Ch 9.Niua FM Tonga and Pacific public-service broadcasting (original) (raw)

Talanoa Radio: Exploring the Interface of Development, Culture and Community Radio in the South Pacific

The University of Queensland, 2014

Community radio has a proven track record around the world as a tool for community-led development and social change. Community radio is a new phenomenon in the South Pacific, arising only in the mid-1990s, and it has yet to emerge with the vibrancy found in other developing regions of the world. Pacific cultures embody rich oral traditions that revere communal conversations and islanders are enthusiastic radio listeners. Broadcast radio is a lifeline for countless rural villagers living on isolated atolls and in rugged mountain hamlets. This thesis explores why there is not more community radio in the Pacific, to uncover the obstacles to its emergence, and to explore pathways useful to policy makers and community-media proponents that would allow the medium to grow

Radio New Zealand International: Reporting the Pacific in tight times

Radio New Zealand International (RNZI) broadcasts from New Zealand into the South Pacific and is relayed to South Pacific listeners by their various national news services. In 2006, American academic Andrew M. Clark characterised the role of RNZI as 'providing a service for the people of the South Pacific' that also provided 'an important public diplomacy tool for the New Zealand government' (Clark, 2006). A decade on, this article evaluates the ongoing use and utility of RNZI as a taxpayer-funded voice of and from New Zealand, as a service for the diverse peoples of the South Pacific and as a tool of New Zealand's transnational diplomatic efforts. RNZI is still a key source of local and regional information and connection for the distinct cultures and nations of the vast South Pacific area, whose peoples have strong links to New Zealand through historical ties and contemporary diasporae living in the country. But, RNZI now faces mounting financial pressure, a government swinging between indifference and hostility to public broadcasting and questions of legitimacy and reach in the 'digital age'. With RNZI under pressure in 2016, key questions arise about its present and future. What is RNZI doing well and not so well? What role should New Zealand's domestic and international politics play in the organisation and its outputs? And how might its importance and impact be measured and understood in such a culturally and geographically diverse region as the South Pacific? Using a variety of sources, including documents released to the author under the New Zealand Official Information Act, this article explores the role of RNZI in the contemporary New Zealand and South Pacific media environments.

Ch 3. Talanoa Radio: Participatory development and media in the Pacific context

Talanoa Radio: Exploring the Interface of Development, Culture and Community Radio in the South Pacific, 2014

Media have long held privileged positions within development theories. Orthodox development models viewed them as messaging channels for the delivery of media content around development goals; participatory development models viewed them as pathways for community expression around development issues. But culture informs communication, particularly within the Pacific’s culture of silence. Radio pervades daily island life and Pacific islanders are eager radio listeners. Radio is the Pacific’s only mass medium and it serves as an essential lifeline for countless remote island communities.

ch 6.Buala FM Solomon Islands.the clash of development and culture within community radio

Talanoa Radio: Exploring the Interface of Development, Culture and Community Radio in the South Pacific, 2014

Buala FM was a community radio station in Isabel Province, Solomon Islands. The case study provides opportunities to discuss the difficulties of operationalizing participatory development theories in the Pacific context and within an aggressive rent-seeking CSO environment.

Ch 7.femLINK Pacific and Women's activist radio in the Pacific

Talanoa Radio: Exploring the Interface of Development, Culture and Community Radio in the South Pacific, 2014

Community radio is frequently used by women’s human rights organizations to reach rural poor women and draw them into the public sphere to discuss matters affecting their lives. In the Pacific, women’s poverty has much more to do with access to information, communication, participation and empowerment than with basic needs. This chapter discusses This case study looks are two women’s community radio stations two women's activist stations: femLINKPACIFIC’s femTALK 89.2 FM in Fiji and Ma’a Fafine mo e Famili’s (MFF) Le’o ‘o e Kakai 98 FM in Tonga.

REVIEW: Challenges over Pacific 'free media

Pacific Journalism Review : Te Koakoa

Review of Nius Bilong Pasifik: Mass Media in the Pacific, edited by David Robie. Port Moresby: University of Papua New Guinea Press. This is the first comprehensive resource book on the South Pacific news media. Its foreward, by Tongan Futa Helu, sets the agenda. 'Media freedom in the Pacific islands,' he declares, 'is in the balance'.

Cultural sites of the spectrumscape: negotiating global flows in nz radio broadcasting

… .humanities.curtin.edu.au

The infrastructure of broadcast media and many communications systems is determined by the way the radio spectrum is managed, and frequencies on which to transmit are allocated. Radio spectrum is controlled by layers of national and international legislation and agreements, so that the borderless flow of radio waves can be managed efficiently between States. In New Zealand access to spectrum is gained mostly through pseudo-property rights sold at auction, following an argument that spectrum is most efficiently used if treated as private property. The removal of restrictions on foreign ownership of spectrum rights in 1991 means that New Zealand's frequency bands are now part of an international spectrum market, figuring our radio waves as expensive iterations of international financescapes and mediascapes. However exposure to this market has been found to limit the range of media content, and a variety of other allocation processes have been adopted to augment auctions. This paper argues that radio waves form a 'spectrumscape' that is a fluid site of tension between local cultural interests and global flows. It outlines the role of radio spectrum in shaping New Zealand's media and communications environment, and relationships between local and global spectrumscapes. It will focus on some ways in which local cultural concerns have manifest in the radio spectrum, through the examples of the Maori claims to spectrum through the Waitangi Tribunal, the reserving of spectrum bands for non-commercial use, and the controversial reframing of Kiwi FM.