Marco G Afonso | Universidade do Porto (original) (raw)
LL. B. (UCP - Porto - 2002), OAP 10734 P;
MA Archaeology Graduate Student (FLUP);
MA Museum Studies Graduate Student (FLUP).
Phone: +351914980602
Address: Matosinhos, Porto, Portugal
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Drafts by Marco G Afonso
SUMÁRIO. 1_Do Património cultural, da tutela e gestão do património arqueológico. 2_ Das Competên... more SUMÁRIO. 1_Do Património cultural, da tutela e gestão do património arqueológico. 2_ Das Competências da DGPC E das DRC (DSBC) na tutela e gestão do património arqueológico. 3_Dos Trabalhos arqueológicos – regulamento e pedido de autorização (PATA). 4_Dos projetos de investigação plurianual em arqueologia (PIPA). 5_Da Classificação do património arqueológico. 6_Do Licenciamento de obras em zonas com servidão administrativa e condicionantes. 7_Da avaliação de impacte ambiental – o descritor património - as CA e os EIA. 8_Da (re)arborização – Intervenção do ICNF e das DRC. 9_Bibliografia. 10_Legislação.
The Egyptian Collection of the University of Porto was donated in 1927 by the Berlin State Museum... more The Egyptian Collection of the University of Porto was donated in 1927 by the Berlin State Museums, in compensation for the return to Germany of the archaeological collection of artefacts from Mesopotamia that had been seized in Lisbon with the German ship "Cheruskia", at the beginning of the First World War.
A coleção egípcia da Universidade do Porto foi doada em 1927 pelos Museus de Berlim , em compensação pela devolução à Alemanha da coleção de artefactos arqueológicos da Mesopotâmia que tinham sido apreendidos em Lisboa com o navio alemão " Cheruskia " , no início da Primeira Guerra Mundial.
O Direito objetivo, enquanto conjunto de normas que organizam a visa humana em sociedade, pode se... more O Direito objetivo, enquanto conjunto de normas que organizam a visa humana em sociedade, pode ser dividido em ramos ou grandes divisões, de acordo com o seu objeto de regulação. O Direito do Museus não apresenta características que permitam uma autonomia cientifica relativamente ao Direito do Património Cultural que é ramo de Direito Público.
Conference Presentations by Marco G Afonso
Ancient oil lamps made of ceramic were used as a means of artificial lighting or symbolic context... more Ancient oil lamps made of ceramic were used as a means of artificial lighting or symbolic context, from about 3000 BC until the discovery of electric light in the nineteenth century. This type of lighting, which used animal or vegetable fats as fuel, accompanied human civilization for millennia and always had a character of the utmost importance, either by its utility or its meaning, as a source of an element essential to human life – light. Three ceramic oil lamps, part of the Egyptian Collection that was donated to the University of Porto, in 1927, by the Berlin State Museums in compensation for the return to Germany of the archaeological collection of artefacts from Mesopotamia that had been seized in Lisbon with the German ship "Cheruskia", at the beginning of First World War. The site where the lamps were found is unknown. It's known that they were acquired in Fayum oasis, at the end of XIX century and, later, by the Neues Museum of Berlim.
When examined under long wave (380 nm) and short wave (254 nm) UV radiation, the “frog-lamp” and one of the D-type (40.01.83) showed fluorescence and phosphorescence in nozzle and inside, a reaction that raised the hypothesis of organic remains existence. This research aims to contribute to its identification. Small samples of inside material were taken by scrapping the surface. Part of the powder collected was subject to Soxhlet extraction with organic solvents and the extracts were analysed by gas chromatography with mass spectrometry (GC-MS). Other part of the powder was subject to scanning electron microscopy and X-ray
microanalysis (SEM-EDS).
SUMÁRIO. 1_Do Património cultural, da tutela e gestão do património arqueológico. 2_ Das Competên... more SUMÁRIO. 1_Do Património cultural, da tutela e gestão do património arqueológico. 2_ Das Competências da DGPC E das DRC (DSBC) na tutela e gestão do património arqueológico. 3_Dos Trabalhos arqueológicos – regulamento e pedido de autorização (PATA). 4_Dos projetos de investigação plurianual em arqueologia (PIPA). 5_Da Classificação do património arqueológico. 6_Do Licenciamento de obras em zonas com servidão administrativa e condicionantes. 7_Da avaliação de impacte ambiental – o descritor património - as CA e os EIA. 8_Da (re)arborização – Intervenção do ICNF e das DRC. 9_Bibliografia. 10_Legislação.
The Egyptian Collection of the University of Porto was donated in 1927 by the Berlin State Museum... more The Egyptian Collection of the University of Porto was donated in 1927 by the Berlin State Museums, in compensation for the return to Germany of the archaeological collection of artefacts from Mesopotamia that had been seized in Lisbon with the German ship "Cheruskia", at the beginning of the First World War.
A coleção egípcia da Universidade do Porto foi doada em 1927 pelos Museus de Berlim , em compensação pela devolução à Alemanha da coleção de artefactos arqueológicos da Mesopotâmia que tinham sido apreendidos em Lisboa com o navio alemão " Cheruskia " , no início da Primeira Guerra Mundial.
O Direito objetivo, enquanto conjunto de normas que organizam a visa humana em sociedade, pode se... more O Direito objetivo, enquanto conjunto de normas que organizam a visa humana em sociedade, pode ser dividido em ramos ou grandes divisões, de acordo com o seu objeto de regulação. O Direito do Museus não apresenta características que permitam uma autonomia cientifica relativamente ao Direito do Património Cultural que é ramo de Direito Público.
Ancient oil lamps made of ceramic were used as a means of artificial lighting or symbolic context... more Ancient oil lamps made of ceramic were used as a means of artificial lighting or symbolic context, from about 3000 BC until the discovery of electric light in the nineteenth century. This type of lighting, which used animal or vegetable fats as fuel, accompanied human civilization for millennia and always had a character of the utmost importance, either by its utility or its meaning, as a source of an element essential to human life – light. Three ceramic oil lamps, part of the Egyptian Collection that was donated to the University of Porto, in 1927, by the Berlin State Museums in compensation for the return to Germany of the archaeological collection of artefacts from Mesopotamia that had been seized in Lisbon with the German ship "Cheruskia", at the beginning of First World War. The site where the lamps were found is unknown. It's known that they were acquired in Fayum oasis, at the end of XIX century and, later, by the Neues Museum of Berlim.
When examined under long wave (380 nm) and short wave (254 nm) UV radiation, the “frog-lamp” and one of the D-type (40.01.83) showed fluorescence and phosphorescence in nozzle and inside, a reaction that raised the hypothesis of organic remains existence. This research aims to contribute to its identification. Small samples of inside material were taken by scrapping the surface. Part of the powder collected was subject to Soxhlet extraction with organic solvents and the extracts were analysed by gas chromatography with mass spectrometry (GC-MS). Other part of the powder was subject to scanning electron microscopy and X-ray
microanalysis (SEM-EDS).