Mobile Shrines and Magical Bodies - Modern Afterlives of Shrine Madonnas (original) (raw)

2022, Marian Devotion in the Late Middle Ages Image and Performance Edited By Andrea-Bianka Znorovszky, Gerhard Jaritz

https://doi.org/1032015545

Early modern efforts to reinvigorate the diverse plethora of Marian sculptures, paintings and votive shrines reflect the enduring position of the Virgin in both Catholic and Protestant forms of worship and spaces of sacred initiation. Whilst the medieval provenance of these now rare objects has attracted recent scholarly treatments,1 this discussion explores neglected contexts and afterlives of Shrine Madonnas and their cognates, “Vierges Ouvrantes,” in an expanded framework of Marian reception and response, encompassing key pre-m odern and nineteenth- c entury new ritual and the sensory and cultural contexts. In particular, my focus will be the significance, and to borrow from Aby Warburg, the “ afterlives” or Nachleben of Shrine Madonnas, within re-i magined embodied medieval practices and spaces, examining anew, the fascination with their liminal aspects as o bject- dramas and the threshold figures entwined with the sacred uncanny.

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The Activation of the Sacred: A Sculpture and an Ambulatory Along the Via Francigena, in Step by Step Towards the Sacred Ritual, Movement, and Visual Culture in the Middle Ages, edited by Martin F. Lešák, Sabina Rosenbergová, Veronika Tvrzníková, Viella, Roma 2020, pp.37-57.

In studies on the sensory activation of the sacred, there is a special place for relics. In addition to their evocative power, they have determined many itineraries that converge in places of greater religious pathos. Along with expedients of images and planimetric layout, relics offered the basis for a sort of storytelling that, on one hand, indulged the visual expectations of the faithful and, on the other, reassured the worshipper that he was on the right path. This paper examines the case of one portal, and concludes with an example of an ambulatory closely connected to the Via Francigena. The purpose of this article is to prove that, even without a significant relic presence, the sensory activation of the sacred can take place in other ways. The first part focuses on a Romanesque portal, originally located in the church of San Leonardo al Frigido in Tuscany, now held in the Met Cloisters Museum in New York. The section dedicated to this work of art analyses attributive issues and focuses on the portal’s social role. The conclusion of the article investigates some aspects of the ambulatory in the Abbey of Sant’Antimo.

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[2020] "Mattia Preti’s Madonna della Lettera: Painting, Cult, and Inquisition in Malta, Messina, and Rome", in: Mitteilungen des Kunsthistorischen Institutes in Florenz, 61 (Heft III), 2019, pp. 335-365

Mitteilungen des Kunsthistorischen Institutes in Florenz, 61 (Heft III), 2019