Epic and Empire: Politics and Generic Form from Virgil to Milton (original) (raw)
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Virgil's Aeneid and the Time of Empire
I will begin with the simple observation that almost all the texts discussed in the talks given at this conference ---and there have indeed been such an extraordinary range ---have been modern if not contemporary, involving the wars that formed and are still forming the world as we know it, the world that we know might end, and that still concern us intimately. This makes perfect sense. With the advent of total war, systematic genocide, and new technologies of destruction, the questions raised in this conference gain a new moral and political urgency.
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This study follows neither the paradigm of pro-or anti-Augustan nor the strict belief that the intention of the poet, like other poets of the time, is one of ambiguity open to multiple interpretations. Virgil’s Aeneid is an epic poem with a clearly woven thesis that the hospitality relationships that its hero enters both transcend and address the difficulties he faces in founding Rome. The Rome that Aeneas founds is, like Augustan Rome’s mythology, built on labors and toils. Aeneas’ labors are moral, they are intellectual, and they are searching for the relationship between the human and the divine that is true, accurate, and lasting. Rather than a support for the creation of the Roman state as such, the poem uses the environment and changes that occur in both the contemporary Roman environment and the city’s mytho-historical story to lay forth a realistic optimism that not only incites the people to believe in the potentiality of a peaceful age, but to comprehend through the ideal ...