Muddy points of entanglements: transglocal fictions in Africa and the diaspora (original) (raw)

Diaspora and Diasporic Literature: Condition to Consciousness

2020

The term "Diaspora"originated from the experience and state of the Jews of being exiled into many countries back in the eighth century BCE. However, the definition of diaspora derived from the Jewish condition has changed and expanded; so has the concept of diasporic literature. In this context, the aim of this article is to inform the readers that there are some clear lines of demarcation between these key terms namely “Diaspora” and “Diasporic Literature” by showing the discrepancy between these two key terms that are most frequently used and are liable to be conflated in existing and upcoming diaspora discourse due to lack of its deeper understanding. This paper draws from the scholars like Martin Bauman, Robin Cohen, Thomas Faist and Uma Parmeswaran who write on diaspora, and brings it into open discussion among academics whether being a diaspora is a condition or a consciousness? The article discusses how has diasporic literature so far been understood and what are th...

Diaspora, Exile, and Displacement: Literary and Theoretical Perspectives

Violent upheavals of the twentieth century -imperialism, the two world wars, struggles for national independence, decolonization, and the Cold War --have made exile and dislocation the great preoccupations of literary works, autobiography, and theoretical writings. Globalization, driven by unprecedented trade and new technologies of communication, information, and travel, has accelerated the movement of people, commodities, ideas, and cultures across the world. Diaspora is thus treated here not as a singular but rather historically varied and heterogeneous phenomenon. The transnational mobility of people may be the result of forced or voluntary migration, self-exile or expulsion. Refugees, people in transit, are the product of war, ideological heterodoxy and persecution, ethnic conflict, and natural calamity.

Diaspora Studies: A Panoramic View of Literary Theories

Galore International Journal of Applied Sciences and Humanities, 2023

The displacement of individuals has always been an essential aspect of civilisation. The process of migration has helped individuals grow vertically on the social ladder. These migrants struggle relentlessly to construct their identity in the new land. Diaspora studies have become a widely explored and discussed topic among scholars across boundaries. The current article attempts to bring forth valuable diasporic theorists and their ideas under one umbrella to understand the term and its underlying nuances better.

“Traditions, Trajectories and Transformative Migrations: The Multifarious Diasporic Contextualities of Nair, Nazareth and Vassanji’s Fictions.” Journal of the African Literature Association 6.2 (Winter 2011/Spring 2012): 61-82.

The fictions of Moyez G.Vassanji, Mira Nair and Peter Nazareth represent a crucial commodity. These two writers and one filmmaker’s works are manifestly utilitarian in our attempt as literary scholars and citizens of the world to understand what is meant by the ‘African Diaspora.’ Their narratives interrogate the racialized and divisive accounts of East Africans that consciously and chauvinistically self – define as African or Asian. While all of the texts make clear that there is a certain risk involved in attempting to construct systems of identity formation along syncretic lines, they also make explicit the dangers of the formation and defense of exclusive communities based on skin color. These artists are attempting, and succeeding in exploding the myth of a monolithic racial imperative for African cultural citizenship. This myth of racial uniformity as a prerequisite for African authenticity has been constructed and exploited by members of numerous ethnic communities throughout East Africa at one time or another in order to further their political or economical goals (Gregory: 161).What the artists dealt with in this paper are seeking to do is to counteract such immutable inscriptions of identity and concomitant allegiance and, in their own cases to reinscribe their self – identificatory auras with an identity which can best be described as “Afro-Asian.’ The immediate importance of this endeavor is illustrated by the historical atrocities and terrorism visited upon Afro –Asians by their fellow countrymen. The seemingly unquestioning or ambivalent attitude of the academic community toward these questions represents, albeit through an absence of discursive activity rather than an excess of aggression, a serious impediment to an understanding of the realities of cultural diversity in East African contexts. These Afro-Asian diasporic narratives can illuminate such situations and broaden our understanding of what it means to be ‘African’ in East Africa.

What is Africa to me now? The continent and its literary diasporas

Transition, issue 113, 2014

Artists attempt to capture the complexities of human nature through writing, painting, and other creative media. Academics, on the other hand, act on this impulse to understand the world by engaging in more mundane activities, such as holding conferences. And so it was that, eager to explore issues of representation, identity, and memory in the literatures of the African diasporas, we started to consider organizing an event at our home institution, the University of Liège, Belgium.