FAITES VOS JEUX. Gioco e spazio nei testi e dei testi, Convegno del Dottorato di "Studi Linguistici e Letterari", Università degli Studi di Udine e di Trieste, 22-23-24 marzo 2023 (original) (raw)
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“Le jeu comme structure”. Gioco e atti linguistici nella riflessione di Émile Benveniste
BLITYRI X (1), 2021
«In his article “The Formal Apparatus of Enunciation” (1970), the linguist Émile Benveniste outlines his theory of enunciation through the rejection of some false examples of dialogue. One of them is the hain-teny, a verbal play exchanged by the Merinas of Madagascar. But Benveniste had dedicated another brief essay to the notion of «play» («jeu»): “Le jeu comme structure” (1947). in this one he formalizes the transformation of a sacred act into a play: the latter is none but a faint image of the former, and thus has no power over reality. In connecting these two articles, this present work aims to show the presence of Benveniste’s reflection on play into his final take on the enunciation, thus adding a link between enunciation, speech acts and performativity.»
Giochi di parole e traduzione nelle lingue europee, Bologna, CeSLiC, 2017
[IT] Un piccolo volume (tutto in italiano) sulla traduzione dei giochi di parole, da e verso diverse lingue europee. Contributi di Stefano Bartezzaghi, Franco Nasi, Marina Manfredi, Barbara Ivancic, Ana Pano Alamán, Fabio Regattin e Gabriella Imposti. Versione integrale scaricabile all'indirizzo http://amsacta.unibo.it/5749/ [FR] Un petit volume (en italien) sur la traduction des jeux de mots, à partir de et vers plusieurs langues européennes. Avec des contributions de Stefano Bartezzaghi, Franco Nasi, Marina Manfredi, Barbara Ivancic, Ana Pano Alamán, Fabio Regattin et Gabriella Imposti. Version intégrale à télécharger à l'adresse http://amsacta.unibo.it/5749/ [EN] A little book (in italian) on wordplay translation. Papers by Stefano Bartezzaghi, Franco Nasi, Marina Manfredi, Barbara Ivancic, Ana Pano Alamán, Fabio Regattin and Gabriella Imposti. Free download at http://amsacta.unibo.it/5749/
2022
Serena CANNAVALE, Lorenzo MILETTI e Mario REGALI (eds.), I luoghi delle Muse. La funzione dello spazio nella fondazione e nel rinnovamento dei ge-neri letterari greci, Academia Verlag, Baden-Baden 2021, pp. 224. REVIEW BY VALERIA MELIS
In-seguire la regola. giochi linguistici e arti performative
RIFL, 2017
Carapezza M. & Rocca R., "In-seguire la regola. Giochi linguistici e arti performative". Abstract In this paper, we will describe some characteristics of the relationship between spectator and artwork from the point of view of the mechanisms of comprehension of an artwork, with a specific focus on performing arts. We will develop our argument along the lines of a comparison between art and language, focusing on analogies and differences between the comprehension of an artwork and linguistic comprehension. We will build on Wittgenstein's notion of rule and language game, and on models of linguistic interaction developed within the domain of cognitive science and psycholinguistics. Both paradigms rely on a systemic approach to linguistic interaction, with interaction being conceived as a regulated constellation of actions (LEVINSON 2013, HOHWY 2013). Within these models, comprehension is paraphrased as recognition of the pattern which regulates the interaction at stake, according to a collaborative and multimodal approach to meaning construction. We will show how, similarly to linguistic comprehension, in some artistic domains comprehension relies on the recognition of a specific set of rules or patterns, which enables the spectator to map the events in the artwork to familiar situations. However, differently from linguistic comprehension, meaning construction in art builds dynamically on the degrees of freedom intrinsic to the rule, thus generating a constant tension between expectations and surprise, conformity and alterity to known games. We will discuss some examples from performing arts (Erdem Gunduz, the standing man), theatre (Samuel Beckett) and cinema (Michelangelo Antonioni), showing how this interplay between recognition and dissonance, elicited by controlled violations of the rule, makes room for an experience of sense peculiar to artworks. **** Puoi scaricare gratuitamente e molto semplicemente il testo dell'articolo dal sito della rivista. RIFL 2017, vol.11 n.2