Incarcerated Women’s Voices Need to be Heard (original) (raw)
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ABSTRACT Title of dissertation: FROM THE INSIDE OUT: WOMEN WRITERS BEHIND PRISON
2014
This dissertation considers what women in prison, or women who have been in prison, have to tell us, in oral testimony or in their writing, about the American “prison experience. ” This study shows how the interpretation of first person prison narratives provides important insights into patterns in the lives of women in their pre-prison, in prison, and post-prison experiences. It also explores the importance that creating narratives has for women prisoners ’ lives. This dissertation examines three kinds of prison narratives. The first involves texts produced and written by female prisoners and prison activists in a radical feminist underground prison newsletter published in Seattle, WA between 1976 and 1987. Secondly, oral narratives by two former prisoners involved in the production of that newsletter are presented. Finally, I discuss and interpret the prison poetry, memoir, and other narratives produced in a creative writing workshop series at the District of Columbia Detention Ce...
Title of dissertation: FROM THE INSIDE OUT: WOMEN WRITERS BEHIND PRISON WALLS
2004
This dissertation considers what women in prison, or women who have been in prison, have to tell us, in oral testimony or in their writing, about the American "prison experience." This study shows how the interpretation of first person prison narratives provides important insights into patterns in the lives of women in their preprison, in prison, and post-prison experiences. It also explores the importance that creating narratives has for women prisoners' lives. This dissertation examines three kinds of prison narratives. The first involves texts produced and written by female prisoners and prison activists in a radical feminist underground prison newsletter published in Seattle, WA between 1976 and 1987. Secondly, oral narratives by two former prisoners involved in the production of that newsletter are presented. Finally, I discuss and interpret the prison poetry, memoir, and other narratives produced in a creative writing workshop series at the District of Columbia Detention Center between 1995 and 1996. Women writers in prison provide insights into situations, such as poverty and abuse, that brought them to prison, they discuss survival strategies in prison, and they offer recommendations 1 The research was facilitated in the early stages by financial support from a Rockefeller Foundation Fellowship, Institute on Violence, Culture, and Survival, Virginia Foundation for the Humanities and Public Policy, Charlottesville, VA. ii in my darkest hour, for I could never know how hard it was for her to be "still maintaining under the circumstances." For taking the time to recollect their prison experiences and for their commitment to other women prisoners across the country, I thank Jane Potter and Shelly Baker. Thanks too to those associated in the past or
From the INside Out: Women Writers Behind Prison Walls
2004
This dissertation considers what women in prison, or women who have been in prison, have to tell us, in oral testimony or in their writing, about the American "prison experience." This study shows how the interpretation of first person prison narratives provides important insights into patterns in the lives of women in their preprison, in prison, and post-prison experiences. It also explores the importance that creating narratives has for women prisoners' lives. This dissertation examines three kinds of prison narratives. The first involves texts produced and written by female prisoners and prison activists in a radical feminist underground prison newsletter published in Seattle, WA between 1976 and 1987. Secondly, oral narratives by two former prisoners involved in the production of that newsletter are presented. Finally, I discuss and interpret the prison poetry, memoir, and other narratives produced in a creative writing workshop series at the District of Columbia Detention Center between 1995 and 1996. Women writers in prison provide insights into situations, such as poverty and abuse, that brought them to prison, they discuss survival strategies in prison, and they offer recommendations 1 The research was facilitated in the early stages by financial support from a Rockefeller Foundation Fellowship, Institute on Violence, Culture, and Survival, Virginia Foundation for the Humanities and Public Policy, Charlottesville, VA. ii in my darkest hour, for I could never know how hard it was for her to be "still maintaining under the circumstances." For taking the time to recollect their prison experiences and for their commitment to other women prisoners across the country, I thank Jane Potter and Shelly Baker. Thanks too to those associated in the past or