Andrea McKenzie | University of Victoria BC (original) (raw)
Papers by Andrea McKenzie
The death of Sir Edmund Berry Godfrey has baffled scholars and armchair detectives for centuries;... more The death of Sir Edmund Berry Godfrey has baffled scholars and armchair detectives for centuries; this book offers compelling new evidence and, at last, a solution to the mystery.
Les Cahiers de Framespa, Oct 15, 2017
Cet article abordera les proces des femmes accusees du meurtre de leur mari, « petty treason », u... more Cet article abordera les proces des femmes accusees du meurtre de leur mari, « petty treason », un crime qui theoriquement frappait le cœur meme de l’ordre social et patriarcal, et qui etait sujet a la punition atroce du supplice au bucher. Cependant, nous verrons que les cours de Justice londoniennes pendant les xviie et xviiie siecles avaient tendance en pratique a traiter petty treason de la meme maniere que n’importe quel autre homicide. Ainsi, la reputation et les circonstances attenuantes telle que la provocation etaient effectivement prises en consideration et pouvaient aboutir a un verdict moindre, voire une relaxe. Cette intervention cherche a mettre en lumiere l’experience de toutes les femmes accusees de meurtre conjugal en les placant dans un cadre plus large, notamment celui des hommes mis en cause pour homicide entre conjoints. L’accent sera mis sur les rapports entre le genre, le statut social et la credibilite, les verdicts et les sentences ultimes.
Oxford University Press eBooks, Sep 23, 2004
Oxford University Press eBooks, Sep 23, 2004
Law and History Review, May 1, 2010
to the foreground what England shared with her neighbors. Here are a few points among the many th... more to the foreground what England shared with her neighbors. Here are a few points among the many that could be cited. France, Spain, and the Holy Roman Empire, no less than James I’s England, were composite monarchies and/or multiple kingdoms. Monarchs throughout Europe built states by recruiting provincial notables into legal institutions operating under Crown law but relying on local participation, which was as much bargained for as demanded. Royal justice in many areas of early modern Europe exercised closer supervision over families, poor relief, and guilds. Does English legal history look less singular as it becomes more capacious?
Boydell UK eBooks, Aug 6, 2021
ANU Open Research (Australian National University), Sep 1, 2002
The author has granted a nonexclusive licence allowing the National Library of Canada to reproduc... more The author has granted a nonexclusive licence allowing the National Library of Canada to reproduce, loan, distribute or sell copies of this thesis in microforni, paper or electronic formats. The author retains ownership of the copyright in this thesis. Neither the thesis nor substantial extracts fiom it may be printed or otherwise reproduced without the author's permission. L'auteur a accordé une licence non exclusive permettant à la Bibliothèque nationale du Canada de reproduire, prêter, distribuer ou vendre des copies de cette thèse sous la fome de rnicrofiche/film, de reproduction sur papier ou sur format électronique. L'auteur conserve la propriété du droit d'auteur qui protège cette thèse. Ni la thèse ni des extraits substantiels de celle-ci ne doivent être imprimés ou autrement reproduits sans son autorisation.
Huntington Library Quarterly, Dec 1, 2006
... The early-eighteenth-century reading public eagerly devoured collections of the lives of semi... more ... The early-eighteenth-century reading public eagerly devoured collections of the lives of semi-fictionalized seventeenth-century highwaymen who robbed such tradi-tional villains as lawyers, moneylenders, and crooked tradesmen as well as regicides ... 584 andrea mckenzie 11. ...
