The Stateless Nation’s Elite: Artistic Collections of Polish Aristocracy, 1795–1918 (original) (raw)
Related papers
2023
The Role and Activities of Custodians of Aristocratic Collections in Bohemia in the 19 th Century and First Half of the 20 th Century: Selected Examples 1. 01 Original scientific article In a number of European countries, entrusting the care of the extensive sets of collections owned by aristocrats to a special employee or employees had been customary since the Renaissance. The focus of this study is the period from the beginning of the 19 th century to the end of the Second World War. Selected individuals who together represent approximately one hundred and fifty years of care for collections located in aristocratic residences are presented. The academy-trained painter František Horčička, the former town executioner Carl Huss and the husband-and-wife team Wilhelmina and Karl Vincenz Auersperg devoted themselves to collections in the 19 th century, while professor Josef Schmoranz and lawyer Josef Polák did so in the first half of the 20 th century.
Journal of the History of Collctions, 2021
National trauma, a passion for graves, and the collecting of national memorabilia in early nineteenth-century Poland Michał Mencfel This essay discusses collections of historical memorabilia assembled in Poland at the end of the eighteenth and the beginning of the nineteenth century, which contained the physical remains (bones and hair) of historical figures. An analysis is offered of the traditions and circumstances that made it acceptable and possible for Polish antiquaries and collectors to open the tombs of eminent historical figures and to remove the contents of graves to private collections. Emphasis is placed on the role of national trauma, brought about by the crisis of the partition of Poland, culminating in 1795 in the demise of Poland as an independent state, which provided an impetus for the development of a distinctive historical consciousness. It is argued that while objects of this kind would cause moral and other dilemmas in other countries in Europe, such concerns were absent in Poland owing to its unique situation. Attention is also paid to changing attitudes throughout the nineteenth century, which influenced both the shape of historical collections and the manner of examining the corpses of historical figures. An explanation is offered for why, in the second half of the nineteenth century, despite the continuing exploration of tombs, the practice of collecting and displaying human remains and grave goods never gained wide public approval.
Spaces for Shaping the Nation. National Museums and National Galleries in Nineteenth-Century Europe, ed. Marina Beck, Christina Strunck, Transcript Verlag, 2024
The text deals with Polish museums considered 'national' in the 19th century or founded under that name. Two main areas of interest for Polish national museums in the nineteenth century can be observed: on the one hand, national (Polish) history, and on the other, Polish art, above all contemporary painting. This analysis of the activities of these museums will focus on the discourse accompanying their establishment, the objectives set by their founders and the curation of their exhibitions.
Non-classical genres : theory and practice, Studia Staropolskie. Series Nova ; t. 53 (109)., 2022
Oratory in the Polish-Lithuanian Commonwealth correlated highly with social need, reflecting Old Polish customs and dovetailing with the democracy of nobles. 2 Rhetoric was an effective instrument of politics, so the nobles, as the only group who could participate in regional and general parliamentary assemblies, sejmiks and sejms, took care to learn and teach it well. 3 Public activity demanded dexterity in the art of argumentation and persuasion, which resulted in a profusion of political pamphlets and a growing prowess in parliamentary speechmaking, especially of the genus deliberativum variety. 4 At the same time, both printed and manuscript sources bear evidence that the beginning of the seventeenth century saw epideictic speech rise into prominence in family life as well. 5 The fact may have resulted from a shift in perceiving oratory not only as belonging to the public sphere but also 1 The present study is to a large extent based on the results of my research that have been presented in a monograph more than half a thousand pages long. Due to the lack of space, citation of source references is limited to a bare minimum. I encourage the reader to reach for my Polish-language publication: M. Ciszewska, Tuliusz domowy. Świeckie oratorstwo szlacheckie kręgu rodzinnego (XVII-XVIII wiek) (Warszawa, 2016). 2 On ancient and modern conceptions of the dependency of oratory forms and their development on the political regime in place, see
Nineteenth-century Bulgarian private collections
Journal of The History of Collections, 2010
This paper describes the beginning of collecting activities in Bulgaria. Nineteenth-century private collections are examined in order to determine their place and role in the spiritual development of the Bulgarians after five centuries of Ottoman domination. Assembled in an effort to stimulate Bulgarian national self-esteem, these collections form an expression of nationalistic ideals and represent an important aspect in the creation of the Bulgarian nation. Some of their features set them apart from the western European collecting model and the paper concludes with a summary of these specific features.
Knygotyra
The article discusses manuscript books – collections of public life materials created in the 17th and 18th centuries in the Grand Duchy of Lithuania, now located in Poland. They were created mainly by nobles and by chancellery clerks and officials employed at magnates’ and state dignitaries’ courts as an expression of the interests of collectors or documentary and historiographical concerns, and sometimes also as support for public activity. They contained various materials related to conducting, documenting and recording public life. The present overview is based on an identification of copies and on the information contained in printed and online manuscript catalogues and inventories. The number of surviving manuscripts of that type can be hypothetically estimated at ca. 400–500 copies, with ca. 100 copies identified in Poland. Their largest collection is held in the Radvilos Archives, part of the Central Archives of Historical Records in Warsaw, with single copies scattered acros...
The Art Collections of Slavonian Noble Families // Umjetničke zbirke slavonskih plemićkih obitelji
Umjetnost slavonskog plemstva – vrhunska djela europske baštine // The Art of the Slavonian Nobility – Masterpieces of European Heritage, Najcer Sabljak, Jasminka; Lučevnjak, Silvija; Galović, Valentina (ur.). Zagreb: Galerija Klovićevi dvori, , 2021
Tekst u katalogu izložbe "Umjetnost slavonskog plemstva – vrhunska djela europske baštine" predstavlja izbor iz likovne baštine plemićkih obitelji koje su na područje današnjeg istočnog dijela Republike Hrvatske, dijelom omeđenog rijekama Dravom, Savom i Dunavom, došle nakon završetka ratova s Osmanskim Carstvom. Vladarska kuća Habsburg na taj je prostor izvan granica Vojne krajine krajem 17. i početkom 18. stoljeća dovela niz plemićkih obitelji, iz raznih područja Europe. One su imale zadaću ekonomski, društveno i politički unaprijediti područje međurječja te ga povezati s Habsburškim Carstvom. Među njima su obitelji Adamović, Cseh, Eltz, Hilleprand von Prandau, Janković Čalmanski, Janković Daruvarski, Khuen, Mihalović, Normann-Ehrenfels, Odescalchi i Pejačević, koje su ostavile snažan trag na području razvoja kulture i umjetnosti. Tekst u katalogu govori o djelima iz njihovih zbirki, koje su danas prestale postojati in situ, a pronađene su u brojnim javnim i privatnim zbirkama diljem domovine i svijeta. Rad sintetizira istraživanje teme povijesti likovnih zbirki slavonskog plemstva, a naglasak stavlja na djela štafelajnog slikarstva, koja dominiraju u zbirkama, uz nešto skulptura, grafika, arhivskog materijala, djela primijenjene umjetnosti.