The Theatre of Death : the uncanny in Mimesis Tadeusz Kantor, Aby Warburg, and an iconography of the actor, or, Must one die to be dead? (original ) (raw )Presenting Death: Uncanny Performing Objects in Tadeusz Kantor's Dead Class
Jacob Juntunen
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The Appearance of Truth in Art: Body, Subjectivation and the Generic Life
Bojana Matejic
Bodies that Matter Again: Transformative Potentialities of Shape Shifting Corporealities in Contemporary Performing Arts, London: Palgrave Macmillan, 2018
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The Theatre of Death – The Uncanny in Mimesis
Mischa Twitchin
2016
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Smagorinsky, P. (2011). Vygotsky's stage theory: The psychology of art and the actor under the direction of perezhivanie. Mind, Culture, and Activity, 18, 319-341.
Peter Smagorinsky
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Of Actors and Automata: Hieroglyphics of Modernism
w. b. worthen
Journal of Dramatic Theory and Criticism, 1994
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'The Shadow of One’s Own Head' or The Spectacle of Creativity
Susanne Granzer
Performance Philosophy Journal, 2017
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Twice Johanne, Once Juliet – Kierkegaard, and the phenomena of aesthetical/ethical convergence in theatre performance
Eduardo Abrantes
Ethical Encounters: Boundaries of Theatre, Performance and Philosophy, 2010
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Bodyworlds and Theatricality: ‘Seeing death, live’
Gianna Bouchard
Performance Research, 2010
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The trauma of the body in the drama of Artaud, Beckett and Genet: a paradox of the speaking being
Dr Sarah Meehan O'Callaghan
Meehan O'Callaghan, Sarah (2020) The trauma of the body in the drama of Artaud, Beckett and Genet: a paradox of the speaking being. PhD thesis, Dublin City University., 2020
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Krpič, T. 2016. The Spectator's Cognitive Substitution of the Absent Performer’s Phenomenal Body. Amfiteater 4 (1): 28-41.
Tomaž Krpič
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Theatre and Psyche (a thesis written toward fulfillment of diploma in Analytical Psychology with the Independent Group of Analytical Psychologists)
Mark Saban
2002
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DEATH: A SELF-PORTRAIT - A Critcal Analysis of Language and Cultural Representaton in the Exhibiton "Death: A Self-Portrait" at Wellcome Collecton
Alessandra Ferrini
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Vygotsky's Stage Theory: The Psychology of Art and the Actor under the Direction of Perezhivanie
Peter Smagorinsky
Mind, Culture, and Activity, 2011
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Attila Kiss, "The Body Semiotic in the Theatre"
SEDERI Yearbook
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The Theater of Cruelty (First Manifesto
Georgie Anderson
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Theatre for the Dead
Oxana Timofeeva
2016
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The Self as an Art-Work: Performative Self-Representation in the Life and Work of Leonor Fini
Andrea Kollnitz
Fashioning Professionals
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'Theatricality as Cruelty', in Image & Narrative 17(5), pp.54-65.
Angelos Koutsourakis
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Phantasm of the scene, Syngram and the Body. From Deleuze's Logic of Sense to the actor's work
Fernando Machado Silva
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A Pathognomy of Performance: Theatre, Performance and the Ethics of Interruption [2002 thesis version]
Simon Bayly
2002
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Kantor's Theatre of Exteriority: A Philosophical Approach
Ugo Volli
The Journal of Dramatic Theory and Criticism, 1995
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Demystifying Cruelty: Artaudian Intention in Art and Life
P.a. Duquette
2017
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“The Ethics of the Face in Art”, Estetika, The Central-European Journal of Aesthetics, 2016/1. Prague: Faculty of Arts, Charles University, 42-73.
Akos Krassoy
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Continuous film, sculpture and mime: a triple heuristic to think the singularity and the continuity of a human being
Albert Piette
Cultures-Kairos, 2024
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The Body: Tadeusz Kantor and The Posthuman Stage
Magda Romanska
Postdramatic Theatre and Form. Bloomsbury Press, 2019
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Enchantment: On Charisma and the Sublime in the Arts of the West
Stephen Jaeger
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In: Arcadia. International Journal of Literary Culture. Ed. By V. Biti and V. Liska. Berlin: De Gruyter 2021 (2). 114-120.
Mirta Devidi
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Performing Miracles: On Theatre and The Human Condition
Alice Bucknell
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Goudouna. Sozita. Personhood and the Allure of the Object, 1st Global Conference – Performance: Visual Aspects of Performance Practice, Prague, Czech Republic, 11th - 13th November , 2010,
Sozita Goudouna
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„From Somaesthetics to The Stylistics of Existence: Styles of Writing, Ways of Living" in Literature, Performance, and Somaesthetics. Studies in Agency and Embodiment, edited by Anna Budziak, Katarzyna Lisowska, Jarosław Woźniak, Cambridge Scholars Publishing, 2017.
Alex Ciorogar
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The Theatrical-Reverse. The Origin of Empathy and its Transformation in Performance Art
Irene Machetti
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From the Greek theater to the mind: the opportunities of the mask
Elena Massardi
Mediterranean Journal of Clinical Psychology, 2019
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IN WHAT WAYS HAS PERFORMATIVITY INFLUENCED THE DEPICTION OF INDIVIDUAL’S IDENTITIES THROUGH PORTRAITURE?
Hannah Maden
2012
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Essay on Stage: The Artistic Practice Introducing a Germ into the Cultural Matrix
Tomaž Toporišič
Creating for the Stage and Play, Arti della Performance: orizzonti e culture, Collana diretta da Matteo Casari e Gerardo Guccini:, 2021
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The Aesthetics of Abjection and Dying: In the Works by Valeska Gert, Alberto Giacometti and Danilo Kiš
Marija Krtolica
ija.cgpublisher.com
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