original ) (raw )Italian Paintings, 1250-1450, in the John G. Johnson Collection and the Philadelphia Museum of Art
Sara James
The Sixteenth century journal, 2006
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A Drawing by Simone Cantarini, called Il Pesarese, at the Ashmolean Museum, Oxford
Angelamaria Aceto
Master Drawings , 2020
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The polychrome works “Prayer of Tobias and Sarah” and “The Archangel Raphael reveals himself to Tobi and his son Tobias”, inside the Cathedral of Cosenza: diagnostic investigations and considerations on the conditions of conservation
Gianluca Nava
Conservation Science in Cultural Heritage, 2008
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COMPLETE CATALOGUE OF THE ITALIAN PAINTINGS XV-XVI CENTURY
Joaquín Bordiu Ximenez de Embun
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'Chapter 1: Renaissance altarpieces: the far in the near', European Art and the Wider World 1350–1550 (2017)
Kathleen Christian
In: European Art and the Wider World 1350–1550, edited by Kathleen Christian and Leah R. Clark. Manchester, Manchester University Press, 2017
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La Vierge d'humilité de Niccolò di Buonaccorso, in: Revue des musées de France. Revue du Louvre 2014, no. 4, pp. 46-57
Victor M . Schmidt
La revue des musées de France. Revue du Louvre no. 4 (2014), pp. 46-57, 2014
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Cat. nos. 103, 104, 116, 119, 120, 121, 122, 124, 125 & 127, in: Bastian Eclercy (ed.): Maniera. Pontormo, Bronzino and Medici Florence. Exh. Frankfurt, Städel Museum, February 24 – June 5, 2016. Munich, London & New York: Prestel 2016, pp. 234–35, 258–59, 262–69, 272–75 & 278–79
Fabian Jonietz
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Reassessing the murals in the Chiostro degli Aranci
Anne Leader
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"Prints and False Antiquities in the Age of Raphael," Print Quarterly, Vol. 21, No. 3 (SEPTEMBER 2004), pp. 235-247
Madeleine Viljoen
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The New Art of the Fifteenth Century: Faith and Art in Florence and the Netherlands. Shirley Neilsen Blum. New York: Abbeville Press, 2015, pp. 314 in "Renaissance Quarterly", 69.3 sept 2016, pp. 1061-63
Angelo Maria Monaco
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From the executive techniques and constitutive materials to the attribution of the canvas "St.Rocco and the angel" (XVI sec.) - abstract
Maria Letizia Amadori , Mauro Sebastianelli
ChemCH 2010, Book of abstracts 1st International Congress "Chemistry for cultural heritage" (Ravenna, 30th june-3rd july 2010), 2010
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"Two reconstructions for Ghirlandaio’s workshop and a new altarpiece by Bastiano Mainardi,” Arte Cristiana, vol. 110, no. 931 (July-August 2022): pp. 304-315
Christopher Daly
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The Oldest Dated Panel Paintings, Reconsidered. The Relic Shrine of Saint Odilia (1292) in Context
Jeroen Reyniers
2014
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Fra Angelico to Leonardo. Italian Renaissance Drawings (London, British Museum, 22 April–25 July 2010, and Florence, Galleria degli Uffizi, 1 February to 30 April 2011) – Catalogue edited by Hugo Chapman and Marzia Faietti
marzia faietti
2010
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Beyond the visible: The Viterbo Crucifixion panel painting attributed to Michelangelo Buonarroti
Mauro Bernabei
Microchemical Journal, 2020
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A Trecento Altarpiece Rediscovered: Bartolommeo Bulgarini's Polyptych for San Gimignano
Judith Steinhoff
Zeitschrift für Kunstgeschichte, 1993
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St Roch and the Angel in Renaissance Art (2020)
louise marshall
Studies in Iconography 41 (2020), pp. 165-211, 2020
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A Re-assembled Altarpiece by Bernard van Orley
Hilbert Lootsma
2017
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Panel painting between the 13th and 14th century in southern Lazio: Two “forgotten” works in Amaseno
Lorenzo Riccardi
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A wall painting from the domus of Palazzo Govone Caratti at Alba Pompeia (Italy).
Greta Acuto
CeROArt (online), 2016
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COMPLETE CATALOGUE OF THE ITALIAN PAINTI
BELEN URUTXURTU
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"The Madonna of the Healed: [Re]framing An Annunciation Panel Painting in Aversa"
Claire Jensen
2021
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Bambach, “Review of Italian Drawings from Fra Angelico to Leonardo.” The Burlington Magazine, vol. 153 (June 2011), pp. 417-19.
carmen bambach
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"A Rediscovered Altarpiece by the Master of Signa", Bulletin du Musée Hongrois des Beaux-Arts, no. 122, 2017 [2018], pp. 105–140.
Dóra Sallay
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The parts fit together. The Annunciation, a new- found painting by Piero della Francesca
Roberto Manescalchi
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Rare Objects as Painting Substrates: The Example of a Seventeenth-Century Portable Icon
Evangelia Ougiarou , Lamprini Malletzidou
10th International Symposium on the Conservation of Monuments in the Mediterranean Basin, 2018
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Italian Paintings of the Thirteenth and Fourteenth Centuries, by Miklós Boskovits (1935–2011) and Jason Di Resta
Jodi Cranston
The Art Bulletin, 2017
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Some Discoveries of 1492: Eastern Antiquities and Renaissance Europe, Seventeenth Horst Gerson Lecture, held on November 14, 2013 (Groningen: University of Groningen, 2013)
Alexander Nagel
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ON SOME LATE RENAISSANCE ORNAMENT DRAWINGS AT THE ASHMOLEAN MUSEUM, OXFORD: GIOVANNI BATTISTA LOMBARDELLI, AVANZINO NUCCI, GIOVANNI BATTISTA DELLA ROVERE AND A PROPOSAL FOR FEDERICO BRANDANI
Angelamaria Aceto
Studi di Memofonte, 29, 2022
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‘The Materials and Technique of Two Panel Paintings Attributed to Paolo Uccello: The Oxford Annunciation and the Melbourne Saint George’
Hugh Hudson
in H. Verougstraete and R. van Schoute (eds), La Peinture ancienne et ses procedés: Copies, répliques, pastiches, Leuven: Uitgeverij Peeters, 2006, pp. 8–17.
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Renaissance Wedding and the Antique, Italian Secular Paintings from the Lanckoronski Collection
L'ERMA di BRETSCHNEIDER, Publisher , Jerzy Miziołek
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MA Dissertation_Abstract: Stamped Motifs in Mural Paintings from the First Half of the Fourteenth Century: Attribution to Lippo Memmi of the New Testament Cycle in the Collegiate Church, San Gimignano
Katya Ishchenko
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“New Paintings by Giovambattista del Verrocchio,” Source, XXVI, No. 3 (Spring 2007), pp. 34-39.
Louis Alexander Waldman
Source: Notes in the History of Art, 2007
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The Wall Paintings in the Campanile of the Church of St. Nicola in Lanciano (ca. 1330-1400). Reading an Unknown Legend of the Cross in the Abruzzi, Italy, in "Iconographica”, 2, 1, 2003, p. 108-125
barbara baert
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Painting in Rome in the Time of Paschal I: S. Prassede all�Esquilino and S. Cecilia in Trastevere
Carles Mancho
Svmma, 2017
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