British Catholic history, Apr 26, 2023
Law and History Review, 2009
begins her preface to Tyburn's Martyrs by attempting to locate the 18th-century Tyburn execution ... more begins her preface to Tyburn's Martyrs by attempting to locate the 18th-century Tyburn execution in the broader modern cultural context. It is, she contends, the most familiar and evocative image from that century, synonymous with the brutality of a past age and viewed as a grotesque spectator sport to which horror and disgust seem to be the sole appropriate responses for modern sensibilities. In one sense, that of the general reading public, she is correct. Yet, as she is fully aware, a number of historians have turned their attention to the phenomenon of the early modern English public execution and have developed a number of interpretations of its significance. Setting aside a piece of juvenilia by the present reviewer, we have Peter Linebaugh's massive book, which covers roughly the same period as does McKenzie's, but tells a very different story; an essay by T. W. Laqueur, which again adopts a different emphasis, stressing the 'carnivalesque' elements in the public execution; a number of incisive articles by Randall McGowen, which offer a set of emphases more in line with McKenzie's; and another massive and thoughtful book by V. A. C. Gatrell which in effect picks up the story where Tyburn's Martyrs ends. (1) What is obvious, not least on account of the very diversity of approaches and emphases offered by these and other historians, is that we are still a fair distance from really getting a grip on the cultural significance (or more accurately, significances) of the early modern English public execution. McKenzie's book, happily, is an important new work which develops a fresh approach to the topic, and moves us forward significantly towards a deeper understanding of the phenomenon. Perhaps the first step towards understanding her approach is to ponder on her title. 'Tyburn's Martyrs', one suspects, appealed to the publisher, but it does place a certain onus on the author to explain in what ways the ordinary criminals-the murderers, rapists, thieves, burglars, robbers and forgers-executed at Tyburn can be classed as martyrs, especially as (unlike Linebaugh) she does not privilege the notion that these people were victims of the advance of capitalism, or conversely, of an unjust legal code. Rather she hopes to justify her book's title by demonstrating that: the degree to which the language of martyrology, legitimation and resistance were intertwined in this period, and that traitors, martyrs, murderers and robbers alike drew from a common eschatology in which the 'good death' was not only an ultimate goal, but a powerful political and metaphysical statement (p. xvi). McKenzie thus takes as her focus the religious rhetoric which has previously been noted by a number of
Journal of British Studies, Apr 1, 2003
One of the most familiar, and certainly the most colorful, of all early eighteenth-century figure... more One of the most familiar, and certainly the most colorful, of all early eighteenth-century figures is that of the ‘‘game’’ criminal—the bold and dashing highwayman or street robber who dressed like a beau, drank like a lord, and went without tears or trembling to the gallows, cheerfully playing the leading role in that most famous of Augustan performances, public execution at Tyburn. The stereotype is perhaps most vividly expressed in Jonathan Swift’s 1726 satirical poem ‘‘Clever Tom Clinch going to be hanged.’’ During his triumphal procession from Newgate to Tyburn, Tom bows jauntily to his female admirers and stops at a tavern for a bottle of sack, promising (with true gallows humor) ‘‘to pay for it when he’d come back.’’ At the place of execution, instead of forgiving the hangman, let alone tipping him (both were customary), ‘‘Tom gave him a Kick in the Guts for his Fee,’’ assuring spectators he would ‘‘see [them] all damn’d’’ before he would ‘‘whittle’’ (betray his comrades). And so it was that with his ‘‘Conscience . . .
Law and History Review, 2005
…he [that] is judged mute, that is dumme by contumacie…his condemnation is to be pressed to death... more …he [that] is judged mute, that is dumme by contumacie…his condemnation is to be pressed to death, which is one of the cruellest deathes that may be: he is layd upon a table, and an other uppon him, and so much weight of stones or lead laide uppon that table, while as his bodie be crushed, and his life by that violence taken from him. This death some strong and stout hearted man doth choose, for being not condemned of felonie, his bloud is not corrupted, his lands nor goods confiscate to the Prince…
Canadian journal of history, Sep 1, 2012
This essay examines a wide range of print sources in order to flesh out and to explicate those vi... more This essay examines a wide range of print sources in order to flesh out and to explicate those visual elements of seventeenth- and eighteenth-century trial and execution so central to understanding the ways in which authority could be contested, either passively or actively. Defiant courtroom and gallows sartorial gestures are situated both in the context of broader early modern beliefs regarding social hierarchy and legitimate authority and the burgeoning recent scholarship on the carnivalesque, weapons of the weak and the performative turn. The degree to which these counter-gestures constitute agency remains an open question; however, the ways in which such challenges were framed and expressed not only sheds light on larger legitimating social ideals but suggests a gradual but significant shift over the course of the long eighteenth century from a vertical to a more horizontal construction of authority.
