There is no South Korea in South Korean Cultural Studies: Beyond the Colonial Condition of Knowledge Production (original) (raw)

SOUTH KOREA CULTURAL HISTORY BETWEEN 1960S AND 2012 15

This paper examines the development of South Korean cultural policy from the 1970s to the present. It contextualises South Korean state, culture and its cultural policy within the framework of state developmentalism, so as to understand their dynamics and relationships. A detailed analysis of how the national cultural policy is interpreted and implemented through institutional practices, historically and in its contemporary context shall be made.

South Korea Cultural History Between 1960S and 2012

International Journal of Korean Humanities and Social Sciences, 2016

This paper examines the development of South Korean cultural policy from the 1970s to the present. It contextualises South Korean state, culture and its cultural policy within the framework of state developmentalism, so as to understand their dynamics and relationships. A detailed analysis of how the national cultural policy is interpreted and implemented through institutional practices, historically and in its contemporary context shall be made.

The Changing Role of Cultural Studies in South Korea by Keehyeung Lee and Kyong Ah Hwang

Situations: Cultural Studies in the Asian Context, 2018

In this article, we chart the main characteristics and key problematics in youth studies and cultural studies in contemporary South Korea. In particular, we delve into the radically altered conditions of youth under neo-liberal rule in order to grasp the pressing youth question from several interconnected and strategic standpoints. In doing so, this work endeavors to present some crucial concepts and key discursive strategies that can help reformulate youth and cultural studies as viable forms of social intervention.

From Tradition to Brand: The Making of 'Global' Korean Culture in Millennial South Korea

2015

From Tradition to Brand" examines the construction of a 'global' Korean culture in the late 20th and early 21st centuries through the imbrication of cultural production and information technologies. "Global Korea" seeks to transcend the geographic boundaries of the Republic of Korea while simultaneously re-inscribing the limits of ethnonational identity by confusing the temporal distinctions of tradition and ethnic belonging to the geopolitical construct of "Korea." Globalization was introduced in Korea as a nationalist project that continued on the developmental trajectory that had been pursued by the preceding authoritarian regimes, but the movements of South Korean citizens, diaspora Koreans, and non-ethnic-Korean immigrants in and out of the country has created a transnational community of shared social and cultural practices that now constitute the global image of Korean culture. National culture had been a major site of conflict between authoritarian regimes, opposition groups, and the specter of North Korea over the representation of a unified culture and ethnic heritage. However, civil society and economic successes in the 1990s brought about a crisis of identification, while migration flows began to threaten the exclusive correspondence between citizenship and ethnic identity. Studies of contemporary Korea have recognized the nationalist appropriation of globalization, but I argue that the parallel development of national culture and information technology in South Korea has resulted in a deracinated signifier of "Koreanness" that can be performed through the consumption and practice of mediated "Korean" content. Through a study of cultural policies; international literary events; and literature, film, and popular culture texts, I trace the vicissitudes of intervention and opposition by state, institutional, and individual actors involved in the production and transmission of Korean culture. Introduction 1 Faux amies?: Segyehwa and the Cultures of Globalization 1 Segyehwa and "Korea for the World" 3 Chapter Abstracts 6 One. 12 The Culture of Development and the Development of Culture Globalization vs. Segyehwa 15 "The First Opening" and Culture in the Colonial Period 18 Cultural Policy and the Codification of Culture in the Republic of Korea (1948-1991) 21 Global Culture and Trade in the Neoliberal Global Order 23

Book Review of: Jackson, Andrew David, ed., Key Papers on Korea, Essays Celebrating 25 Years of the Centre of Korean Studies, SOAS, University of London.

Nineteen papers by European, Korean, and American scholars, most of them former students or otherwise connected with SOAS, who had presented their research in seminars and conferences at the CKS. They were selected and organized into four parts according to research areas, namely 1. History, 2. North Korea, 3. Literature, Philosophy and Society, and 4. Music, Heritage and Art.