the basis of the... more BENJAMIN BRITTEN’S OPERAS
DEATH – MARGINALITY – TRANSCENDANCE – LOVE DENIAL

On the basis of the very first steps in that project for Avignon’s University, I submit to discussion the following notes. Britten sounds to me like a spiritual transcending chant and song of death beyond life in the heart of life itself. That love, that life, that transcendence is like the figure of the boy killed in Curlew River or some other operas, since I will only deal with operas, including of course Death in Venice, the perfect sacred garden and cemetery of Benjamin Britten, the graveyard of his belief that life can only be in death, or if you prefer that death can only exist in life.
Here are the operas I will consider after collecting them. Some are ballets, some are vaudevilles, some are operettas, but all are about that strange foreigner who is the only stranger in our life that counts: death, death our friend, death our lover, death our life partner.
Thinking of it now, just at the beginning of this search and hunt, I feel death is the most beautiful experience man can have, and that is not morbid because any “Danse Macabre” is not a simple ordinary dance. It is a trance that leads us to bliss and full mental orgasmic enjoyment.
One of my starting block is La Chaise Dieu’s Danse Macabre and I add to this first lap my review of two books on this Danse Macabre.

La Touche Damnée, 2021

Une note interdite, un pianiste maudit. Un voyage aux quatre coins de l’Europe pour les suivre à ... more Une note interdite, un pianiste maudit. Un voyage aux quatre coins de l’Europe pour les suivre à la trace. Quel est le secret de Guido Monticelli, spécialiste mondial de Chopin ? C’est sa touche damnée.
Avec Innocents, Maria-Stella d’Azzuro nous fait voyager dans le temps et l’espace, de la Côte d’Argent au Piémont italien, d’Italie au sultanat d’Oman, des Iles Mascareignes aux ergs du Sahara, du Cap-Vert aux canaux d’Amsterdam. La beauté y est omniprésente, qui désarme les guerriers, attendrit les cœurs, ressuscite les morts.
Les innocents veillent, gardiens de l’harmonie. Ils savent discerner la moindre fausse note, aucun bémol ne leur échappe. Tant de dangers les guettent ! Où puiseront-ils leur force ? Il faut que l’imprévu, ou quelque providence, vienne briser la mécanique implacable du Mal. Alors ils triomphent. Une divinité secrète les protège, et le conte dévoile le trésor redoutable de ceux qui ont eu l’audace de s’en remettre à la toute-puissance de l’éternel Amour.

Éditions La Dondaine, 2021

Mon Dieu, Cachez ces seins que je ne saurais voir. Les yeux sont toujours ... mais ils ne savent ... more Mon Dieu, Cachez ces seins que je ne saurais voir. Les yeux sont toujours ... mais ils ne savent pas arrêter de regarder, contempler, admirer. Peu importe la cible, le tableau, ou la scène de vie. L'oeil est l'organe sensuel majeur de l'homme qui est dominant visuel dans plus de 80% des cas, et comment en serait-il autrement après avoir passé neuf mois dans le noir le plus complet. Voir, regarder, épier ou aviser, c'est ce qui a guidé les pas de l'homme de l'Afrique Noire où il est né aux quatre coins de la planète terre avant même qu'il sut écrire, lilre, peindre, sculpter ou bien d'autres autres inventions qui viendront plus tard, mais regarder les étoiles et trouver son chemin, ça, c'était la force de l'homme.

Éditions La Dondaine, 2020

The new globalizing world of the post-Trump dead-end blind alley of populist white supremacist se... more The new globalizing world of the post-Trump dead-end blind alley of populist white supremacist self-centeredness will need a tremendous amount of translation to cope with the hundreds or thousands of human languages on this planet.
Artificial Intelligence will be crucial to do it, but AI cannot do it the way humans do because it is a machine.
The future is thus a great improvement in productivity and speed for all translations, but always with a human eye to make it correct so that the accountability of the whole chain that produced this or that translation is not jeopardized.
Man is the eagle, and AI translators are nothing but mice, maybe rats. Eagles can swoop down onto the rats. Rats cannot swoop down onto anything..