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International Journal of the Classical Tradition, 2019
Classical Traditions in Modern Fantasy
1 2 (2 0 1 5) ! i! About Didaskalia Didaskalia (!"!#$%#&ί#) is the term used since ancient t... more 1 2 (2 0 1 5) ! i! About Didaskalia Didaskalia (!"!#$%#&ί#) is the term used since ancient times to describe the work a playwright did to teach his chorus and actors the play. The official records of the dramatic festivals in Athens were the !"!#$%#&ί#". Didaskalia now furthers the scholarship of the ancient performance. Didaskalia is an English-language, online publication about the performance of Greek and Roman drama, dance, and music. We publish peer-reviewed scholarship on performance and reviews of the professional activity of artists and scholars who work on ancient drama. We welcome submissions on any aspect of the field. If you would like your work to be reviewed, please write to editor@didaskalia.net at least three weeks in advance of the performance date. We also seek interviews with practitioners and opinion pieces. For submission guidelines, go to didaskalia.net.
Once and Future Antiquities in Science Fiction and Fantasy, 2019
Brill's Companion to the Reception of Aeschylus, 2017
Brill’s Companion to the Reception of Aeschylus explores the various ways Aeschylus’ tragedies ha... more Brill’s Companion to the Reception of Aeschylus explores the various ways Aeschylus’ tragedies have been revisioned and adapted over the last 2500 years, focusing both on his theatrical reception and his reception in other media and genres.
Choice Reviews Online, 2015
Classical Receptions Journal, 2012
A review essay covering the state of the art in studies of classical receptions in modern science... more A review essay covering the state of the art in studies of classical receptions in modern science fiction. Prof. Rogers and I aim to help put the field on a firm theoretical foundation, drawing on Darko Suvin (1979) and Adam Roberts (2006) to argue that ancient classics and modern science fiction are similar epistemologically, with both fields requiring a sort of suspension of disbelief on the part of the reader, whose empirical and epistemological experiences are significantly different from those in antiquity or in other/future worlds.
Frankenstein and Its Classics, 2018
An introduction to _Classical Traditions in Science Fiction_ for the science fiction, fantasy, an... more An introduction to _Classical Traditions in Science Fiction_ for the science fiction, fantasy, and horror site Worlds without End.
Slayage: The Online International …, 2004
... Buffy, Willow and Faith (or Anya's human persona) but devoid of comp... more ... Buffy, Willow and Faith (or Anya's human persona) but devoid of comparable superpowers, she is happy to drive (witness her vanity license plate Queen C in 2.05 ... [19] Xander strikes back by finding a thing that makes [him] cool; he again borrows a car and becomes Car Guy. ...
В статье акцентируется внимание на том, что обучение через театральные постановки было одним из э... more В статье акцентируется внимание на том,
что обучение через театральные постановки было
одним из элементов древнегреческой педагогики
архаического периода, что отразилось в особом
типе языка – didaskein-языке трагедии и комедии.
В сохранившихся греческих текстах архаического и классического периодов термин «didaskalia» обозначал «образование», а термин «didaskein»– «учить» или «воспитывать». Термин «дидаскалия» являлся предшественником термина «пай-
дейя» и отражал особенности древнегреческой педагогической культуры архаического периода.