The Khakas-Altaian Mythonym Ker and the Proto-Yenissean Word for ‘Mammoth’. 2 (original) (raw)
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// Ковшова М.Л. (Ред.). Лингвокультурологические исследования: Язык лингвокультурологии: теория vs. эмпирия. URSS. 2016. 400 с. Сс.81-86, 380. The ambivalence of the Akkadian Cuneiform permits to read some signs equivocally, e.g. in Ee I 22 MUŠ or ṢIR/ZÌR. Different translations of emerging readings and hermeneutics could be found: 1) ešû Tiāmatma namuššunu ištappu; 2) ešû Tiāmatma naz/ṣīršunu ištappu/ištabbu. To avoid such ambivalence is to attract the indigenous Babylonian and Assyrian Text Commentary tradition. The simple rationalist conclusion of the issue from the example of Ee I 22 is that such Commentary interpretation of mummu Tiāmat (‘matrix-Tiāmat’) as rigmu (‘noise’) testifies explicitly on behalf of the reading 2: na-zìr-šu-nu (a subvariant: na-ṣir-šu-nu). More deep, ontological & linguaculturological conclusion of the issue is the fact that the Babylonian and Assyrian Text Commentary tradition might and should be attracted by assyriologists especially in such cases when its arguments might be valid and persuasive in case of ambivalence of senses and readings. Keywords: Akkadian cuneiform; ambivalence of signs’ readings; puns; importance of Commentary tradition (exegesis); myth of creation; concept of crying; mythologem of flood. Особенности аккадской клинописи позволяют прочитывать некоторые знаки амбивалентно: так, один и тот же знак в Энума Элиш I 22 может быть прочитан как MUŠ или как ṢIR/ZÌR. Соответственно, могут изменяться и значения слов. Однозначность и точность прочтения (а соответственно, и интерпретации) будет зависеть от правильного понимания вавилонской концептосферы. Приравнивание (коннотирование) мумму Тиамат вавилонскими комментаторами к концепту крика-шума rigmu однозначно говорит в пользу прочтения 2: na-zìr-šu-nu (подвариант: na-ṣir-šu-nu) 'их громкие крики'. Ключевые слова: аккадская клинопись; амбивалентность чтения знаков; игра слов; важность комментаторской традиции (экзегезы); миф о сотворении мира; концепт крика; мифологема потопа.
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