original ) (raw )‘The Statuette’, in Nicholas Lanier, 1588–1666. A Portrait Revealed, ed. Duncan Thomson (Weiss Gallery: London, 2010), pp. 60–69.
Timothy Wilks
View PDFchevron_right
The Controversy of King Richard III’s Statue at Middleham Castle Leyburn, North Yorkshire
Raymond Varley
A case study of King Richard III’s controversial Statue at Middleham Castle, North Yorkshire , 2024
View PDFchevron_right
From the Archives: ‘The Great Statue which the King Made’ from building R43.29
Marsha Hill
Horizon (The Amarna Project and Amarna Trust Newsletter) , 2011
View PDFchevron_right
The Creation, Destruction and Recreation of Henri IV Seeing Popular Sovereignty in the Statue of a King
Victoria E Thompson
View PDFchevron_right
The Monument to Louis XIV at the Place Vendôme (1699) as a Technical Achievement: A Question of Interest
etienne jollet
Art History, 2016
View PDFchevron_right
Italian Sculpture and Sculptors at the French Court, between Charles VIII and François I
Tommaso Mozzati
2011
View PDFchevron_right
Pasquino at the crossroads: the statue, the square and the public in the 16th century
Maddalena Spagnolo
2012
View PDFchevron_right
“Symbols for Authority: Inaugural Ceremonies for Charles the Bold.” Staging the Court of Burgundy. Wim Blockmans, Till-Holger Borchert, et al., eds. London, Turnhout: Harvey Miller Publishers, 2013. 105–112.
Jesse Hurlbut
View PDFchevron_right
All the King's Horses. Bernini's Equestrians between Paris and Rome
Karen J . Lloyd
A Transitory Star. The Late Bernini and his Reception, 2015
View PDFchevron_right
A Renaissance Spanish knight in the Museum of Fine Arts, Boston
Sergio Pérez Martín , Luis Vasallo
The Burlington Magazine. Nov. 2016, Nº 1346, Vol. CLVIII, pp. 864-869. ISSN: 0007 6287., 2016
View PDFchevron_right
'Imperial Memory and the Charles Bridge: Establishing Royal Ceremony for Future Kings,' in Ostblick, Nr. 3, 2012.
Jana Gajdosova
View PDFchevron_right
Giovanni Angelo Montorsoli "Bust of Charles V"
Sergio Ramiro Ramírez
The Sculpture of Giovanni Angelo Montorsoli and his Circle, 2018
View PDFchevron_right
‘The de la More effigies at Northmoor (Oxfordshire) and related monuments at Winterbourne (Gloucestershire)’, Church Monuments XXIII (2008), pp. 14-44. See www.churchmonumentssociety.org.uk
Sally F Badham
View PDFchevron_right
I. Rega Castro (2022). ‘At his Feet’ The Image of the Eastern Prisoner in Late Baroque Iberian Public Sculptures
Iván Rega Castro
Images in the Borderlands: The Mediterranean between Christian and Muslim Worlds in the Early Modern Period, ed. Ivana Čapeta Rakić and Giuseppe Capriotti, 2022
View PDFchevron_right
The Betrayal of the Prince and Its Effects. An Iconographic Testimony to the Agreement between Charles, Duke of Guise, and Henry IV of Bourbon, King of France (1594)
Andrea Gamberini
The Betrayal of the Prince and Its Effects. An Iconographic Testimony to the Agreement between Charles, Duke of Guise, and Henry IV of Bourbon, King of France (1594), in “Iconographica. Studies in the History of Images”, XXII (2023), pp. 108-114, 2023
View PDFchevron_right
Restaging Remnants of the Past: Royal Sculpture in Charles IV's Prague
Jana Gajdosova
GESTA, 2022
View PDFchevron_right
The Livre du Sacre of Charles V of France: A Reappraisal in 1000 Years of Royal Books and Manuscripts, ed. Scot McKendrick et Kathleen Doyle (London: British Library, 2014)
Joanna Fronska
View PDFchevron_right
A newly discovered portrait of Louis XII by Jean Bourdichon
Nicholas Herman
Burlington, 2014
View PDFchevron_right
Technical examination of a group of similar portrait busts of Charles V. Preliminary results
Judy De Roy
View PDFchevron_right
"Heraldic Depictions of Royal Continuity", The Society for Court Studies International Quarterly Newsletter, Spring (2021), pp. 4–6
Peter N Lindfield
The Society for Court Studies International Quarterly Newsletter, 2021
View PDFchevron_right
The Palace, the Market and the Black Horse - The Equestrian statue of King José I in Lisbon
Nuno Saldanha
Royal Monuments and Urban Public Space in Eighteenth-Century Europe, 2002
View PDFchevron_right
'Louis XII and the Porcupine: Transformations of a Royal Emblem’, Renaissance Studies, volume 15, number 1 (March 2001), 17-36
Nicole Hochner
View PDFchevron_right
The Silent Rhetoric of the Body: A History of Monumental Sculpture and Commemorative Art in England, 1720-1770 - By Matthew Craske
Martin Myrone
Journal for Eighteenth-Century Studies, 2010
View PDFchevron_right
The Office for King Charles the Martyr in the Book of Common Prayer, 1662–1685
Andrew Lacey
The Journal of Ecclesiastical History, 2002
View PDFchevron_right
"The Entertainment of His Most Excellent Majestie Charles II". The Representation and Visualisation of Royalty in a Festival Book by John Ogilby and Wenceslaus Hollar. Umění (Art), 6/2014, LXII, pp. 516–528.
Tomáš Murár
View PDFchevron_right
‘Reading Between the Lines : A Micrographic Portrait of King Charles I’, Christ Church Library Newsletter (Vol.5, Issue 3, Trinity 2009), 20-22.
Cristina Neagu
View PDFchevron_right
Representation, Replication, Reproduction: The Legacy of Charles V in Sculpted Rulers' Portraits of the Sixteenth and Early Seventeenth Century
Thomas Kaufmann
Austrian History Yearbook, 2012
View PDFchevron_right
Mehmed the Conqueror and the Equestrian Statue of the Augustaion
Julian Raby
1987
View PDFchevron_right
Hendrick Andriessen’s ‘Portrait’ of King Charles I
Nadia Groeneveld-Baadj
The Burlington Magazine, no. 151, pp. 22-27, 2009
View PDFchevron_right
Charles the Bold and the Romuléon: Reception, Loss and Influence
Scot McKendrick , Norberto Gramaccini
Kunst und Kulturtransfer zur Zeit Karl des Kuhnen, 2011
View PDFchevron_right
World Monuments: Henry VII Chapel
Pamela Livingston
View PDFchevron_right
‘A painted canvas funeral monument of 1615 in the Society of Antiquaries of London and its comparators’, Church Monuments 24 (2009), pp. 89-111. See www.churchmonumentssociety.org.uk.
Sally F Badham
View PDFchevron_right
"Donatello, Creator of the Modern Public Equestrian Monument", M.Bormand, B. Paolozzi Strozzi, The Springtime of the Renaissance, sculpture and the arts in Florence, 1400-1460, ed. Mandragora, 2013, p. 141-149
Armelle Fémelat
View PDFchevron_right
St Faith's Chapel at Westminster Abbey: The Significance of its Design, Decoration and Location
lesley milner
View PDFchevron_right
The Wings of the Bourbon: The Early Provenance of the Chansonnier London, British Library, Ms. Royal 20 A. XVI
Lisa Urkevich
Journal of the Alamire Foundation, 2012
View PDFchevron_right