Expressive Meaning and Historical Grounding in the Film Music of Fumio Hayasaka and Toru Takemitsu (original) (raw)

Tōru Takemitsu᾽s "Spherical Mirror:" The Influences of Shūzō Takiguchi and Fumio Hayasaka on his Early Music in Postwar Japan

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Dean Duncan. Charms that Soothe: Classical Music and the Narrative Film New York: Fordham University Press, 2003 [xiii, 211 p. ISBN: 0823222803. $26.00 (trade paper)] Communication and Media Studies, no. 9. Index

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Chen, Timmy Chih-Ting. “Charitable or Traitorous? The Ethics and Aesthetics of Performance in Myriad of Colors (1943).” In The Routledge Companion to Global Film Music in the Early Sound Era, edited by Jeremy Barham, 550–64. New York: Routledge, 2024.

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Oxford University Press, 2017

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Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis. An Introduction

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Miranda, 2021

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2017

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Foreword to Unheard Possibilities. Reappraising Classical Film Music Scoring and Analysis

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2021

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"Composing the Past: Music and the Sense of History in Hollywood Spectacles of the 1950s and early 1960s", published in Screening the Past Issue 5, 1998.

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Music Theory Through the Lens of Film

Frank Lehman

Music Theory Through the Lens of Film, 2013

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Exception to Tōru Takemitsu's Oeuvre: Theater Piece Blue Aurora

Klara Hrvatin

IRASM , 2021

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Interpretation and Underscoring: Modest Constructivism and the Issue of Nondiegetic versus Intra-diegetic Music in Film (in Music and the Moving Image 2016, 9:2, 39-57)

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Review: Guido Heldt. 2013. Music and Levels of Narration in Film: Steps Across the Border. University of Chicago Press. In Notes: Quarterly Journal of the Music Library Association. 72:2..pdf

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2015

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