Anxiety That Conveying Tragedy in Othello Drama by Shakespeare (original) (raw)
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Assessment of Human Behavior from the perspective of Shakespeare's Othello
IOSR Journal Of Humanities And Social Science, 2020
One can find variety of spices in humans and their relationships. Why I am calling it spices because as all spices are required to cook a good food, the same way humans have variability in their emotions like happiness, fear, anger, disgust and sadness. The same way if we explore little more we find that besides all these emotions are a few more like love and feeling of hate for some. Then there is feeling of disgust against a particular race, color, or ethnicity. So humans have an ocean of expression to make. This feeling is not constant even, and it keeps on changing as the time changes or the relationship changes. By and large, it is observed thathumans are selfish and self-centered creature. It takes steps to satisfy their own needs, works for acquiring comforts and luxury, and even can conspire and attack its own friends, relatives and dear ones to meet all these requirements. Perhaps, writers, playwrights and creative experts understand all these human emotions that is why they are able to create such a great characters in their creative works that even the dust of time cannot fade those great works. Indeed, those works become immortals in the minds of people and inspire generations to come. From those great writers, my research concentrates on one of those great writers and it is Shakespeare and his work, Othello.Shakespeare is famous for presenting human behavior through his characters. He carved all those innumerable characters in his plays and novels that readers start connecting with them. This research studies the conspiracy, hate, love and enmity in this play. People cannot get rid of these emotions even if they want to.
Subtle understanding of phobia in the major tragedies of Shakespeare
International Journal of Multidisciplinary Research and Development, 2015
There is certainly much truth in the remark that William Shakespeare (1564-1616) is our unparalleled playwright who has created a magical world of plays which is profoundly rich in its texture and at the same time, infinitely thought-provoking in its essence. Shakespeare, the great psychoanalyst, had the genius to provide different elements satisfactory to different classes of people at the same time, retaining a kind of universal appeal which made his plays remarkably great. Shakespeare could realize the inner workings of every human heart and could present this in a very realistic way. Most of the time Shakespeare deals with the flat characteristics of the human heart which are never changeable with the passage of time and place. At the same time, he did not bind his writings within the classical boundaries of the unity of time and place.
Nuevas tendencias de la puesta en escena de las tragedias de William Shakespeare
Dilemas contemporáneos: Educación, Política y Valores, 2019
El artículo analiza el proceso de puesta en escena de las tragedias “Hamlet”, “Othello”, “Richard III” de W. Shakespeare en el teatro kazajo. Los autores pusieron especial énfasis en la demostración de la renovación espiritual de la sociedad y la realidad del período histórico del escenario del teatro nacional a través de las obras del gran dramaturgo. Es obvio que la dramaturgia de W. Shakespeare ha requerido una línea especial de pensamiento, enfoque cultural y lógica psicológica profunda por parte de los actores kazajos. Esta tendencia ha durado hasta hoy en día. Este documento justifica que es crucial para el teatro nacional kazajo considerar e investigar las preocupaciones comunes de la humanidad a través del gran dramaturgo inglés.
Castration Anxiety and the Mirror Stage: A Psychoanalytic Reading of Shakespeare's Othello
This article mainly applies two psychoanalytic notions to Shakespeare's tragedy Othello (1622), namely castration anxiety and the mirror stage. It argues that Othello is strengthened by Desdemona and his high military rank as the general of the Venetian army. Against common postcolonial readings of the play, we argue that Othello experiences castration anxiety metaphorically, i.e. he gets anxious about losing such things that make him strong in Venice. In addition, Othello goes through the mirror stage metaphorically as well. He makes the assumptions that he is backed up by his military rank and his wife, that Iago is honest with him, and that the absence of the handkerchief-which signifies loyalty to him-indicates that his wife is unfaithful to him. After he believes Iago's lie that his wife has an affair with Cassio, Othello gets so anxious that he kills his wife, and after realizing that his assumptions have been all false and that he is castrated and no longer attached to his wife and his post, he self-destructively commits suicide. Othello's anxiety about losing his authority and his shattered self-image as a betrayed husband are ultimately intertwined. Hence, this article offers fresh insights into Shakespearean plays by reading one representative piece, Othello, against some trends in literary theory not known during Shakespeare's times but universal in their application to literary texts.
PSYCHOANALYSIS OF OTHELLO: SHAKESPEARE'S APPROACH REVISITED
SP Publications International Journal Of English and Studies (IJOES)
Shakespeare has been studied by philosophers, sociologists, anthropologists, psychoanalysts and many other specialists ...............................................................................................................................
Struggle for Meaning and Order in Hamlet and Othello Hamlet ve Othello'da Anlam ve Düzen Mücadelesi
Tragedy is about torn-apart forces that influence human emotions and desires. The tragic heros are in defeat of making sense of their world in Shakespeare's tragedies Hamlet and Othello. This paper will try to examine the three phases Hamlet and Othello experience--alienation from the world by facing its meaninglessness, struggling for making sense through acting against their natures, and reconciliation (a redemption towards meaning) with their worlds in the end--focusing on the fact that though these men suffer through emotional and moral dissolution that lead them to question their beings, and consequently, carry the imperative to act--to take revenge--as tragic heroes. In the end, they have the power to create something new out of nothing. In other words, they gain awareness of life which has once been insignificant.
Comparative Analysis of the Concept of Shakespearean Tragedies
Advances in Language and Literary Studies, 2014
In this article, the analysis of Shakespearean tragedies is presented. It reveals that Shakespeare's plays are full of conflicting thoughts, and expression is so convincing that it is not possible to plan a system of philosophy out of them. Each character, from the king to the clown, from the most highly intellectual to the simpleton, judges life from his own point of view and says something that is so deep and appropriate at the playwright's versatility of genius. So is the case with the conception of tragedy.
Mental Conflict of the Heroes of Shakespeare Tragedy Plays
AMERICAN JOURNAL OF SOCIAL AND HUMANITARIAN RESEARCH , 2023
I will highlight the guiding ideas of "Shakespeare: Hamlet's depression", connecting them with the rest of his production, especially around melancholy. But Tellenbach did not like that his ideas were simply accepted. He lived on questioning dialogue. Hence, I will oppose some doubts and comments to his effort from our study on the enigmatic prince of Denmark. It is not an easy task for him and for us, because, as Goethe used to say, "nothing definitive can be said about Shakespeare, everything is insufficient"