The role of serendipity in the story ideation process of print media journalists (original) (raw)

Creative Information Exploration in Journalism

2018 9th International Conference on Information, Intelligence, Systems and Applications (IISA), 2018

Existing digital tools used by journalists such as content management systems and search engines focus on helping journalists find relevant information and organize their creative work; they do not provide support for discovering creative angles to investigate. To meet this need in journalism, we have researched new creative search algorithms that manipulate the journalist's primary medium - written information - and developed an innovative creativity and productivity support tool deliberately for use by journalists. In this paper, we analyse the creative tasks journalists perform when developing new stories, we provide an overview of requirements, which have been addressed by the INJECT digital creativity support tool for journalists. Further, we explain the intended use of the system using a walkthrough scenario and present our early experiences from deploying the tool in journalist's working environments.

In search of the journalistic imagination

Thinking Skills and Creativity, 2016

Journalists tell stories based on facts, but stories cannot be told without imagination. However, little research has been conducted on journalistic imagination. This study aimed to explore the indicators, roots, and cultivation of the imaginative capacities of journalists. For this purpose, 6 renowned journalists in Taiwan were studied. The results identified 10 indicators of imaginative capacity in the study participants. The research team also identified 6 roots of imaginative capacity, among which professional conduct emerged as the decisive root in the case of the journalists, and it was followed by personality traits, academic background, news sense, work experience, and social responsibility. Furthermore, the team identified 7 methods of cultivating imaginative capacity: self-reflection, reading and learning, observing and listening, comparing and benchmarking, nurturing broad interests, acquiring aesthetic experiences, and creating welcoming environments. The results provide an understanding of how journalistic imagination can be assessed, and they further contribute insights into the complexities that various roots endow upon diverse imaginative capacities when distinct methods of cultivation are used.

JOURNALISTS ON JOURNALISM: Print journalists’ discussion of their creative process

Journalism Practice, 2013

Print journalism, particularly hard news, is a form of writing that is seldom thought of as a creative practice. This situation may result from the idea that cultural and social structures journalists work within are often seen as constraints on journalists’ professional practices. Despite this common understanding, if a rationalist approach to creativity is used, it can be demonstrated that the structures of the practice of journalism, and the knowledge of these structures, not only constrains but also enables journalists to produce their work. Using the systems model of creativity developed by Mihaly Csikszentmihalyi, this paper provides evidence that by investigating print journalism within a rationalist framework, print journalists of any genre can be seen to be producers of creative cultural texts. Analysis of the literature demonstrates that by marrying theories and definitions from creativity research with literature from the domain of print journalism, creativity can be identified within the print journalism domain. Analysis of semi-structured interviews conducted with print journalists in Australia and observation carried out in Australian newsrooms demonstrates that journalists are very aware of the devices used, and the requirements of the field, to produce texts in their professional practice that are novel and appropriate, or creative.

Making the News

Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems, 2018

This paper reports the design and first evaluations of new digital support for journalists to discover and examine creative angles on news stories under development. The support integrated creative news search algorithms, interactive creative sparks and reusable concept cards into one daily work tool of journalists. The first evaluations of INJECT by journalists in their places of work to write published news stories revealed that the journalists generated new angles on existing stories rather than new stories, changed their writing behaviour, and reported evidence that INJECT use had the potential to increase the objectivity and the boldness of journalism methods used.

Using computational tools to support journalists’ creativity

Journalism: Theory, Practice & Criticism, 2021

This paper presents work surrounding INJECT, a newsroom innovation offering digital tools to support journalists. Research showing increasing time and resource pressure on journalists has led to concerns about the demise of investigative reporting and the ability of today’s journalists to interrogate information adequately. Some digital innovations (e.g. tools facilitating robot journalism) have been viewed with suspicion by newsrooms. This paper reports on a research project that seeks to create an innovative tool to support the creative capabilities of time and resource poor journalists. The INJECT project used the advanced information discovery capabilities of digitisation to help journalists find new angles on stories and this paper analyses the extent to which such initiatives might harness digital innovation to benefit both the quality and range of reporting and thereby enhance creativity. It examines the potential of an information processing model of creativity derived from ...

Understanding encountering of story leads: A case of newspaper reporting behavior at Midwestern metropolitan-area newspapers

Newspaper Research Journal, 2018

An interdisciplinary approach explores how journalists embrace the unexpected as part of their reporting routines using Erdelez’s framework of information encountering from the study of human information behavior and the concepts of news routines and story ideation from journalism studies. This paper provides a fresh perspective on the sociology of news in finding that the participating journalists embraced the unexpected by routinizing encountering of story leads and opening themselves to the opportunities they provide.

Journalism Innovation

Brazilian journalism research

– This paper discusses journalism innovation through experimental units known as “media labs”, addressing motivations, processes and outputs related to them. It is based on collaborative four-year research projects that mapped 123 labs within industry, civic society, and academia globally, with a focus on Latin America, North America and Europe. The data spans 45 interviews and 54 survey answers from lab leaders across 17 countries and covers 60 innovation outputs, with 30 closely related to media and journalism. The paper’s main theoretical frames incorporate open innovation and constructs from media innovation and media management. The results indicate that media labs are either within organisations or alongside them, producing projects systematically and experimentally as a reaction to digital disruption. Within an environment of scarcity, they catalyse innovation and combine technical and creative skills, unveiling solutions beyond new narratives or content-related innovations. ...

Print Journalism and the System of Creativity

The creative system in action: understanding cultural production and practice (Eds. Phillip McIntyre, Janet Fulton & Elizabeth Paton), 2016

This chapter answers the question: how do print journalists produce, or create, their work? Journalism is seldom thought of as a creative form of writing, primarily because it is not an ‘artistic’ profession and some see it as constrained by rules and conventions, or structures, giving little licence for a journalist to exercise agency. In other words, it is thought that the existence of these structures leaves little room for print journalists to make creative choice. However, by applying the systems model of creativity suggested by Mihaly Csikszentmihalyi to print journalism, as this chapter does, it can be clearly seen that journalism is a creative activity in the same way as such writing genres as poetry and fiction writing.

Is print journalism creative?

The idea that print journalism is creative is one that is not universally accepted: ‘making a story up’ goes against the fundamental understandings of journalism. Further to this, society’s understanding of creativity is that a producer must have no limitations to be able to create and the rules and conventions a journalist works within are seen to constrain their production of creative media texts. However, by using a Rationalist framework, it can be argued that creative activity in print journalism is not only possible but plausible. By using Mihaly Csikszentmihalyi’s systems model of creativity to examine the creative practices of print journalists, this paper argues it is the structures a journalist works within that enables production and it is by their agency that journalists can produce creative media texts. Interestingly, a literature review has revealed that creative and creativity are frequently used within journalism’s literature but the terms are rarely defined. Therefore, this paper presents rational arguments for how a print journalist is a creative producer of media texts as well as providing a definition for creativity in a journalistic context.