original ) (raw )"The Liturgical Use of the Organ in the Sixteenth Century: the Judgments of Cajetan and the Dominican Order." Religions 5, no. 3 (2014): 751-766.
Michael O'Connor
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Thirteenth-Century ‘Organistae’ in Castile
David Catalunya
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[2023] «Senhoras que cantan y no cantan caresciendo de la theorica y pratica». Musical Theory and Liturgical Practice in the Monastery of Lorvão»
Mercedes Perez Vidal
Textus & Musica [En ligne], Les numéros, 7 | 2023 - Performance of Medieval Monophony: Text and Image as Evidence for Musical Practice, Performance of Medieval Monophony: Text and Image as Evidence for Musical Practice, 2023
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Organ music per l’elevatione and the Council of Trent in seventeenth-century Italy: contexts, style, and performance practices as a musical representation of the nature of the Mass
Federico Terzi
Journal of Seventeenth-Century Music, 2024
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,Singing into the Organ‘: On the Use of the Organ in Alternatim Performance in Henricus Isaac’s Time
August Rabe
2019
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Liturgical Music in the Late-Medieval Parish: Organs and Voices, Ways and Means
Magnus Williamson
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Music in the Mirror of Religion: On the Discourse of Liturgical Music in the 17 th Century (from Scherer and Beyerlinck to Hoffman and Beckovský
Vladimír Maňas
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A survey and critique of Marian antiphons in organ literature
Martha Stiehl
School of Music, College of Fine and Applied Arts, University of Illinois at Urbana-Champaign, 2019
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“Liturgy as Historiography: Historical, Narrative, and Evocative Values of Eleventh-Century Masses,” in Early Music: Context and Ideas II. Proceedings of the International Conference in Musicology (Krakow, Poland: Jagellonian University—Institute of Musicology, 2008), 27-38.
Luisa Nardini
2008
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Barbieri’s Auto-organ: a Revolution in the Performance of Sacred Music in Twentieth-century Italian Churches
Giorgio Farabegoli
2024
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Alternatim Practice in 17th-Century Spain: The Integration of Organ Versets and Plainchant in Psalms and Canticles
Bernadette Nelson
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‘But here the greatest melody arises without any physical instrument, when the angels minister and sing to Christ': The Carols in Sermons and Late Medieval Worship
Revd Dr Louise McInnes SFHEA
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Organ Accompaniment in Venetian Sacred Vocal Music (1710s-30s) between Notation, Performance and Analysis
Roberta Vidic
16th International Conference in Music Analysis and Theory (GATM), Rimini, 10-13 October, 2019
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A marginal liturgy in the border between Aragon and Catalonia: the musical manuscripts of the sanctuary of El Pueyo
Juan Pablo Rubio Sadia , Santiago Ruiz Torres
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'Artists at Prayer: The Witness of French Catholic Organ Music'
Jarel A Robinson-Brown
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Review of Michael Noone: Music and Musicians in the Escorial Liturgy under the Habsburgs, 1563-1700
Miguel Angel Marin
2001
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“Liturgy as Historiography: Historical, Narrative, and Evocative Values of Eleventh-Century Masses,” in Early Music: Context and Ideas II: Proceedings of he International Conference in Musicology (Krakow, Poland: Jagellonian University—Institute of Musicology, 2008), 27-38.
Luisa Nardini
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Music, Liturgy and Devotional Piety in New Spain: Baroque Religious Culture and the Re-Evaluation of Religious Reform during the 18th Century
Jesús A. Ramos-Kittrell
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Andrew A. Cashner Hearing Faith: Music as Theology in the Spanish Empire
Michael Noone
Journal of Jesuit Studies, 2021
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S. Luigi dei Francesi in the Seventeenth Century: A Laboratory for Music, Liturgy and Identity
Galliano Ciliberti
Music and the Identity Process. The National Churches of Rome and their Networks in the Early Modern Period, edited by Michela Berti and Emilie Corswaren, with the collaboration of Jorge Morales, Turnhout, Brepols, pp. 160-192, 2019
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‘Et comenchèrent les sacqueboutes du roy’. The Liturgical Use of Instrumental Ensembles Around 1500
Markus Grassl
Henricus Isaac (c.1450/5–1517). Composition – Reception – Interpretation, 2019
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Chapter Three: Ancient Church Music, c.1800
Desmond Sheehan
Sacred Harmonies: Music and Religion in Berlin, 1760-1840, 2021
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Allo stile dei musici di questa nazione: Balancing the Old and New in Portuguese Church Music from the 1720s and 1730s
João Pedro d'Alvarenga
Basler Jahrbuch für historische Musikpraxis, 38 (2014; published in 2018), pp. 33-53
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Music and ceremonial in Fernão Cardim's Jesuit letters (1583-90)
Eduardo Solá
Revista Brasileira de Música, 2016
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Music and Church: Cult and Culture 50 years after Musicam Sacram. Rome, 2-4 March 2017. Congress Centre “Augustinianum”.
Daniel Alberto Escobar Portillo
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Craig Wright, Music and Ceremony at Notre Dame of Paris, 500–1550. Cambridge, Cambridge University Press, 1989, xviii + 400 pp
Andrew Wathey
Early Music History, 1991
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Music and Lived Religion in the Collegiate Church of Our Lady in Antwerp (1370 - 1566). A Multidisciplinary Study in a European context
Wendy Wauters , Aurelien Montagu , Gunnar Almevik , Daniel Saulnier
2021
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Céline Drèze
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Medieval Polyphony in the Cathedral of Sigüenza: a New Identification of a Musical Example quoted in the Anonymous Treatise of St Emmeram (1279)
David Catalunya
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“Lamentations in Spanish Sources before 1568”, Revista de Musicología 16 (1993), 912-942 (date of publication July 1995).
Jane M Hardie
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Chant Adorned: The Polyphonic Mass Proper in the Later Middle Ages and Renaissance
David Burn , Stefan Gasch
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On Performing Practices in Mid- to Late-Sixteenth-Century Portuguese Church Music: The Cappella of Évora Cathedral
João Pedro d'Alvarenga
Early Music, 2015
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Music, Church, and Henry VIII's Reformation (D.Phil. Thesis, University of Oxford, 2007)
Dana Marsh
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Female Chant Repertoire in Aveiro’s Dominican Convent of Jesus during the Observant Reform (15th Century)
Kristin Hoefener
Chapter in the volume Observant Reforms and Cultural Production in Europe: Learning, Liturgy and Spiritual Practice, eds. Pietro Delcorno, Bert Roest, 2023
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Liturgical Organ Music in the Long Nineteenth Century: Preconditions, Repertoires and Border-Crossings
Peter Peitsalo , Markus Kuikka
2017
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