Kheya Chakravarty | Vellore Institute of Technology (original) (raw)
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Papers by Kheya Chakravarty
Quest Journals Journal of Research in Humanities and Social Science, 2022
In Lights Out Manjula Padmanabhan has painstaking knitted the agony and distress of women in soci... more In Lights Out Manjula Padmanabhan has painstaking knitted the agony and distress of women in society. With dreadful yells, imperceptible silence, and tangible knots, the characters are painted on a palette that is entirely justified. A superficial group of urban middle-class people watch as a woman is assaulted in front of them in a nearby compound, but they do nothing to stop it. The drama focuses on crimes against women and also portrays the challenges women confront in contemporary society. The paper examines the status of women in the society and how they are subdued and strangled in a toxic relationship.
World Journal of English Language
Anger is the main propaganda of this study. This study aims to explore the intervention of anger ... more Anger is the main propaganda of this study. This study aims to explore the intervention of anger through the aesthetic concept of Raudra rasa in Dina Mehta's drama, "Brides Are Not for Burning." Emotions play a significant role in human experiences, and anger, in particular, has been the subject of extensive research. Drawing upon traditional Indian aesthetics and performing arts, Raudra rasa represents a complex emotional state of anger, rage, or ferocity. By examining its portrayal and impact in Mehta's drama, this study seeks to enhance our understanding of the role of Raudra rasa in evoking and managing anger. Utilizing a descriptive qualitative method, this study employs how Raudra rasa is embodied and expressed by the character. By delving into the intervention of anger through Raudra rasa in the play, this study contributes to the existing knowledge on the interplay between emotions, art, and human experiences.
Quest Journals Journal of Research in Humanities and Social Science, 2022
In Lights Out Manjula Padmanabhan has painstaking knitted the agony and distress of women in soci... more In Lights Out Manjula Padmanabhan has painstaking knitted the agony and distress of women in society. With dreadful yells, imperceptible silence, and tangible knots, the characters are painted on a palette that is entirely justified. A superficial group of urban middle-class people watch as a woman is assaulted in front of them in a nearby compound, but they do nothing to stop it. The drama focuses on crimes against women and also portrays the challenges women confront in contemporary society. The paper examines the status of women in the society and how they are subdued and strangled in a toxic relationship.
World Journal of English Language
Anger is the main propaganda of this study. This study aims to explore the intervention of anger ... more Anger is the main propaganda of this study. This study aims to explore the intervention of anger through the aesthetic concept of Raudra rasa in Dina Mehta's drama, "Brides Are Not for Burning." Emotions play a significant role in human experiences, and anger, in particular, has been the subject of extensive research. Drawing upon traditional Indian aesthetics and performing arts, Raudra rasa represents a complex emotional state of anger, rage, or ferocity. By examining its portrayal and impact in Mehta's drama, this study seeks to enhance our understanding of the role of Raudra rasa in evoking and managing anger. Utilizing a descriptive qualitative method, this study employs how Raudra rasa is embodied and expressed by the character. By delving into the intervention of anger through Raudra rasa in the play, this study contributes to the existing knowledge on the interplay between emotions, art, and human experiences.