Tentative Transgressions: Homosexuality, AIDS, and the Theater in Brazil (review) (original) (raw)

“Theater and/as Adaptation in Spain and Latin America”

Gail Bulman

Symposium: A Quarterly Journal in Modern Literatures, 2020

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Staging Lives in Latin American Theater (Introduction)

Paola Hernandez

Staging Lives in Latin American Theater, 2021

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Latinx Theater in the Times of Neoliberalism

Katherine Zien

TDR, 2019

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Latin American Theatre Review, Fall 2016

Lara D Nielsen

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Performing Spanishness: History, Cultural Identity and Censorship in the Theatre of José María Rodríguez Méndez (review)

Helena Buffery

Theatre Journal, 2008

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Staging Lives in Latin American Theater

Paola Hernandez

2021

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Panamanian Theatre for Social Change: Notes from an Interview with Playwright Raúl Leis

Katherine Zien

Latin American Theatre Review, 2014

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Fifty Key Figures in Latinx and Latin American Theatre

Analola Santana

Fifty Key Figures in Latinx and Latin American Theatre, 2022

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Book Review: Latinx Theater in the Times of Neoliberalism by Patricia A. Ybarra

Guillermo Aviles-Rodriguez

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Latinx Theater in the Times of Neoliberalism by Patricia A. Ybarra

Dr. Marci R . McMahon

Theatre Journal, 2018

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La noche de los asesinos: Text, Staging and Audience

Isabel Alvarez-Borland

Latin American Theatre Review, 1986

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“Realism in Afro-Hispanic Contemporary Theater." Black Writing, Culture, and the State in Latin America, Jerome Branche (ed.) University of Vanderbilt Press, 2015. 83-102.

Elisa G Rizo

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Freak Performances: Dissidence in Latin American Theater

Analola Santana

2018

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Historia multicultural del teatro y las teatralidades en América Latina (review)

Juan Villegas

Latin American Theatre Review, 2006

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Review of Leticia Alvarado, Abject Performances: Aesthetic Strategies in Latino Cultural Production

Sarah J. Townsend

Latin American Theatre Review, 2019

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Caribbean Theater and Cultural Performance (an issue of Sargasso edited by Sally Everson, Lowell Fiet, and Don E. Walicek)

Don E. Walicek

Sargasso: A Journal of Caribbean Literature, Language, and Culture, 2005

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Manufacturing Authenticity: Anonymous Acting Celebrities in Atalaya’s Production of Lorca’s "The House of Bernarda Alba" (2009)

Andrés Pérez-Simón

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Bridging the Américas through Theatre: The Latinx Theatre Commons International Convening at Encuentro de las Américas

Trevor Boffone

Latin American Theatre Review, 2018

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Toward a “Truly Indigenous Theatre”: Sylvia Wynter Adapts Federico García Lorca

Imani Owens

The Cambridge Journal of Postcolonial Literary Inquiry, 2017

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Lope and Tirso beyond Cultural Boundaries: Interviews with Actors

Juan Hernando Vazquez

Comedia Performance, 2015

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Out of the Fringe: Desire and Homosexuality in the '90s Latino Theatre

Teresa Marrero

1999

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Journal of Spanish Cultural Studies

Bernardo Gonzalez

Redefining the contours of hipanicity in '92: José Sanchis Sinisterra's teatro fronterizo and the V Centenario, 2020

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The Art of Production: Staging Latin(o) American Plays

Paola Hernandez

Latin American Theatre Review, 2016

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Theatre as Ritual, Ritual as Theatre. Pedro Calderón de la Barca’s La aurora en Copacabana

Sofie Kluge

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Manifesto Poetico: Toward New Theatrical Languages

Johanna Skibsrud

ASAP/journal, 2020

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An Overview of Chicana/o Theatre in the 1990s

Jorge Vázquez Huerta

Latin American Theatre Review, 2000

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Writing and Staging Our Latinx Stories: The Utopian Performative in Teatro Luna

Melissa Huerta

Modern Drama, 2021

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The Creative Process of Els Joglars and Teatro de la Abadía. Beyond the Playwright by Simon David Breden

Simon Breden

Hispanófila, 2017

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Blood Purity in Recent Productions of El retablo de las maravillas

Charles Patterson

Comedia Performance, 2016

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Introduction Special issue: Theatre on Screen, Cinema on Stage: Cross-Genre Imaginaries in Contemporary Argentina. Latin American Theatre Review, 50/2 Spring 2017

Cecilia Sosa, Jordana Blejmar

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Natalie Alvarez, ed. Fronteras Vivientes: Eight Latina/o Canadian Plays. Natalie Alvarez, ed. Latina/o Canadian Theatre and Performance

Katherine Zien

Theatre Research in Canada, 2019

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Nationhood-as-Community: Teatro La Fragua's Liberating Honduran Theatre for the People and by the People

Elena De Costa

Latin American Theatre Review, 1996

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"CARMEN RIVERA: THEATRE OF LATINIDAD" DISSERTATION

Jason Ramirez

2009

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The Spring 1983 Theatre Season in Mexico

David Quintero

1983

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Theater in the Latino/a Literature Classroom (page proofs)

William Orchard

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