A new approach in art, textile arts and fashion design (original) (raw)
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Review of Artistic Education, 2024
This study started from the idea that knowledge of visual elements and aesthetics of textile arts, understanding contemporary textile techniques, is a form of reflective learning in which the practice (for example: physical actions in the fabric of the technique, touching and feeling the materials) can lead to the deepening of the creative process, contributing to the creation of an aesthetic that is not only visual, but also deeply material and even technical. This way of integrating the knowledge and values of art into fashion design in an experimental and reflexive manner can be a creative factor, therefore the analysis focused both on the idea of how fashion can be transformed through different ways of making textiles and on understanding the importance of knowing them.
This study is part of the surveys conducted in the doctoral research about the methodological tools of fashion design, which focuses in the techniques and methods for the elaboration of visual support of the semantic aspects of clothing products in the educational context. In assessing the design process in this field, it was analyzed the interaction system between the fashion clothing product and its users. An exploratory research was conducted, including literature review and documentary analysis, through which we identified the main requirements of interaction between product and user. The criteria identified as essential for examining the body-artifact-environmental system are distributed in projective parameters of physical adaptation, expression and representation. For these reasons, this article aims to relate concepts drawn from theories of human factors, hedonomics, communication and emotional design, to demonstrate then that fashion clothing is a dynamic and interactive space that mediates the relationship with the environment. Therefore, this text addresses clothing as an amplified interactive space, envisioning exchanges that perform with the body, the surrounding space (physical and cultural) and time. By associating the literature and the documentary analysis of academic practices, it was possible to highlight the key indicators to understand the attributes that guide the development of wearable interfaces. Among these attributes, the communicative potential receives greater emphasis, as these artifacts are converted into individual vehicles of expression and collective identification, becoming instruments of symbolic constructions and mobile records of the space-time relations incorporated in the material culture. The results reinforces the hypothesis of a methodological approach to fashion design in which the visual thinking and systemic reasoning is valued, in order to integrate the socio-cultural codes to the usability requirements of the products, allowing the aesthetic-symbolic factors to create identification links and build the affective experience.
Art as a Source of Inspiration in Fashion Design
Inspiration has an important place in the fashion design process. In a fashionable way, the qualities that the designer is influenced by is the research result for his inspiration. The design elements and principles help in interpretation of the design to convey the design details in the mind of the designer onto paper or fabric. In this work, a collection of inspirational ‘art’ was examined to determine how artwork is reflected in the design elements. Ten fashion design students created a collection of five pieces, based on an artwork. Dress designs were investigated with descriptive analysis technique and the categories were created using design elements for evaluating the visuals in valid form. Colour, texture, ‘rate and line’ and press and decoration were the design elements that benefited in the stage of reflecting inspiration. This is important for the fashion designer to utilise art as a source of inspiration. Keywords: Fashion design, design elements, inspiration in fashion design.
Latest Trends in Textile and Fashion Designing
Contemporary fashion and its artistic values in the fifth generation of technology and its impact on social realism, one of the values of the art of modern fashion and modern digital art, according to the fifth generation of modern technology that supports various types of visual arts, including abstract digital arts. Fashion Figurative and deny each other and reflect it. Although both are "fashion art", they are very different from other types of arts. The main reason for this is the lack of a clear dividing line between "fashion" and fifth-generation technologies. This research is an attempt to review a different approach to uncover the profound differences between figurative in contemporary drawings and some aspects of digital arts in accordance with modern fifth generation technologies. He also examines these technical phenomena by embedding fashion in the abstract values of fifthgeneration technologies. It is assumed that fashion, in all its branches, represents a special embodiment of some of the basic characteristics and values in the art of contemporary fashion and abstract values in photography. The most important thing in art is that contemporary fashion, in accordance with the technology of "communication / separation" in the fifth generation of high technology, receives "social realism". It can also be concluded that all figurative artworks share these mental qualities, which cannot be shared by "non-diagnostic" works of art.
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This paper explores foundational problems in art and design in order to understand the theoretical levels of art as a practice where art is understood as the function of technê and mimesis in an Aristotelian sense. This definition of art is here used as the principal category for design. As an alternative to applied research in art and design, e.g. through integrative studies of social science, the aim of the paper is to present basic research problems and principle research results in art based on examples from fashion design relating to issues of body, dress and space. The motive for the exploration is to develop art and design as a particular
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Research is the systematic and creative investigation that will yield so many ideas in terms of appropriate use of materials and sources to establish facts and reach new conclusions. The impact of intensity of research is directly proportional to the output of the project. It resolves various purposes during the commencement of the design process starting from investigating the project, explorations, prototyping till the final product development stage. This paper aims to understand the importance of research, types of research and research methods in design, visual research analysis, design brief and research compilation. The data presented in the paper is a result of continuous involvement in teaching pedagogy in fashion design and is derived from the fashion design projects guided at different levels. This research can be used as a guideline to conduct research for any fashion design project by students or professionals.
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