original ) (raw )Call for papers for the conference Art and the State in Modern Central Europe (18th – 21st Century), Faculty of Humanities and Social Sciences, University of Zagreb, Zagreb, Croatia, 30 June-3 July 2021
Jeremy F Walton , Dragan Damjanovic , Ana Ereš , Lovorka Magas Bilandzic , Josipa Alviž , Jasmina Nestic
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Deadline extended - Call for papers for the conference Art and the State in Modern Central Europe (18th – 21st Century), Faculty of Humanities and Social Sciences, University of Zagreb, Zagreb, Croatia, 30 June-3 July 2021
Dragan Damjanovic , Jeremy F Walton , Franci Lazarini , Lovorka Magas Bilandzic
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Politics of Performance Art in Poland Before and After 1989
Malgorzata Kazmierczak
Politics of Performance Art in Poland Before and After 1989, 2017
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Art and the State in Modern Central Europe (18th – 21st Century), Programme of the Conference and Book of Abstracts (final version), (Zagreb, June 30 - July 3, 2021)
Dragan Damjanovic , Lovorka Magas Bilandzic , Jasmina Nestic , Jeremy F Walton
Art and the State in Modern Central Europe (18th – 21st Century), 2021
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The SocialEast Seminars: (Re-)Locating Eastern European Art
Katarzyna Ruchel-Stockmans
ARTMargins, 2007
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Hungarian art +/- Europe, Contested Spheres, Kassak Muzeum, 2016
Gabor Dobo
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Book review: antipolitics in Central European art by Klara Kemp-Welch
jim aulich
2014
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How they made us believe their truths: Monumental art in public spaces before and after the fall of communism (the case of Slovakia)
magda petrjanosova
Human Affairs, 2011
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CURATING THE INVISIBLE: Contemporary Art Practices and Production of Meaning in Eastern Europe
Marko Stamenkovic
2004
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Dissecting Dissent and its Discontents [Book Review of "Antipolitics in Central European Art: Reticence as Dissidence under Post-Totalitarian Rule 1956–1989" by Klara Kemp-Welch]
Ksenya Gurshtein
ARTMargins, 2016
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Medienkunst und Künstlerbücher in Polen (1970-2000). Media art and Artist's Books in Poland (1970-2000)
Lech Lechowicz
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The Art Factory. The division of labor and distribution of capitals in the Polish field of visual art.
Kuba Szreder , Jan Sowa , Michał Kozłowski
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‘Art and Revolution’ – The Student Cultural Center in Belgrade as a Place between Affirmation and Critique, in: Mythmaking Eastern Europe:Art in Response, ed. by Mateusz Kapustka, in: kunsttexte.de/ostblick, Nr. 3, 2014 (13 pages), www.kunst-texte.de/ostblick.
Seraina Renz
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• ‘Unworlding Slaka’, in ed. Vojtech Lachoda, Local Strategies, International Ambitions: Modern Art in Central Europe, Prague, Artefactum, 2006, pp. 29-40, also published as • ‘Welcome to Slaka: Does Eastern (Central) European Art Exist?’, Third Text, vol. 18, No. 1, 2004, pp. 25-40
Katarzyna Murawska-Muthesius
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POLEMIKA POLEMICS 91 TAŤÁNA PETRASOVÁ - INSTITUTE Of ART HISTORY, CZECH ACADEMY Of SCIENCES PRAgUE ROSTISLAV ŠVÁCHA - INSTITUTE Of ART HISTORY, CZECH ACADEMY Of SCIENCES PRAgUE
Tatana Petrasova
Umění / Art , 2019
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Socially Engaged Art, Emerging Forms of Civil Society: Early 1990s Exhibitions in Budapest and Bucharest
Izabel Galliera
Journal of Curatorial Studies, 2012
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Tomasz Załuski
Widok. Teorie i praktyki kultury wizualnej / View. Theories and Practices of Visual Culture , 2018
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Joanna Erbel, Adam Ostolski, The Artist-citizen. New directions in political art in Poland (2009)
Adam Ostolski
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Modernity, History and Politics in Czech Art
Marta Filipová
Modernity, History and Politics in Czech Art, 2019
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Slovenian visual artists throughout history : a network analysis perspective
Petja Grafenauer
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Artistic, social or political critique? The dilemmas of Krytyka Polityczna
Piotr P Płucienniczak
"Emecon. Employment and Economy in Central and Eastern Europe", 2/2012
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Lidia Beata Godek
Comparative Literature: East & West, 2017
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New Collectives: Art Networks and Cultural Policies in Post-Yugoslav Spaces
Sezgin Boynik
Retracing Images: Visual Culture after Yugoslavia, eds. Daniel Suber & Slobodan Karamanic, Brill, Boston & Leiden, pp. 81-105, 2012
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NET, Jarosław Kozłowski in Conversation with Klara Kemp-Welch in Klara Kemp-Welch and Cristina Freire (eds), Artists’ Networks in Eastern Europe and Latin America ARTMargins♯2, June-October 2012.
Klara Kemp-Welch
2012
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Art is not a Commodity : An Interview with Mirosław Jasiński, Director of the City Gallery in Wrocław, by Ewa D. Bogusz‐Boltuc
Ewa D . Bogusz-Boltuc
Sztuka i Filozofia, 2014
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Polish Research on the Vilnius Artistic Community 1919–1939
Jerzy Malinowski
Acta Academiae Artium Vilnensis
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‘Revisiting the Region: A Debate on Art History in Eastern Europe’, with contributions from Mathilde Arnoux, Anna Baumgartner, Katja Bernhardt, Robert Born, Tomasz Grusiecki, and Antje Kempe. kunsttexte.de/ostblick, no. 1 (2022), https://doi.org/10.48633/ksttx.2022.1.88236.
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kunsttexte.de/ostblick, 2022
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Curators Trade in Ideals: Exhibitions, Exhibition History, and Networks of Artistic Solidarity in Cold War Times’
Beata Hock
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Understanding Central Europe, ed. M. Moskalewicz and W. Przybylski (Routledge, 2018), 2018
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Art and Politics in the Modern Period. Conference Proceedings, Faculty of Humanities and Social Sciences, University of Zagreb, 2019 (full book available)
Jeremy F Walton , Dragan Damjanovic , Lovorka Magas Bilandzic
2019
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RESEARCH TOPIC „CENTRAL EUROPE 1945–1989“/ Central European Art Database Conference Proceedings 2016
Barbora Kundračíková , Kristóf Nagy , Krisztina Üveges , Jana Sindelova , Kamil Kozakowski
RESEARCH TOPIC „CENTRAL EUROPE 1945–1989“, 2016
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“Anyway, the question of personnel is rather difficult ...” Some Observations on Political Influence on Art (History) in Slovenia
Barbara Kristina Murovec
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Aneta Jarzebska
2018
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Institutional Framework around Successful Art Form in Communist Czechoslovakia
Jan Michl
1999
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Book review of Ana Janevski et al, editors. Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology. Foreword by Glenn D. Lowry, The Museum of Modern Art, 2018.
Hanna Chuchvaha
East/West: Journal of Ukrainian Studies , 2023
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