Tegel : speculations and propositions (original) (raw)
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Recent ideas in urban planning, conceptualized e.g., as New Urbanism, emphasize the humane point of view of the city. The focus of these ideas is on the citizens and their experiences of feeling comfortable and at home in the urban space; people´s possibilities of spending leisure time in the city centre; and enabling the encounter of different people in the city space in order to bring the inner city to life. To revitalize the less used, unused, or decayed city spaces by using them as venues for diverse cultural activities is a part of these ideas. The means of urban regeneration often rely on ambitious and permanent transformations of the urban space, such as constructing cultural infrastructure and spectacular buildings for cultural or leisure use. However, one of the frequently used methods of urban regeneration today is the use of temporary architectural intervention into the city space: setting up non-permanent structures, constructions, or buildings for cultural or leisure use. This kind of 'pop-up architecture' may even be regarded as a category of 'new genre public art', because of its artistic, social, and communal emphases. One of the EU´s urban initiatives – the annual designation of the European Capital of Culture (ECOC) – encourages European cities to promote various forms of urban regeneration as a part of city development. The limited length of the designation (one year) has led the designated cities to implement and host various temporary architectural projects in which the city space is intervened through various tactics and to reach diverse goals. In the chapter, I will investigate the goals and tactics of temporary architectural projects in the recent ECOCs, and discuss how the architectural intervention in the urban space is aimed to work as a means of urban regeneration. The theoretical framework of the chapter relies on discussions in the fields of cultural policy research, urban studies, and visual culture studies.
Panoramic: The Contested Ground of The Templehof Airport
3 modes of voice explore the debate over the future of The Tempelhof Airfield. Decomissed in 2008 the site has hosted temporary-use interventions and was the target of an innovative masterplan lead by Raumlabour and Urban Catalyst. Analysis takes the form of an unfolding narrative and is interweaved with poetic asides and theoretical discourse exploring political and spatial concepts, thus presenting a cinematic reading of space which approaches an encounter with the city itself.
Architecture is closely yet paradoxically connected to the two basic and complementary human instincts; to construct and to destruct, in other words to live and to die. Therefore, architecture and urbanism can be considered as the spatial dimensions of an ideological war of different interest groups in cities. Such a war mainly manifests itself as the polarisation between corporate sector and public sector, global and local, modern and traditional. Planning acts as a means of capitalist control over the urban (public) space under a macro-orthodoxy approach despite the public reaction via manipulation of public space through; microurbanism in urban-leftovers and queer-spaces, reclamation of landfills, and ephemeral architecture. A large body of community seem to resist through guerrilla war tactics of architecture against the comprehensive strategic war plans, technoscientific artillery, and devoted and well-trained troops of neo-liberal corporate bodies. Who will survive in such a relentless spatial war depends largely on the development of counter-strategies and accurate calculations based on game theory. The chapter will address the issue of reconstruction and resilience of cities with particular reference to the case of Istanbul, her transformation zones and conservation areas. Hence, the study will focus on urban paradigm shift and complexity of Istanbul as a multi-cultural, multi-layered metropolitan city in a post-modern era. The article intends to develop alternative strategies towards reshaping urban environment via architecture primarily by analysing the morphology of new urban spaces and emergent forms of life. Consequently, architecture of cities is argued as a para-military instrument for the tactical deployment of conflicting ideologies into an ongoing state of socio-cultural battle between opposing parties of the city.
