The Little White / Black Book of the Ethnological Archive of the Museum of the Romanian Peasant. 2009-2019 (original) (raw)
Related papers
Folklore Archives and the Methodological Reconfigurations of Romanian Ethnology.pdf
Revista de etnografie și folclor/ Journal of Ethnography and Folklore, 2017
This study proposes a rereading of the folklore archives in Romania, starting from an analysis of the documentary fund preserved in the Archive of the Folklore Society from the Faculty of Letters, “Babes-Bolyai” University, in Cluj. The study shows that, in addition to being realms of memory (Pierre Nora ) or collections of traditions (in the terms of classical folklore studies), these archives actually document the research methodology, serving as witnesses to the history of the discipline – ethnology, in this case. Keywords: folklore archive, methodology, fieldwork, archiving, history of Romanian ethnology.
Martor. The Museum of the Romanian Peasant Anthropology Review, 2019
Martor (The Museum of the Romanian Peasant Anthropology Journal) is a peer-reviewed academic journal established in 1996, with a focus on cultural and visual anthropology, ethnology, museum studies and the dialogue among these disciplines. Martor Journal is published by the Museum of the Romanian Peasant. Interdisciplinary and international in scope, it provides a rich content at the highest academic and editorial standards for academic and non-academic readership. Any use aside from these purposes and without mentioning the source of the article(s) is prohibited and will be considered an infringement of copyright. Martor (Revue d'Anthropologie du Musée du Paysan Roumain) est un journal académique en système peer-review fondé en 1996, qui se concentre sur l'anthropologie visuelle et culturelle, l'ethnologie, la muséologie et sur le dialogue entre ces disciplines. La revue Martor est publiée par le Musée du Paysan Roumain. Son aspiration est de généraliser l'accès vers un riche contenu au plus haut niveau du point de vue académique et éditorial pour des objectifs scientifiques, éducatifs et informationnels. Toute utilisation au-delà de ces buts et sans mentionner la source des articles est interdite et sera considérée une violation des droits de l'auteur.
Journal of Ethnography and Folklore, 2020
Universal ethnography museums are institutions that, by their core mission, preserve and display traditions and tradition-based objects from around the world. But museums are also entangled actors of their own tradition of doing things, focused on objects as atomic unit (that eventually fail to speak for themselves). This paper brings into discussion the shift in paradigm that affects world cultures museums worldwide and that is visibile in our country, too. While their “ethnographic” character has been questioned and challenged gradually starting with the rise of postmodern anthropology, the future of museum tradition implies adapting to change in the anthropological approach to museum-making and museification of the past. On the verge of our museum reorganization, the case study presents how reinterpretation of already investigated sources tailored the thematic design of the 2018 temporary exhibition “Egyptian Mummies: an European Story” (October 2018 – June 2019). Keywords: reinterpretation, postcolonial, museumification, wonder, orientalism.
The Ethnological Archive: Memory and Technology
This paper presents an analysis of the ethnological archive, in relation to time, from two points of view: of the content and storing of archived information. The material encompasses two distinct, but complementary, methodological settings: the first is an anthropological study and the second one is a technical approach on the digital archive. This research is an application on the archive of the Folklore Club of the Faculty of Letters, Babe-Bolyai University of Cluj-Napoca, Romania.
The present article is the result of ethnographic research in the counties of Covasna and Harghita, developed in two stages (June 2011 - January 2012) and discusses the methodological challenges posed by the project of an exhibition dedicated to childhood at the Székely National Museum of Sfântu Gheorghe (Covasna) and, in particular, of a collection of toys gathered following a collection contest. I am going to highlight the manner in which children’s domestic bricolage becomes crucial in the Károly Kós experiment, an approach of contemporary archaeology, focusing on common objects whose biographies are continuously transformed by the various socio-cultural contexts in which they are placed
Who wins? Who loses? : Representation and “restoration” of the past in a rural Romanian community
Library Review, 2010
Purpose: This paper argues that those involved in cultural heritage preservation efforts must look more critically at how preconceived notions of "history" and "tradition" affect both the design and outcomes of preservation efforts. This paper also adds to the limited LIS discourse on the problematic nature of significance as it relates to selecting aspects of cultural heritage for preservation, which is of particular importance to LIS practitioners as they work to help others capture, preserve and represent their traditional knowledge and ways of life.