Poetic Industry and Abominable Superstition: Southey on Lope de Vega (original) (raw)

In the second edition of Joan of Arc (1798) and in Roderick, The Last of the Goths (1814), Robert Southey included explanatory notes that featured excerpts from Lope de Vega’s Jerusalen conquistada (1609), an epic poem in twenty cantos based on Torquato Tasso’s Gerusalemme liberata (1581) and built around a considerably mythified account of the Third Crusade. This article argues that, rather than being offhand allusions, those references lie at the core of a deeper political, religious, and literary interest in the figure and writings of the sixteenth-century Spanish writer. Southey’s contribution to the criticism of the so-called “Phoenix of Wits” might be difficult to assess, not least because in a period of over twenty years he went from asserting that “Lope de Vega is never sublime, seldom pathetic, and seldom natural” (CLRS 188) in a series of public letters he contributed to the Monthly Magazine in 1796, to becoming a true aficionado of this “prodigy of nature,” in 1818 celebr...