Site and Composition: Design Strategies in Architecture and Urbanism
2015
The book is concerned with the need for a renewed understanding of the site in the twenty-first century and the establishment of a critical position regarding the continued tendency to view the site as a fragment severed from its wider context. The dominant Modernist tendency to regard the world around as a fragmented phenomenon, which replaced the world of pre-Modern certainty, has been found inadequate in the post-Modern era of globalization, and amidst a renewed interest in achieving wholeness. Even as we have to treat sites increasingly as assemblages of orthogonal projections – which have no doubt helped designers often operating remotely in today’s globalized world of architectural practice – such abstraction need not necessarily prevent us from considering the deeper, often latent and less obvious knowledge about the site. Instrumentality and abstract codification per se, we argue, is not the problem, and as Alberti’s survey of Rome demonstrates, even critical to our understanding of orders of things. It is the counter-creative and anti-anthropological manner in which we have increasingly treated such material is what has caused the crisis. Addressing these tendencies, this book has argued revisiting the instruments of both siting and composition in Architecture to explore their true potential in achieving connections between site and context. Departing from a reconsideration of the fragment and the process of its formation, fragmentation, the book emphasises the role of the ‘positive fragment’, and the role such positive entities could potentially play in achieving both historical continuity and renewed wholeness. It focuses on architects of wide-ranging persuasion of the twentieth century – for example, Peter Eisenman, Le Corbusier, Frank Lloyd Wright, Alvaro Siza, Herzog and de Meuron, and Charles Correa – whose work defy categorization under simple binary oppositions. Through the various examples studied here, we suggest that the instrumental means have the potential for enhanced analogical and scalar relationships capable of achieving poetic outcomes. By considering such architects’ works of diverse periods and geographical locations, one intention is to question the lenses of preconceptions through which their works are regarded and promptly put into artificial ‘political’ categories. However, more importantly, it is a plea to treat architecture and the city not as a collection of disjointed objects but as overlapping networks of relationships, cutting across temporal and cultural boundaries.
Reading Built Spaces. Cities in the making and future urban form, 2018
In the international architectural panorama, where cultures, movements and actions are increasingly hybrid and contaminated by a global language, an element eems to emerge transversally to all the experiments underway: time. Consumption of land and natural disasters, the crisis of the real estate market due to overproduction of buildings and lack of reuse strategies, the ordinary transformations of cities, increasingly alien to urban programs and activated by the social partners, are the great problems that architecture cannot yet give concrete answers. In Italy, cities and architecture discount the delay in adapting to new conditions of indeterminacy, fluidity and dematerialization, not only of the existential certainties of the modern era, but also of functions and programs, construction techniques and materials technologies. The result is the permanence of elitist practices, far from the needs of the urban populations, requiring ever more space and time for their own lives. Furthermore, the lack of public interest in the city temporary aspects reveals the absence of public policies capable of triggering widespread urban regeneration processes. The new temporary trials underway in The Netherlands are giving exemplary results, such as the De Cuevel site in Amsterdam and the Pompenburg Park in Rotterdam. Therefore, the forms of cities and buildings of the modern period become temporal algorithms, which synchronize different times, compressing/dilating space according to needs and desires. Finally, the new media will be decisive in determining the demarcation between the space forms of the 20th century and the time forms of the 21st century, which open the way to a new vision of the future, that of temporal city and architecture.
Annales Academiae Paedagogicae Cracoviensis, 2023
Aggela Mandilari work of art, when it moves in the field of conjunction of art and architecture, shows up in different forms of enactment. The various forms of implementation of in situ art are always connected with different perspectives of public space and the social relations that develop in it and concern the categories of private, public, and collective. These relations, in the context of their implementation, translate into relations between closed and open space, between inside and outside, between suspension and movement. For the material and aesthetic expression as well as for the critical representation of these relationships, in each case, different forms and tools of composition as well as different procedures of materialization are employed. This study examines urban projects that offer different versions of reconstruction and reinterpretation of the urban environment, as well as different manifestations of in situ artistic practice that have as a common feature the conjugation of art and architecture. Specific paradigms are selected from different decades, starting from the 50's with Aldo Van Eyck's playgrounds. What this paper maintains is that the specific projects, while oscillating between art and architecture, activate in varied modes specific components of the urban sphere such as the modes of coexistence between the visible and the invisible, the inside and the outside, the private and the collective. Thus they arrest the everyday flow of the undifferentiated space and time by offering an alternative discursive reality that stimulates the subtle interaction