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Articles by Cristina S. Martinez
Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century. Stéphanie Delamaire and Will Slaughter eds., 2021
This essay studies in detail, for the first time and in the context of legal as well as art histo... more This essay studies in detail, for the first time and in the context of legal as well as art history, Sir Joshua Reynolds's representation of Justice (1779). We argue that the image is of particular significance in the history of representations of justice, and marks the emergence of neoclassical ideals. These ideals became, for example in the work of Sir William Blackstone, central to the development of Anglo-American concepts of the common law. We argue that Reynolds's work exemplifies a profound shift and a rich complexity in these concepts. Our study also reveals the ways in which the artist's aesthetic practice and precedents gave him unique insights into the form and ideas of Justice. More than this, we suggest that the relationship between legal ideas and portraiture is suggestive for how the relationship between abstract norms and individual cases ought to be mediatedboth in the formative period of the late eighteenth century, and now. The connection between law and art helps not only to clarify but to develop and more richly comprehend both the history and the implications of legal concepts. Not in philosophy or jurisprudence or political theory is justice's struggle between particular and general most productively encountered, but in the dual cases of portraiture and common law. , Vox: +1 613 8844573.
Papers by Cristina S. Martinez
This essay studies in detail, for the first time and in the context of legal as well as art histo... more This essay studies in detail, for the first time and in the context of legal as well as art history, Sir Joshua Reynolds's representation of Justice (1779). We argue that the image is of particular significance in the history of representations of justice, and marks the emergence of neoclassical ideals. These ideals became, for example in the work of Sir William Blackstone, central to the development of Anglo-American concepts of the common law. We argue that Reynolds's work exemplifies a profound shift and a rich complexity in these concepts. Our study also reveals the ways in which the artist's aesthetic practice and precedents gave him unique insights into the form and ideas of Justice. More than this, we suggest that the relationship between legal ideas and portraiture is suggestive for how the relationship between abstract norms and individual cases ought to be mediated-both in the formative period of the late eighteenth century, and now. The connection between law and art helps not only to clarify but to develop and more richly comprehend both the history and the implications of legal concepts. Not in philosophy or jurisprudence or political theory is justice's struggle between particular and general most productively encountered, but in the dual cases of portraiture and common law.
Proceedings of the International Symposium on Sketch-Based Interfaces and Modeling - SBIM '13, 2013
Journée d'études du GRHAM : Figures de veuves à l’époque moderne (XVIIe et XVIIIe siècles) : Images d’un statut social accepté, caché, revendiqué ? / Figures of Widows in Modern Era (17th and 18th centuries): Images of an Accepted, Hidden, Claimed Social Status?, 2021
Journée d'études : Figures de veuves à l'époque moderne (XVIIe-XVIIIe siècles). Images d'un statut social accepté, caché, revendiqué ?, 2021
Scarlett BEAUVALET-BOUTOUYRIE, professeur à l'Université de Picardie 9h45-11h15 : POUVOIR ET RÔLE... more Scarlett BEAUVALET-BOUTOUYRIE, professeur à l'Université de Picardie 9h45-11h15 : POUVOIR ET RÔLE POLITIQUE DANS "L'EUROPE" DE L'ANCIEN RÉGIME Modération : Maël Tauziède-Espariat, chercheur associé à l'Université de Bourgogne Veuves royales : représentations politiques du veuvage en France et en Angleterre à l'époque moderne (XVII e-XVIII e) Julie ÖZCAN, doctorante en Histoire et Civilisation à l'École des Hautes Études en Sciences Sociales Christine de France, duchesse et régente de Piémont-Savoie (1619-1663). Entre l'être et le paraître, le statut politique et social d'une veuve Femme d'État Florine VITAL-DURAND, chercheuse associée à l'Université Grenoble Alpes L'obscur et l'éclat : concilier gouvernement et viduité sous la régence d'Anne d'Autriche Damien BRIL,chercheur à l'École du Louvre 11h30-12h30 : IDENTITÉ, CODES ET NORMES VESTIMENTAIRES Modération : Marine Roberton, doctorante à l'Université Paris 1 Panthéon-Sorbonne Apparences et images des veuves à la cour de France au coeur du XVIII e siècle. L'exemple des dames de la reine Marie Leszczynska (1725-1768) Aurélie CHATENET-CALYSTE, maître de conférences en histoire moderne à l'Université Rennes 2.
Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century. Stéphanie Delamaire and Will Slaughter eds., 2021
This essay studies in detail, for the first time and in the context of legal as well as art histo... more This essay studies in detail, for the first time and in the context of legal as well as art history, Sir Joshua Reynolds's representation of Justice (1779). We argue that the image is of particular significance in the history of representations of justice, and marks the emergence of neoclassical ideals. These ideals became, for example in the work of Sir William Blackstone, central to the development of Anglo-American concepts of the common law. We argue that Reynolds's work exemplifies a profound shift and a rich complexity in these concepts. Our study also reveals the ways in which the artist's aesthetic practice and precedents gave him unique insights into the form and ideas of Justice. More than this, we suggest that the relationship between legal ideas and portraiture is suggestive for how the relationship between abstract norms and individual cases ought to be mediatedboth in the formative period of the late eighteenth century, and now. The connection between law and art helps not only to clarify but to develop and more richly comprehend both the history and the implications of legal concepts. Not in philosophy or jurisprudence or political theory is justice's struggle between particular and general most productively encountered, but in the dual cases of portraiture and common law. , Vox: +1 613 8844573.
