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James Mangold on His ‘Difficult Weinstein Experience’ Making ‘Cop Land’ and Why It’d Be ‘Weird’ for Bob Dylan to Write a Song for ‘A Complete Unknown’

‘The Substance’ Director Coralie Fargeat Remembers the Worst Studio Notes She Got: ‘Come On, Calm Down With the Shrimp’

Fernanda Torres on Wanting to Play a Bond Villain and Not Controlling Brazil’s ‘I’m Still Here’ Fans on Social Media: ‘They Are Doing It on Their Own’

Zoe Saldaña on Wanting to Direct Her First Movie, ‘Avatar 3′ and Urging the Oscars to Award Motion Capture Acting: ‘It’s Like Theater’

Demi Moore on the ‘Shock and Awe’ of First Oscar Nom and Her Blended Family With Bruce Willis: ‘There Is Life After Divorce. There’s a Way to Co-Parent With Love’

‘Without Art, We’re Gonna Die’: How ‘English’ Playwright Sanaz Toossi Turned Fury Into a Pulitzer-Winning Broadway Comedy

Lukas Gage on ‘Companion,’ the ‘Road House’ Sequel and Not Getting Cast on ‘The Last of Us’: ‘I Got Close’

‘The Wild Robot’ Composer Kris Bowers on Family, Power of Music and Message Not to Forget ‘Wealth of Black History’ Lost in Altadena

Mikey Madison on Her ‘Anora’ Oscar Moment and Why She Played a Saved Voicemail From Her Father to Shoot Crucial Final Scene

Mystery Drone Sightings Investigated in New Podcast Series ‘Obscurum,’ Hosted by Gabe Lenners (EXCLUSIVE)

Tom Blyth on Playing a Closeted Gay Cop in ‘Plainclothes’ and His ‘Intimate, Really Vivid’ Sex Scenes With Russell Tovey

Russell Tovey Says ‘Plainclothes’ Co-Star Tom Blyth ‘Is Full of Stardust’ and Teases ‘Doctor Who’ Spin-Off ‘The War Between the Land and the Sea’ Feels ‘Like an Indie Film’

Oscars: Has Netflix Finally Found Its Best Picture Winner? Could Fernanda Torres Pull Off an Upset? And What About ‘Wicked’?

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