“I did not die, nor did I stay alive”: The Dark Grace of Nonexistence in Inferno XXXIV (original) (raw)

In the final canto of Inferno, Dante confronts Dis, “la creatura ch’ebbe il bel sembiante” (XXXIV.18). In response, the poet declares: “Io non mori’ e non rimasi vivo; / pensa oggimai per te, s’hai fior d’ingegno, / qual io divenni, d’uno e d’altro privo.” (XXXIV.22-27) Beneath this apparently innocuous proclamation is a metaphysical “event” unique among Western letters, as the poet arrogates godly power and bestows on the pilgrim the experience of “existence” beyond the divine will. By this gracious gift of non-existence, the Pilgrim surpasses the mere corruption of Satan and his kingdom, and enters into a state of uncreation. Evidence of this unparalleled passage is found in the pilgrim’s absence of fear during his remaining time in hell.

A Meditation on Hell: Lessons from Dante

Published in Modern Theology 18.3 (July 2002) 375-394. Dante is the greatest theologian of hell in the Western tradition. This essay is my attempt to articulate a portion of my debt to him.

Dante’s ‘Blind Prison’: Confinement and Carcerality in the 'Inferno'

Rivista di studi italiani, XXXIX, 3, pp. 295-322, 2021

While verses detailing hellish suffering are plentiful in Dante’s Purgatory, the poet unambiguously represents Hell as an eternal prison which he strikingly carves out in Inferno 10 dedicated to the heretics where we discover Farinata and Cavalcante in one of the most poignant cantos of the 'Inferno.' In this essay, I will focus on Dante and Virgil’s entrance into lower Hell (the city of Dis) and particularly Circle 6 dedicated to the heretics with the objective of exploring how the poet constructs and amplifies the metaphor of Hell as a prison which echoes the characterization delineated in the widely read apocryphal Gospel of Nicodemus where Christ’s Descent into Hell is described as a liberation of pre-Christian souls from Satan’s infernal prison-house. My reading of Dante’s poem aims to enhance our understanding of Inferno 10 by revealing another layer of meaning in this very complex canto through the notion of Hell as a place of eternal confinement.

Between Hell and Paradise: the Motif of the Dantesque Journey in The Pisan and post-Pisan Cantos

2014

The present article is an analysis of the dantesque Hell and Paradise represented in the literary output of the American poet Ezra Pound. The author of the article focuses on the interpretation of The Cantos, particularly The Pisan Cantos and post-Pisan Cantos created in the final phase of the poet’s literary output (1954-1972) which reflects his personal crisis as an artist, thinker and man. The Pisan Cantos and post-Pisan Cantos, whose guiding motif is Dante’s The Divine Comedy, were created during the poet’s imprisonment near Pisa in 1945 after his indictment for treason and then his stay in St Elisabeth Hospital for the Criminally Insane in Washington D. C. The article examines the motif of Dante’s Hell, Paradise and Purgatory in Ezra Pound’s epic both with reference to the American artist’s traumatic experiences as well as to his spiritual, artistic and philosophical journey during which he searched for inspiration, wisdom and internal harmony.

Negative Theology and Theophany in Dante’s Paradiso

Verbum Vitae

Dante’s Paradiso presents a gothic theophany realizing the divine vision (visio Dei) in poetic language. Specifically, Dante’s vision of a line from Scripture (DILIGITE IUSTITIAM QUI IUDICATIS TERRAM) in the Heaven of Jove (Canto XVIII) gives a concrete form of written letters to his vision of God. Yet all that Dante actually sees is only a sign of the invisible, metaphysical reality of God and the supersensible universe of pure being or love. This tension between the sensory plenitude of his vision and the transcendent truth that Dante envisages lends his poem its extraordinary force and attractive power. The paradoxes of negative theology and its inevitable relation with an affirmative theology expressed as poetic vision are worked out with matchless subtlety in Dante’s descriptions and reflections, some of which are expounded in a speculative key in this essay drawn from a more detailed and comprehensive inquiry into the subject. The immediacy of Dante’s vision of letters of Scri...

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