between objects and subjects. The selected paradigms contain two levels of reading: firstly the subtle balance between art and architecture where, in the field of in situ practice, complex exchanges reveal and shape the modes of their materialization. Secondly, the delicate balance between modes of expression of the symbolic and the metaphoric. Each case constitutes a different version of this fusion in terms of meaning and modes of its expression. In the case of Van Eyck the above process takes the form of a counterpoint inspired by geometry and social ritual, while in the case of Daniel Buren it is more about a visual reconstruction of the urban environment that constitutes of a polyphony of sculptural, painterly and architectural elements. As far as the case of Rachel Whiteread is concerned, the architectural is fused with the sculptural in the form of an ephemeral monument that acquires metaphorical reading. In the selected projects different aspects of the category of architecture and its foundation are traced namely the threefold reality-materiality-construction. According to Benjamin Buchloh, long before the 1950s, sculpture had abandoned its role as a means of refining the material world, but also as a means of representing individual, anthropomorphic, holistic bodies in space, made of inert but permanent, if not eternal, matter and impregnated with illusory moments of a fake life (Buchloch, 1983: 278). Also from the 1960's begins a reaction to the idiom of modern art: art generally focuses on interaction with the viewer. The dividing line between the two individual components of modernist sculpture, the solid material reality and the viewer's perception of the work is broken. Buchloh refers to the sculptural installation as an identity and gesture outside and contrary to previous descriptions of modernist sculptural discourse (Buchloch, 1983: 291). He also refers to the two extremes of an axis on which sculpture has been resting ever since-knowingly or not: the dialectics of sculpture between
Deturned City Design as tool for Aesthetic Urban living
2011
In an urban context-there is an increasing need to find adequate architectural responses to urban challenges, where tourism and the experience economy are in focus. New architectural concepts are looking away from modernism's strong attachment to 'form and function' towards 'the sensual and the narrative'. In large prestige projects you often see that new expressive architecture is coupled with old industrial buildings in order to create strong stories about a future; similar art installations and temporary architecture are emerging providing the audience with spatial experiences questioning the way we are using urban spaces and interact in every day city life. This article presents concepts of performative architecture and urban scenography. It draws lines back to the artistic and architectural avant-garde in the 1960s. The aim is to evaluate the phenomenon of aesthetic experience in the urban environment and to look at the artistic methods and architectural tools that are involved in large art installations today. The article pays special attention to the use of temporary architecture in relation to festivals and events. It is an allegation that the temporary architecture provides a special freedom to construct spatial situations that promote an experimental life. Through symbols, ornaments and decorations it is possible create recognizable urban environments in which people can orient themselves, but also experience an aesthetically and bodily challenging environment. Through 'constructed situations' and grotesque aesthetics of temporary architectural design it is possible to create cross-border experiences. The thesis is that it may contribute to reflection and provide new demands to the performance of our urban environments in general.
02 Rethinking Treviso Airport Urbanism: Landscape design strategies from now on - INTRODUCTION
2014
© ISBN 978-88-548-7437-4 - publisher Aracne, Rome, 2014 How is the landscape modified by air transportation? Can the landscape and airport infrastructure be integrated following ecological criteria? How can an airport be integrated into the local context? What design devices can be used? How can we combine today’s technological requirements with the need for unforeseen new functions in the future? In the future, how might disused airport infrastructure possibly be “recycled”? This book analyzes two airports in north east Italy near the city of Treviso, more precisely, the area surrounding the low cost civil airport of Quinto di Treviso and the military airfield of Istrana, presenting ideas and strategies to integrate airport, landscape and communities through design practice.
Temporary and Tactical Urbanism: (Re)Assembling Urban Space
2022
Temporary and Tactical Urbanism examines a key set of urban design strategies that have emerged in the twenty-first century. Such projects range from guerrilla gardens and bike lanes to more formalised temporary beaches and swimming pools, parklets, pop-up plazas and buildings and container towns. These practices enable diverse forms of economic, social and artistic life that are usually repressed by the fixities of urban form and its management. This book takes a thematic approach to explore what the scope of this practice is, and understand why it has risen to prominence, how it works, who is involved, and what its implications are for the future of city design and planning. It critically examines the material, social, economic and political complexities that surround and enable these small, ephemeral urban interventions. It identifies their short-term and long-term implications for urban intensity, diversity, creativity and adaptability. The book’s insights into temporary and tactical urbanism have particular relevance in the context of the COVID-19 pandemic, which has highlighted both the need and the possibility of quickly transforming urban spaces worldwide. They also reveal significant lessons for the long-term planning and design of buildings, landscapes and cities.