War and Truth (original) (raw)

Making Sense of the Muddle War Memoirs and the Culture of Remembering

Philip Dwyer

View PDFchevron_right

The Anxiety of Authenticity: Writing Historical Fiction at the End of the Twentieth Century

Maria Margaronis

History Workshop Journal, 2008

View PDFchevron_right

TIM O'BRIEN'S PROBLEMATIC TRUTH: TRAUMATIC EXPERIENCE THROUGH STORYTELLING IN “HOW TO TELL A TRUE WAR STORY”

Bilyana Kostova

institucional.us.es, 2010

View PDFchevron_right

Aporias of the war story

Antonio Monegal

Journal of Spanish Cultural Studies, 2002

View PDFchevron_right

Just Memory: War and the Ethics of Remembrance

Viet Nguyen

American Literary History

View PDFchevron_right

'On the Performative Lure of War Memories: Tim O'Brien's "How to Tell a True War Story".' University of Bucharest Review

Dana Mihailescu

View PDFchevron_right

Redeeming the Horror of War

Frances M Clarke

1969

View PDFchevron_right

THIRD GENERATION ENGAGEMENT WITH WORLD WAR TWO: POSTMEMORY IN COLE MORETON'S MY FATHER WAS A HERO: THE TRUE STORY OF A MAN, A BOY AND THE SILENCE BETWEEN THEM

Christina Howes

View PDFchevron_right

Conflict, Facts and Fiction in Contemporary Rewritings of the Great War

Elsa Cavalié

The Status of Rewriting in 20th - 21st century Art, Film and Literature, 2014

View PDFchevron_right

Writing War, Wronging the Person: Representation of Human Insecurity in War Literature

Cecilia Addei

Journal of English Language and Literature

View PDFchevron_right

Of Martyrs and Marigolds: Intersection of Memoir and Fiction in Articulating Trauma and Contested History

Madhurima Sen

Trivium, 2022

View PDFchevron_right

‘Induced to tell’: speaking the unspoken in the aftermath of the First World War

Claire Greer

History Australia, 2019

View PDFchevron_right

The Paradox of Historical Fiction: Finding Truth in the Absence of Fact

Loree Westron

View PDFchevron_right

Communicating war through the contemporary British military memoir: the censorships of genre, state and self.

Rachel Woodward, K. Neil Jenkings

View PDFchevron_right

Writing Against and Despite Silence: A Literary Analysis of Testimonies of the Post-War Years

Ariane Santerre

Fourth Future of Holocaust Testimonies Conference, 2016

View PDFchevron_right

The War Books Controversy Revisited: First World War Novels and Veteran Memory

dunja dušanić

Narratives of War Remembering and Chronicling Battle in Twentieth-Century Europe, 2019

View PDFchevron_right

Mapping Trauma and Memory : A Study of Fictions of Great World War Period

Raju Ta

2015

View PDFchevron_right

Learning About Our Shameful Past: A Socio-Psychological Analysis of Present-Day Historical Narratives of Italian Colonial Wars

Giovanna Leone

International Journal of Conflict and Violence, 2010

View PDFchevron_right

Towards an Ethics of Witnessing: Traumatic Testimony in Rebecca West’s The Return of the Soldier

Nicole Rizzuto

College Literature, 2012

View PDFchevron_right

Truth and the Novel

Merilyn Moos

European Journal of Life Writing, 2012

View PDFchevron_right

Holding the Memories : Death, Success, and the Ethics of Memoir

Bunty Avieson

2017

View PDFchevron_right

Authoring War Memories: War Memoir Writing and Testimonial Theatre Performances

Andrea Bellot

Analyses/Rereadings/Theories: A Journal Devoted to Literature, Film and Theatre

View PDFchevron_right

Challenging Childhoods: Representations of Conflict in Australian Junior Historical Fiction Since 1945

Kylie Flack

2014

View PDFchevron_right

Telling Untold Tales: Concealed Family Stories in Contemporary Fiction

Marie-Louise Malkmus

2010

View PDFchevron_right

Narrative desire and historical reparations: Three contemporary British authors

Tim Gauthier

2002

View PDFchevron_right

The Politics of Ambiguity in Historical Fiction Writing

Calina Parau

Transylvanian Review Vol. XXXII, Supplement No. 1, 2023

View PDFchevron_right

Toward an Ethics of Witnessing: Traumatic Testimony in Rebecca West's The Return of the Soldier

Nicole Rizzuto

View PDFchevron_right

Please Turn off Your Tape Recorder... On Silence, Shame and Trauma in Research into War Experiences

Marcelina Jakimowicz

Rocznik Antropologii Historii, 2020

View PDFchevron_right

‘Genderview Michael Roper: ‘Historians should see the two spheres of home and trench together’’

Rose Spijkerman

'Genderview Michael Roper', Historica 3 (2014) 29-33.

View PDFchevron_right

Traumatic Memory and the Ethical, Political and Transhistorical Functions of Literature

Susana Onega

2017

View PDFchevron_right

Shame as Narrative Strategy— Prose by Scottish Writers

Eréndira Avendaño

2011

View PDFchevron_right

Initiating Dialogues, Breaking Silences: Strategies for Redressing Historical Traumas

Keshab Sigdel

Literary Studies

View PDFchevron_right

War and the Death of Innocence

Eamon Maher

2003

View PDFchevron_right

'"Those Who Have Had Trouble Can Sympathise with You": Press Writing, Reader Responses and a Murder Trial in Interwar Britain', Journal of Social History 43, no. 2 (2009): 439-462.

John Carter Wood

2009

View PDFchevron_right

Truth and (self) censorship in military memoirs

Esmeralda Kleinreesink

View PDFchevron_right