Global Perspectives on World War I. A Roundtable Discussion (original) (raw)

Introduction.: Understanding World War I: One Hundred Years of Historiographical Debate and Worldwide Commemoration

2020

Even one hundred years after it broke out, World War I still interests and energizes public attention. That is true not just of the global community of historians but also of broad segments of a public that is no longer limited solely to just those countries that once waged the war. In fact, the events in and around World War I are now the focus of a broad and worldwide historical-political reflection that seeks to grasp the global manifestations of this totalizing war. It seems as though more recently, with the end of the Cold War and subsequent developments, the perception has sharpened yet again that the world in the years between 1914 and 1918 may have much more to do with our present day than many observers have been used to believing. Take just the current geopolitical situation of Europe and the resurgence not only of nationalism but, in some cases, also of an undisguised chauvinism and one might come to consider that it is always worth the effort to investigate the causes an...

FROM THE FIRST WORLD WAR TO THE PRESENT: HISTORY AND MEMORY, A CENTURY FOR REFLECTION

MASTHEAD L' Atalante. Revista de estudios cinematográficos es una revista semestral sin ánimo de lucro fundada en 2003, editada en Valencia (España) por la Asociación Cinefórum L'Atalante con la colaboración de diversas instituciones. Esta revista es un vehículo de expresión tanto de los profesionales como de los teóricos del medio y abarca, además de la praxis del cine, los más diversos temas comprendidos en el ámbito del audiovisual contemporáneo. El público al que va dirigida son aquellas personas cuyo trabajo, investigación o intereses estén vinculados al objeto de la revista.

On World War I , 1914 – 2019

2020

The public debate in Germany about World War I has featured distinctive periods of upsurges and pauses since the end of the war in 1918. In this regard, it is not all that different from what has occurred in the other countries previously engaged in this war, with new images of the world war consistently arising, in each case refl ecting changes in the political and social contexts.1 It is possible here to distinguish four phases, each with its own thought dynamic: the Weimar years; the Third Reich; the years from 1945 to 2000 (during which World War I gradually disappeared from collective consciousness); and fi nally a phase beginning approximately at the recent turn of the century that represented a “rediscovery,” whose high point for the time being has been marked by the centenary in 2014.

Towards an interconnected history of World War I: Europe and beyond

2019

In recent years, the historiography of World War I has undergone a very significant transformation in terms of its geographical scope and thematic reach. While most studies of World War I up to the 1990s focused on national experiences, a generation of new scholars subsequently began analyzing the War in comparative perspective across Europe and the world.1 The following decade saw the emergence of a global approach to First World War studies, pioneered by Hew Strachan and Michael Neiberg and developed in a range of recent reference works.2 Jay Winter has identified a significant increase in studies of the War as a transnational phenomenon, defined by Ian Tyrell as an emphasis on “the movement of peoples, ideas, technologies, and institutions across the border.”3 Due to both the transnational training of World War I historians and the collapse of political and ideological dichotomies with the end of the Cold War, a transnational view has emerged in opposition to an international app...

Position paper Towards a new history of the Second World War? Introduction: A Call to Arms for War Historians

A Call to Arms for War Historians! Seventy years after the end of the liberation, the large interest in the history of the Second World War continues. Producers and consumers meet each other in a continuing exchange of narratives and questions, provided by a set of media that are becoming more and more diverse: from books to articles, via websites and filmed documentaries, to games and apps. The access to- and the use of these sources are changing fundamentally due to digitization and the application of new methods and techniques for presenting and studying data. Consequently, the future of the historiography of the Second World War appears to be guaranteed, and it may therefore not seem a very urgent theme to discuss. However, the initiators of this conference hold a different view. We think it is vital to leave this supposed comfort zone.