Precious footage of the auteur at work: Framing, Accessing, Using and Cultifying Vivian Kubrick's Making The Shining (original) (raw)

Owning Kubrick: The Criterion Collection and the Ghost in the Auteur Machine

Dru Jeffries

Cinergie, 2017

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Stanley Kubrick in the Museum: Post-cinematic Conditions, Limitations, and Possibilities

Jihoon Kim

Curator: The Museum Journal, 2017

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Below the Line: Decentering Narratives from the Stanley Kubrick Archive

Catriona McAvoy

PhD - work in progress, 2022

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Notes on the Politics of the Auteur: Stanley Kubrick, Wes Anderson, and the Spectator

Michael Perreault

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From “boy genius” to “barking loon”: an analysis of Stanley Kubrick’s mythology

Filippo Ulivieri

Essais - Hors Series, 2017

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Origin Stories: Stanley Kubrick’s Collaborations

Manca Perko

Essais

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On not being a fan: Masculine Identity, DVD Culture and the Accidental Collector

Candida Yates

Wide Screen, 2010

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‘Nostalgic [re]remembering: film fan cultures and the affective reiteration of popular film histories’, in Teresa Forde ed. (2011) ‘Memory Screens’, A special issue of Image and Narrative: Intellect e-journals.

Nathan Hunt

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Hoaxing the Media: 1920s Film Ballyhoo and an Archaeology of Presence

Fabrice Lyczba

2016

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Disassembling the Cinema: The Poster, the Film and In-Between

Thomas Stubblefield

Thresholds, 2007

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Review of 'The Biopic in Contemporary Film Culture, eds. Tom Brown and Belen Vidal

Jonathan Stubbs

Historical Journal of Film, Radio and Television, 2014

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Missing Links: Exploring Traces of Kubrick’s "Unknown" Early Works

Joy McEntee

Senses of Cinema, 2020

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Stanley Kubrick: A Retrospective. Introduction

ELISA PEZZOTTA

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"Local Promotion of a Picture Personality: A Case Study of the Vitagraph Girl," in Watching Films: New Perspectives on Moviegoing, Exhibition and Reception, ed Karina Aveyard and Albert Moran (London: Intellect, 2013), pp 103-120.

Kathy Fuller-Seeley

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Ma Thesis - Defamiliarisation in the Film Museum: The Reuse of Hollywood Films in Screen-Reliant Exhibitions

Elizabeth Cadena

University of Groningen - Faculty of Arts / Ma Arts, Culture and Media, 2016

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The Stanley Kubrick Archive: A Dossier of New Research

ELISA PEZZOTTA

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Cult Cinema: A Critical Symposium

Jeffrey Sconce

2008

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Film Histories

Mark Jancovich

2007

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Book Review: Caetlin Benson-Allott, Killer Tapes and Shattered Screens: Video Spectatorship from VHS to File Sharing

Brent Strang

Journal of Visual Culture, 2014

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'Cinema and the Creation of Collective Memories'

Dominic Lees

2014

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In the footsteps of 'The Wicker Man': personal mythopoesis and the processes of cult film fandom

Gail Ashurst

2009

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Home Video Philology: A Case Study of The Shining (1980)

Valerio Sbravatti

Cinergie - Il cinema e le altre arti, 2018

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Common Ground: Comparative Histories of Cinema Audiences

Thunnis van Oort

TMG Journal for Media History, 2020

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Film Appreciation and Cultural Leadership: Rudolf Arnheim, Roger Manvell and Two Books Called Film

Richard L MacDonald

Canadian Journal of Film Studies, 2014

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The Better Films Movement and the Very Notion of It

Jenny Horne

Feminist Media Histories, 2017

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Cult Cinema: Worshiping Alternate Success

Natalie Bigelow

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“Beyond Distribution: Some Thoughts on the Future of Archival Films.” In Networks of Entertainment. Early Film Distribution 1895-1915, edited by Frank Kessler and Nanna Verhoeff, 331-339. Eastleigh: John Libbey Publishing, 2007

Giovanna Fossati, Nanna Verhoeff

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‘Cult Fictions: Cult Movies, Subcultural Capital and the Production of Cultural Distinctions’

Mark Jancovich

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The Philosophy of Stanley Kubrick (Jerold J. Abrams, ed., 2007)

Philippe D Mather

Film-Philosophy, 2007

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Analysis of Stanley Kubrick’s 1980 Film Adaptation of “The Shining”

Timea Boros

University of Rijeka, Faculty of Humanities and Social Sciences, 2021

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Popular Communication: The International Journal of Media and Culture Film Discourse on the Praised and Acclaimed: Reviewing Criteria in the United States and United Kingdom

Annemarie Kersten, Denise Bielby

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Review of David Mikics's Stanley Kubrick: American Filmmaker

Marat Grinberg

Journal of Jewish Film and New Media, 2021

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The Routledge Companion to British Cinema History

Adrian Smith

2017

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Film, cinema and reception studies: Revisiting research on audience’s filmic and cinematic experiences

Daniel Biltereyst

Film, cinema and reception studies: Revisiting research on audience’s filmic and cinematic experiences, pp. 21-41 in E. Di Giovanni & Y. Gambier (eds.) Reception studies and audiovisual translation. Amsterdam: John Benjamins Publishing. , 2018

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[2005, 2016, unpublished] Psychoanalytic Narratives for Eclectic Borrowing: trans-textual operations in Stanley Kubrick’s THE SHINING

Linda Chiu-han Lai

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