THE ROLE OF FINGERING IN CREATING MUSIC ON THE PIANO (original) (raw)

Piano fingering strategies as expressive and analytical tools for the performer

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MA dissertation, Cardiff University School of Music, 2018

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David Aijón Bruno

PhD Thesis, Cardiff University School of Music, 2023

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Empricial Musicology Review 8(2), pp92-119, 2013

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Yahn Wagner Pinto

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1997

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Book review of Expressiveness in Music Performance: Empirical Approaches across Styles and Cultures, D. Fabian, R. Timmers and E. Schubert (eds.), Oxford University Press, 2014. Nineteenth-Century Music Review, 13/2 (2016), 335-340.

Georgia Volioti

2016

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Analysis-by-synthesis of the expressive intentions of music performance

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Communication through musical symbols: a comparative study of selected piano pieces by Frédéric Chopin

Daniel Hanno Bezuidenhout

University of the Free State, 2019

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Cuadernos de Investigación Musical, 10 (2020), 120-129

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Roberto Bresin

Journal of New Music Research, 2000

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Szasz, Tibor. Performance Practices - Stylistic Considerations Robert Palmieri, Piano, Routledge (2003), pp. 274-278.pdf

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LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 Dragos Tanasescu' s Treaties of Pianistic Technique

Lucian B Zidaru

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Decomposing a Composition: On the Multi-layered Analysis of Expressive Music Performance

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The piano action as the performer’s interface: Timing properties, dynamic behaviour, and the performer’s possibilities

Roberto Bresin

2003

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On the acoustics and psychology of piano touch and tone

Alexander Galembo

The Journal of the Acoustical Society of America, 1998

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Expressiveness in music performance

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Study on the Expressiveness in the Performance of Children

Anna Maria Bordin

2013

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Expression of piano timbre: Verbal description and gestural control

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La musique et ses instruments, edited by M. Castellengo and H. Genevois. Paris, France: Delatour., 2012

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2006

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Methodological aspects of the research in musical expressiveness based on corporal movement information

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Reciprocal Modulation of Cognitive and Emotional Aspects in Pianistic Performances

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