This essay studies in detail, for the first time and in the context of legal as well as art histo... more This essay studies in detail, for the first time and in the context of legal as well as art history, Sir Joshua Reynolds's representation of Justice (1779). We argue that the image is of particular significance in the history of representations of justice, and marks the emergence of neoclassical ideals. These ideals became, for example in the work of Sir William Blackstone, central to the development of Anglo-American concepts of the common law. We argue that Reynolds's work exemplifies a profound shift and a rich complexity in these concepts. Our study also reveals the ways in which the artist's aesthetic practice and precedents gave him unique insights into the form and ideas of Justice. More than this, we suggest that the relationship between legal ideas and portraiture is suggestive for how the relationship between abstract norms and individual cases ought to be mediated-both in the formative period of the late eighteenth century, and now. The connection between law and art helps not only to clarify but to develop and more richly comprehend both the history and the implications of legal concepts. Not in philosophy or jurisprudence or political theory is justice's struggle between particular and general most productively encountered, but in the dual cases of portraiture and common law.
Proceedings of the International Symposium on Sketch-Based Interfaces and Modeling - SBIM '13, 2013
Journée d'études du GRHAM : Figures de veuves à l’époque moderne (XVIIe et XVIIIe siècles) : Images d’un statut social accepté, caché, revendiqué ? / Figures of Widows in Modern Era (17th and 18th centuries): Images of an Accepted, Hidden, Claimed Social Status?, 2021
Journée d'études : Figures de veuves à l'époque moderne (XVIIe-XVIIIe siècles). Images d'un statut social accepté, caché, revendiqué ?, 2021
Scarlett BEAUVALET-BOUTOUYRIE, professeur à l'Université de Picardie 9h45-11h15 : POUVOIR ET RÔLE... more Scarlett BEAUVALET-BOUTOUYRIE, professeur à l'Université de Picardie 9h45-11h15 : POUVOIR ET RÔLE POLITIQUE DANS "L'EUROPE" DE L'ANCIEN RÉGIME Modération : Maël Tauziède-Espariat, chercheur associé à l'Université de Bourgogne Veuves royales : représentations politiques du veuvage en France et en Angleterre à l'époque moderne (XVII e-XVIII e) Julie ÖZCAN, doctorante en Histoire et Civilisation à l'École des Hautes Études en Sciences Sociales Christine de France, duchesse et régente de Piémont-Savoie (1619-1663). Entre l'être et le paraître, le statut politique et social d'une veuve Femme d'État Florine VITAL-DURAND, chercheuse associée à l'Université Grenoble Alpes L'obscur et l'éclat : concilier gouvernement et viduité sous la régence d'Anne d'Autriche Damien BRIL,chercheur à l'École du Louvre 11h30-12h30 : IDENTITÉ, CODES ET NORMES VESTIMENTAIRES Modération : Marine Roberton, doctorante à l'Université Paris 1 Panthéon-Sorbonne Apparences et images des veuves à la cour de France au coeur du XVIII e siècle. L'exemple des dames de la reine Marie Leszczynska (1725-1768) Aurélie CHATENET-CALYSTE, maître de conférences en histoire moderne à l'Université Rennes 2.
This remarkable two day event brings together outstanding new research and an exceptional interna... more This remarkable two day event brings together outstanding new research and an exceptional international line-up. Scholars and higher degree students with research interests in law and the humanities, representation, law and culture, and visual theory will not want to miss this event. It indicates new directions & frames new questions in an exciting new area of interdisciplinary scholarship.
and the United States. The book is a valuable resource for both students and instructors, offers ... more and the United States. The book is a valuable resource for both students and instructors, offers important new perspectives for print scholars and aims to provide impetus for further research. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details. Introduction: hidden legacies; Part I. Self-Presentation and Self-Promotion: 1. Show-offs: women's self-portrait prints c. 1700; 2. Maria hadfield cosway's 'genius' for print: a didactic, commercial, and professional path; 3. Caroline Watson and the theatre of printmaking; 4. 'Talent and untiring diligence': the print legacy of Angelika Kauffmann, Marie Ellenrieder and Maria Katharina Prestel; Part II. Spaces of Production: 5. 'Living in the bosom of a numerous and worthy family': women printmakers learning to Engrave in late eighteenth-century London; 6. Divine secrets of a printmaking sisterhood: the professional and familial networks of the Horthemels and Hémery sisters; 7. Yielding an impression of women printmakers in eighteenth-century France; 8. Laura piranesi 'incise': a woman printmaker following in her father's footsteps; 9. Etchings by ladies, 'not artists'; Part III. Competing in the Market: