Beneficial Images: Batik handicraft tourism in Yogyakarta, Indonesia (original) (raw)
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Jumputan Batik as a Tourism Creative Product In Sambirejo Village, Prambanan, Yogyakarta
Journal of Indonesian Tourism, Hospitality and Recreation, 2021
ABSTRACTThe purpose of this research is to analyze the potential of creative tourism products that can be used as a characteristic of Sambirejo Village. Jumputan Batik is one of the creative tourism products as a solution in the globalization era, which is derived from the creativity of Sambirejo villagers to meet the needs of tourists and increase tourist visits. The research is located in Rumah Batik Pak Jay Gedang Bawah Sub-Village. The data collection method was carried out by observation directly to the field and in-depth interviews with one of the Jumputan Batik craftsmen Pak Jay or Pak Mujimin who also served as Secretary of Sambirejo Village and other informants based on certain criteria in accordance with the focus of the research. The data analysis in this research is using descriptive analyses. The results showed that Jumputan Batik handicrafts can be developed into tourism creative products or souvenirs that can be marketed to tourists. Not only useful in terms of the ec...
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2018
This article discusses batik innovations and the implications on batik existence in Surakarta, Indonesia. The focus of the problem being discussed is the innovation of batik production equipments that have occurred to date and the use of the innovation results in batik industry. The data of the research were obtained through field and literature studies conducted in 2017 to 2018. Field studies, in the form of interviews and observations, were conducted in three batik centers in Surakarta and in institutions related to Surakarta batik. Based on the analysis of research data, it was found that: The batik artisan community feels comfortable with the traditional batik production equipments so that it will be diffficult to be invited to use the new innovated tools. The batik artisan community is willing to switch to innovated equipments if the new innovated tools can really provide comfort or better efficiency than traditional batik tools. The innovation of batik production tools is more...
Image analysis - Performance Gaps of Batik Craft in Yogyakarta, Indonesia
This research's aim is to explore performance gaps of attractiveness of the batik craft in Yogyakarta by using an image analysis, and at the same time, responding the expectation of Practitioners of the art and Philologist of University Gajah Mada. This quantitative research was conducted in Yogyakarta. The 360 respondents were collected by purposive, stratified sampling, and triangulation. The data was tabulated by the content analysis and focused on the image analysis. There is a small gap of the image analysis between the actual and the expectation of the tourists, which indicating that the expectation still a little bit over the actual. It means that the performance of batik craft can be further improved by innovating and adapting based on the market segmentation. Innovation and adaptation can be done as the batik craft fabric's market competition concept, which returning to nature and using natural dyes and strive to meet market demand, friendly price, and environmental friendly. However, it is the right time to develop a white wood fiber as a raw material, which made by Indonesian's batik craft fabric industry in addressing the raw material problem.
Tradition for Sale: Batik, Local Heritage, and Capital Investment
2018
In the age of information and communication technology today, the batik production and distribution have also changed accordingly. From an artisanal products to home industry, batik is now manufactured and distributed in boutique, show rooms, groceries, and by online. Our findings derived from two months ethnographic observation in Trusmi, Cirebon, West Java showed that the nature of batik production and distribution has significantly changed compared to our previous observation (Purwanto 2002). As a center of traditional hand made batik, Trusmi was famous for its local motives and patterns composed by local batik artisans. However, when the observation took place in 2016, we found that manufactured-batik has been the main commodity in dozens of batik boutiques and showrooms. They were sold as shirts, dresses, and other ready-to-wear apparels. Batik in form of textille and fabric is only found in small amount. Using ‘Batik Trusmi’ wholesale as a case study, we would like to describe...
Warta Pengabdian, 2019
The Bondowoso Regency has great potential to evolve into a center for the batik creative industry. However, there are still no batik products that demonstrate the uniqueness of the Bondowoso Regency. Several community groups in Suling Wetan Village, Cermee Subdistrict, Bondowoso Regency, have been running batik businesses as artisans since 2015. The community groups have had the basic skills to produce batik; unfortunately, they still do not give any impact to the growth of the cultural tourism destinations in Bondowoso. The old batik designs do not attract buyers, have limited color combinations, and only rely on synthetic batik dyes. Through the partnership service program that has been implemented, some of the batik community businesses can develop their products. This partnership service program is done by several activities, such as: socialization; workshops on batik design and the use of natural dyes; training on natural materials and batik coloring; procurement of gawangan 1 , pendulum 2 and accessories; training and mentoring techniques for making interesting batik motifs and coloring using natural dyes; and the dialogue to develop the creative batik industry. The results of this program are to develop not only the Suling Wetan Village but also make the batik community business in Cermee Subdistrict, independently grow as a creative batik industry. These improvements also captivate the cultural tourism in Bondowoso Regency.
Regional Icon Motifs: Recent Trends in Indonesia's Batik Fabric Development
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Batik is a traditional textile that has developed in Indonesia. UNESCO's recognition of Indonesian traditional textiles (batik) as a cultural heritage is driving the development of batik trends in Indonesia to become not only a fabric, but also a regional identity. This study aims to explain how the identity of the region is manifested in a specific motif in each region in Indonesia that can be identified from fabric and clothing products. This research employed artistic research approach with multiple-case study design in five batik industry areas, namely Semarang, Kudus, Cirebon, Surabaya and Malang as the center of the people's batik industry. The research was carried out through the steps of: a) visual data collection and batik creation process, b) visual analysis, c) synthesis and d) verification. Product data were collected through batik product documents and were corroborated through observation. The data were then analyzed using an interactive model. Batik motifs are...
Local Wisdom in Traditional Batik Design
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Globalization and system changes bring wide implication, particularly toward the existence of tradition piece of work such as tradition batik industry. Globalization contributes to the infiltration of global culture into local society through various media. Thus, it pushes and affects the local culture. On the other side, it allows local and and global culture to have a mutual interaction. Loc . Results of this study directl cultural heritage, such as tradition batik in its varieties becomes society’s treasure containing valuable knowledge and local wisdom. The research is triying to inventory the arts heritage of Javanese tradition batik which is still develop, so that it can be an intellectual property of the local. The focus of the research is the kind of motifs and local wisdom of tradition batik to mantain and develop the batik’s design identity and to increase the economical value of the creative product in global era. The reserach is qualitative research in single study case ...