Oxford University Press eBooks, Sep 23, 2004
Oxford University Press eBooks, Sep 23, 2004
Left History, Mar 1, 1993
The death of Sir Edmund Berry Godfrey has baffled scholars and armchair detectives for centuries;... more The death of Sir Edmund Berry Godfrey has baffled scholars and armchair detectives for centuries; this book offers compelling new evidence and, at last, a solution to the mystery.
Les Cahiers de Framespa, Oct 15, 2017
Cet article abordera les proces des femmes accusees du meurtre de leur mari, « petty treason », u... more Cet article abordera les proces des femmes accusees du meurtre de leur mari, « petty treason », un crime qui theoriquement frappait le cœur meme de l’ordre social et patriarcal, et qui etait sujet a la punition atroce du supplice au bucher. Cependant, nous verrons que les cours de Justice londoniennes pendant les xviie et xviiie siecles avaient tendance en pratique a traiter petty treason de la meme maniere que n’importe quel autre homicide. Ainsi, la reputation et les circonstances attenuantes telle que la provocation etaient effectivement prises en consideration et pouvaient aboutir a un verdict moindre, voire une relaxe. Cette intervention cherche a mettre en lumiere l’experience de toutes les femmes accusees de meurtre conjugal en les placant dans un cadre plus large, notamment celui des hommes mis en cause pour homicide entre conjoints. L’accent sera mis sur les rapports entre le genre, le statut social et la credibilite, les verdicts et les sentences ultimes.
Oxford University Press eBooks, Sep 23, 2004
Oxford University Press eBooks, Sep 23, 2004
Law and History Review, May 1, 2010
to the foreground what England shared with her neighbors. Here are a few points among the many th... more to the foreground what England shared with her neighbors. Here are a few points among the many that could be cited. France, Spain, and the Holy Roman Empire, no less than James I’s England, were composite monarchies and/or multiple kingdoms. Monarchs throughout Europe built states by recruiting provincial notables into legal institutions operating under Crown law but relying on local participation, which was as much bargained for as demanded. Royal justice in many areas of early modern Europe exercised closer supervision over families, poor relief, and guilds. Does English legal history look less singular as it becomes more capacious?
Boydell UK eBooks, Aug 6, 2021
ANU Open Research (Australian National University), Sep 1, 2002
The author has granted a nonexclusive licence allowing the National Library of Canada to reproduc... more The author has granted a nonexclusive licence allowing the National Library of Canada to reproduce, loan, distribute or sell copies of this thesis in microforni, paper or electronic formats. The author retains ownership of the copyright in this thesis. Neither the thesis nor substantial extracts fiom it may be printed or otherwise reproduced without the author's permission. L'auteur a accordé une licence non exclusive permettant à la Bibliothèque nationale du Canada de reproduire, prêter, distribuer ou vendre des copies de cette thèse sous la fome de rnicrofiche/film, de reproduction sur papier ou sur format électronique. L'auteur conserve la propriété du droit d'auteur qui protège cette thèse. Ni la thèse ni des extraits substantiels de celle-ci ne doivent être imprimés ou autrement reproduits sans son autorisation.
Huntington Library Quarterly, Dec 1, 2006
... The early-eighteenth-century reading public eagerly devoured collections of the lives of semi... more ... The early-eighteenth-century reading public eagerly devoured collections of the lives of semi-fictionalized seventeenth-century highwaymen who robbed such tradi-tional villains as lawyers, moneylenders, and crooked tradesmen as well as regicides ... 584 andrea mckenzie 11. ...
