Young children’s use of narrative strategies and the role of the teacher as side coach in dramatic play (original) (raw)

Socio-dramatic play and child development

2016

The aim of this research project is to explore how multicultural awareness can be taught to young learners through the use of picture books, as a way of constructing meaning and understanding of the world. With a foundation in theories by Gadamer, Spivak, Hunt, Nikolajeva and Edstrom the paper argues that literature provides an opportunity to teach values of diversity, empathy and acceptance. This work explores questions of epistemology and hermeneutics as well as the complexity of describing and understanding descriptions of characters from a culture other than the familiar. The focus in this particular part of the study is on the description of Sub-Saharan Africa. The fundamental paradigm behind the project is that multicultural understanding is made possible through identification with the other-if what is unknown is described in terms of similarities rather than differences. The project is a literary study based on literary analysis of characters, setting and themes as portrayed in text and illustrations. The study covers descriptions of a selection of example texts which are opening up for identification in the way it is based on features of childhood in common between cultures. Contrasting counter examples are also given. If teaching multicultural values in the primary school classroom we can educate against 'toxicities' such as stereotypes, prejudice and racism. Therefore literature should be used actively within the classroom of early learners, chosen by teachers out of an awareness pointed at in this paper and addressed by educators in teacher training.

Teacher-Child Interactions and Dramatic Play: Stories from Three Continents and Three Cultures

2020

Dramatic play involves children choosing roles and acting them out. Teachers assume a variety of roles in providing an environment wherein children pretend to be a different people, in different roles, or even something that is not a person. The benefits of dramatic play revealed in previous research include improvements in children’s cognitive, social, and emotional development. Bronfenbrenner’s Bioecological Theory (1994; Bronfenbrenner & Morris, 2007) and Vygotsky’s Sociocultural Theory (1978; 1986) frame the current discussion. Children become empowered through dramatic play as they learn to consider the perspectives of their classmates, and as they negotiate and balance ideas from other children. This paper focuses on the design, development, and enhancement of dramatic play in early childhood settings in three different countries within three different continents (Saudi Arabia, South Africa, and the United States). The authors provide stories within classrooms from these count...

An exploration into Dramatic Play and Story Drama as a tool for supporting children from a socio-disadvantaged background with Speech, Language and Communication Needs

This dissertation will aim to examine through theoretical analysis how drama might be an effective tool for supporting children from a socio-disadvantaged background with a speech, language or communication need and how this may also impact on their personal and social well-being. An explanation to the meaning SLCN is presented, providing underpinning knowledge of the difficulty alongside how this difficulty can effect healthy communication development. The primary focus of the dissertation looks at the positive effects of dramatic play and storytelling as a tool for developing communication skills and how through dramatic play and conventions, personal and social skills are also developed. Finally, the conclusion presents the reader with an argument for the need of supporting speech and language development and a final thought on which to contemplate.

Teacher Intervention to Support Oral Language and Literacy in Dramatic Play Contexts

2017

A speech-language pathologist and former primary teacher who is now a researcher conducting action research with kindergarten teachers in northern rural Canadian classrooms collaborate in an analysis of one teacher’s interactions with her students in a dramatic play center. We use three principles to show how the teacher supports children’s language, literacy, and conceptual learning, and to propose additional ways to extend children’s learning. The principles are observing what the children are interested in and following the children’s lead, building on children’s funds of knowledge to keep the conversation going, and posing a problem to invite deeper thinking about the problem and propose possible solutions. We conclude with suggestions for teachers in grades one and five to address social studies and health curriculum objectives from the Texas curriculum, while at the same time supporting and extending children’s language.

Storytelling cultures in early years classrooms

The analysis presented in this article draws on Rogoff’s (2003) work on intent participation and Dyson’s (2001, 2010) studies of children’s written compositions to identify the nature of peers’ contributions to meaning making, and cultural transmission processes claimed to occur when young children narrate stories to supportive adults. It draws on data collected during an evaluation of an in-service training programme that introduced UK-based early years practitioners to a version of Paley’s (1990) storytelling and story acting curriculum known as the Helicopter Technique (HT). The HT draws on theatre practice and drama to foster narrative development and literacy skills. Children tell a story to a practitioner trained to scribe this exactly as told and who assists them to identify story characters that can be acted out later with peers. The significance of adults’ contributions to these sessions is well understood, but less is known about the contribution of peers who may also be present. The evidence presented suggests that these peer-to-peer processes can be described as two-way transactions between more and less confident language users and may be particularly important for children with English as an Additional Language (EAL). Implications of these findings for practitioners supporting second language learners are discussed. For an updated version of this paper go to Faulkner, D. (2014) Storytelling cultures in early years classrooms, He Kupu – The Word, 3 (5), 80 – 91, ISSN 1179-6812 http://www.hekupu.ac.nz