An Outmoded Flea Market: Robert Rauschenberg, Rome, and Surrealism, 1952-1953 (original) (raw)

C. Caputo, Surrealism in Venice and Milan. The Cavallino and Naviglio Galleries in the 1940s and 50s: Exhibitions and Publications, in Geographies of Surrealism., a cura di A. Nigro e I. Schiaffini, Paris, Mélusine numérique, 2021 [ISBN: 978-2-9568290-0-3].

Caterina Caputo

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Collecting Leonor Fini in 1950s and 1960s Italy: notes for a portrait of Renato Wild, in Alessandro Nigro and Ilaria Schiaffini (eds.), Geographies of Surrealism. The Internationalization of the Movement: United States and Italy, p. 153-185

Alessandro Nigro

Mélusine numérique, No. 3, 2021

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C. Caputo, ‘Toward a New Human Consciousness.’ The Exhibition ‘Adventure in Surrealist Painting during the Last Four Years’ at The New School for Social Research in New York, March 1941, in Networking Surrealism in the USA, a c. di J. Drost, F. Flahutez, A. Helmreich, M. Schieder, 2019

Caterina Caputo

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On the Verge of the Absurd: Bruno Munari, Dada, and Surrealism in Interwar Italy

Ara H. Merjian

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Oggetti Poetici: Preliminary Notes for a Surrealist Rereading of Arte povera

Giorgio Di Domenico

ISSS Surrealisms, 2022

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FROM DADAISM TO SURREALISM AND BACK: HANS RICHTER'S EXPERIMENTAL FILMS BETWEEN BERLIN (1926) AND NEW YORK (1947)

Carlotta Castellani

GEOGRAPHIES OF SURREALISM THE INTERNATIONALIZATION OF THE MOVEMENT: UNITED STATES AND ITALY, 2021

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Inspiration and unreachable paradigm – L'art des fous and Surrealism

Thomas Röske

2016

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Mori Gioia_2013_New York 1945: Fabrizio Clerici, "Italian Surrealist"

Gioia Mori

in "Fabrizio Clerici 1913-1993", a cura dell’Archivio Fabrizio Clerici, Milano (Skira) 2013, pp. 40-51

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Anthony WHITE Italian Modern Art in the Age of Fascism New York 2020 ISBN 978-0-367-19627-1, 263 pp

Zuzana Donátková

2021

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Conversing Images. Photography and Surrealist Aesthetics on the Stage Writing of Socìetas Raffaello Sanzio, Athens, Papazissis Publishers, 2011, 239 p. (Full Text)

Dimitris Tsatsoulis

2011

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The challenge of surrealism: The correspondence of Theodor W. Adorno and Elisabeth Lenk

Susan H. Gillespie

Contemporary Political Theory, 2016

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'Critical Curiosity: Surrealism and the History and Legacy of its Method'. Conference Curiosity 2:0 The Cabinet of Curiosities in Contemporary art. Hochschule für Bildende Künste Dresden, 16-17.1.2015

Donna Roberts

2015

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Giulio Carlo Argan et le surréalisme: une approche pas évidente

Giuseppe Di Natale

Annual Conference of International Society for the Study of Surrealism: Surrealisms Paris 2024Surréalisme Paris 2024 - ISSS, 2014

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The Challenge of Surrealism: The Correspondence of Theodor

Robin Goodman

Symploke, 2018

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Barreiro León, B. (2021), Dreams, the Female Gaze, and the City of Paris: Urban Landscapes through the Writings of the Surrealist Movement, Escritura e Imagen, 17, 89-101. https://doi.org/10.5209/esim.78935

Barbara Barreiro León

Escritura e Imagen, 2021

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Review of Adam Jolles, The Curatorial Avant-Garde: Surrealism and Exhibition Practice in France, 1925–1941 (University Park, PA: Penn State University Press, 2014), 288 pp., in French Studies, 69: 3 (July 2015), pp. 418-419.

Stephen Forcer

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'A Question of Tomorrow: Blanchot, Surrealism and the Time of the Fragment'

David Cunningham

Papers of Surrealism, 2003

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The Totality in Art and the Experience of World War II (Antonin Artaud, Georges Bataille and the exhibition Le Surréalisme en 1947)

Tereza Havelková

2021

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Catalogue essay for the exhibition by Austin Camilleri and Pawl Carbonaro entitled Camilleri-­ Carbonaro, Münchner Künstlerhaus, Munich; 12 – 26 November, 2009.

Vince Briffa

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"Italienspielerei": Italian and German painting from Metafisica to Magischer Realismus

Filippo Bosco

Italian Modern Art, Metaphysical Masterpieces 1916-1920: Morandi, Sironi, and Carrà, Issue 4, July 2020, 2020

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E. Bernardi, C. Caputo, C. Castellani, A.D. Fiore, Introduction. Metaphysical Masterpieces 1916-1920: Morandi, Sironi, and Carrà, «Italian Modern Art», numero monografico a cura di Erica Bernardi, Caterina Caputo, Carlotta Castellani, Antonio D. Fiore, n. 4, 2020, pp. 1-13. [ISSN: 2640-8511].

Caterina Caputo

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The Surrealist Collection Of Objects

Leticia Perez Alonso

Four Hundred and Fifty-Two Degrees Farenheit: Journal of Literary Theory and Comparative Literature, 2010

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Surrealism and the Sacred, a book review by Urszula Szulakowska, in Papers of Surrealism, Issue 5 Spring 2007

Celia Rabinovitch

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Katerina Kitsili COURTAULD 2001 surrealist art paper

Katerina Kitsili

2001

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Traces of Influence: Giorgio de Chirico, Remedios Varo, and “lo Real Maravilloso”

Lauren Kaplan

The Latin Americanist, 2010

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A blistering blueprint torn from several angles - Open letter to academic students of surrealism

M Forshage

Secrets and journeys, 2021

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Artist Among the Ruins. Art in Poland of the 1940s and Surrealist Subtexts

Dorota Jarecka

A Reader in East-Central-European Modernism 1918–1956, 2019

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Andjelkovic, K.: “Surrealism: Space Unbounded,” presentation at ISSS SURREALISMS 2022: Colloque virtuel mondial Tous les éléments: Todos los elementos: A Periodic Table, 17–20 November 2022.

Katarina Andjelkovic

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Paul Schrader's Experiment in Italian Neo-decadence: The Comfort of Strangers and the Sadean System

Robert Dassanowsky

ReFocus: The Films of Paul Schrader. Eds. Michelle E. Moore and Brian Brems. Edinburgh University Press, 2020

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From Paris to Tlön : Surrealism as World Literature

Maria Chiorean

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Review of Giorgio de Chirico and the Metaphysical City, by Alessandro Giammei

Ara H. Merjian

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Classicism, realism, avant-garde: italian painting in between the wars

Ana Gonçalves Magalhães

2018

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'Warburg, Surrealism, and the Other Renaissance'. Conference Aby Warburg: Image, Memory, Montage'. University of Turku, Department of Art History, December 2014.

Donna Roberts

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Surrealist Objects

Christina Rudosky, Ph.D.

Surrealism, 2021

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Eduardo Paolozzi: Surrealism, sci-fi and pop

Ryan Johnston

Making Worlds: Art and Science Fiction (A. Barikin & H. Hughes eds.), 2013

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