British Catholic history, Apr 26, 2023
Law and History Review, 2009
begins her preface to Tyburn's Martyrs by attempting to locate the 18th-century Tyburn execution ... more begins her preface to Tyburn's Martyrs by attempting to locate the 18th-century Tyburn execution in the broader modern cultural context. It is, she contends, the most familiar and evocative image from that century, synonymous with the brutality of a past age and viewed as a grotesque spectator sport to which horror and disgust seem to be the sole appropriate responses for modern sensibilities. In one sense, that of the general reading public, she is correct. Yet, as she is fully aware, a number of historians have turned their attention to the phenomenon of the early modern English public execution and have developed a number of interpretations of its significance. Setting aside a piece of juvenilia by the present reviewer, we have Peter Linebaugh's massive book, which covers roughly the same period as does McKenzie's, but tells a very different story; an essay by T. W. Laqueur, which again adopts a different emphasis, stressing the 'carnivalesque' elements in the public execution; a number of incisive articles by Randall McGowen, which offer a set of emphases more in line with McKenzie's; and another massive and thoughtful book by V. A. C. Gatrell which in effect picks up the story where Tyburn's Martyrs ends. (1) What is obvious, not least on account of the very diversity of approaches and emphases offered by these and other historians, is that we are still a fair distance from really getting a grip on the cultural significance (or more accurately, significances) of the early modern English public execution. McKenzie's book, happily, is an important new work which develops a fresh approach to the topic, and moves us forward significantly towards a deeper understanding of the phenomenon. Perhaps the first step towards understanding her approach is to ponder on her title. 'Tyburn's Martyrs', one suspects, appealed to the publisher, but it does place a certain onus on the author to explain in what ways the ordinary criminals-the murderers, rapists, thieves, burglars, robbers and forgers-executed at Tyburn can be classed as martyrs, especially as (unlike Linebaugh) she does not privilege the notion that these people were victims of the advance of capitalism, or conversely, of an unjust legal code. Rather she hopes to justify her book's title by demonstrating that: the degree to which the language of martyrology, legitimation and resistance were intertwined in this period, and that traitors, martyrs, murderers and robbers alike drew from a common eschatology in which the 'good death' was not only an ultimate goal, but a powerful political and metaphysical statement (p. xvi). McKenzie thus takes as her focus the religious rhetoric which has previously been noted by a number of
Journal of British Studies, Apr 1, 2003
One of the most familiar, and certainly the most colorful, of all early eighteenth-century figure... more One of the most familiar, and certainly the most colorful, of all early eighteenth-century figures is that of the ‘‘game’’ criminal—the bold and dashing highwayman or street robber who dressed like a beau, drank like a lord, and went without tears or trembling to the gallows, cheerfully playing the leading role in that most famous of Augustan performances, public execution at Tyburn. The stereotype is perhaps most vividly expressed in Jonathan Swift’s 1726 satirical poem ‘‘Clever Tom Clinch going to be hanged.’’ During his triumphal procession from Newgate to Tyburn, Tom bows jauntily to his female admirers and stops at a tavern for a bottle of sack, promising (with true gallows humor) ‘‘to pay for it when he’d come back.’’ At the place of execution, instead of forgiving the hangman, let alone tipping him (both were customary), ‘‘Tom gave him a Kick in the Guts for his Fee,’’ assuring spectators he would ‘‘see [them] all damn’d’’ before he would ‘‘whittle’’ (betray his comrades). And so it was that with his ‘‘Conscience . . .
Law and History Review, 2005
…he [that] is judged mute, that is dumme by contumacie…his condemnation is to be pressed to death... more …he [that] is judged mute, that is dumme by contumacie…his condemnation is to be pressed to death, which is one of the cruellest deathes that may be: he is layd upon a table, and an other uppon him, and so much weight of stones or lead laide uppon that table, while as his bodie be crushed, and his life by that violence taken from him. This death some strong and stout hearted man doth choose, for being not condemned of felonie, his bloud is not corrupted, his lands nor goods confiscate to the Prince…
Canadian journal of history, Sep 1, 2012
This essay examines a wide range of print sources in order to flesh out and to explicate those vi... more This essay examines a wide range of print sources in order to flesh out and to explicate those visual elements of seventeenth- and eighteenth-century trial and execution so central to understanding the ways in which authority could be contested, either passively or actively. Defiant courtroom and gallows sartorial gestures are situated both in the context of broader early modern beliefs regarding social hierarchy and legitimate authority and the burgeoning recent scholarship on the carnivalesque, weapons of the weak and the performative turn. The degree to which these counter-gestures constitute agency remains an open question; however, the ways in which such challenges were framed and expressed not only sheds light on larger legitimating social ideals but suggests a gradual but significant shift over the course of the long eighteenth century from a vertical to a more horizontal construction of authority.
Oxford University Press eBooks, Sep 23, 2004
Oxford University Press eBooks, Sep 23, 2004
Left History, Mar 1, 1993