original ) (raw )Researching into the different styles of paintings of Judith and Holofernes by Michelangelo da Caravaggio and Artemisia Gentileschi
Roland Keates
2017
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The Real Judiths - How did Visual Representations of Judith by Female Artists Differ from Their Male Counterparts in Sixteenth and Seventeenth Century Italy?
Sivan Maoz
2024
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Artemisia Gentileschi, Judith Beheading Holofernes (Uffizi version) - Visual Analysis
Jarod Burger
2019
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Alessandro Turchi, called l'Orbetto: The Virgin and Child with the Young Saint John the Baptist and a Male Saint, in Italian Paintings with an unpublished Judith Beheading Holofernes by Giuseppe Vermiglio, Firenze 2014, pp. 64-69
Davide Dossi
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Judith and Holofernes: Reconstructing the History of a Painting Attributed to Artemisia Gentileschi
Ferruccio Petrucci
Heritage
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"The Madonna and Child with Saints Francis and Dominic, and Angels by Giulio Cesare Procaccini: Masterpiece from the Archinto Collection"
Martina Colombi
"Metropolitan Museum Journal", 2017
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Antonio Cicognara, Antonio Leonelli da Crevalcore, Parmigianino, in The Bernard and Mary Berenson Collection of European Paintings at I Tatti, a cura di C. Brandon Strehlke, M. Brüggen Israëls, Milano 2015, pp. 197-202, 354-359, 523-525
Marco Tanzi
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Giulio Cesare Procaccini’s earliest known drawing and his contacts with Aurelio Luini
Lucia Tantardini
The Burlington Magazine, 2023
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Christine Sciacca., ed. Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350. Los Angeles: J. Paul Getty Museum, 2012. xix + 426 pp. $65. ISBN: 978–1–60606–126–8
Alessandro Tomei
Renaissance Quarterly, 2013
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The Procaccini and the Business of Painting in Early Modern Milan by Angelo Lo Conte
Esther Theiler
Parergon, 2022
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"Two reconstructions for Ghirlandaio’s workshop and a new altarpiece by Bastiano Mainardi,” Arte Cristiana, vol. 110, no. 931 (July-August 2022): pp. 304-315
Christopher Daly
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Technical Study of Judith with the Head of Holofernes from Nizhny Tagil Museum of Fine Arts. New Materials for Attribution
Denis Ilichev , Mikhail Mingaztdinov
Questions of Expertise in Culture, Arts and Design, 2020
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"Lombard art under the Visconti and Sforza", in 'The Burlington Magazine', CLVII, 2015, pp. 502-504
Antonio Mazzotta
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COMPLETE CATALOGUE OF THE ITALIAN PAINTINGS XV-XVI CENTURY
Joaquín Bordiu Ximenez de Embun
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Donatello’s Judith and Holofernes: a Symbol of Tyranny and Virtue in Renaissance Florence
Rebecca Proppe
Concordia Undergraduate Journal of Art History
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"Giovanni Battista Ricci at San Marcello al Corso, Rome"
Rhoda Eitel-Porter
Courage & Empathie. Festschrift fuer Wolfgang Holler, edited by Michael Semff, presented on 28 January 2022, 2022
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R. Vodret, B. Granata, Not only Caravaggio, in Caravaggio’s Rome 1600-1630. Essay, catalogo della mostra a cura di R. Vodret, Roma, Museo Nazionale di Palazzo Venezia – Saloni Monumentali – 16 novembre 2011 – 5 febbraio 2012, ed. Skira, 2012, pp. 21-95
Belinda Granata
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Art in Sixteenth-Century Venice: Context, Practices, Developments. Józef Grabski, ed. (Artibus et Historiae 68, 2013) in Renaissance Quarterly 68:3 (Fall 2015): 1006-1007
Daniel Wallace Maze
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“Neroccio di Bartolomeo de’ Landi: Virgin and Child with Saints Jerome and Bernardino of Siena”, in Botticelli to Titian. Two Centuries of Italian Masterpieces. Exh. cat., ed. Dóra Sallay, Vilmos Tátrai, Axel Vécsey. Budapest 2009, pp. 204-205, cat. 39.
Dóra Sallay
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Stefano da Verona, Felice Feliciano and the First Renaissance Collection of Drawings, in Arte Lombarda 124(1998/3), 31-51 with images.
Evelyn Karet
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The Procaccini and the Business of Painting in Early Modern Milan
Angelo Lo Conte
New York: Routledge, 2021
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“Exhibition Review: Carlo Saraceni at the Palazzo di Venezia, Rome.” Newsletter of the Italian Art Society XXVI.1(Winter 2014): 2-3.
Linda Nolan
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Late Caravaggio
Richard Spear
Burlington magazine, 2005
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Review of Gregorio Comanini, The Figino, or On the Purpose of Painting: Art Theory in the Late Renaissance, trans., with introduction and notes, by Ann Doyle-Anderson and Giancarlo Maiorino (Toronto, 2001), in: Renaissance Quarterly, LVI (2002), pp. 773-774.
Louis Alexander Waldman
Renaissance Quarterly, 2002
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‘... and therefore the Lord increased this her beauty ...’ (Judith 10:4) – the beauty of Judith in Italian oratorios of the Baroque
Anna Ryszka-Komarnicka
Rocznik Teologii Katolickiej
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Giulio Cassarino (1588-1637): A minor painter in the shadow of Caravaggio
Dominic Cutajar
The (Malta) Sunday Times , 1982
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Carlo Antonio and the bottega Procaccini
Angelo Lo Conte
Zeitschrift für Kunstgeschichte, 2020
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BERNINI AND THE ROMAN BAROQUE Paintings from Palazzo Chigi in Ariccia
dominique lora
BERNINI AND THE ROMAN BAROQUE Paintings from Palazzo Chigi in Ariccia, 2021
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The State of Research in Italian Painting of the Seventeenth Century
Elizabeth Cropper
Art Bulletin, 1988
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Review of Maryvelma Smith O'Neil, Giovanni Baglione: Artisitc Reputation in Rome
Steven Ostrow
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Artemisia Gentileschi's Susanna and the Elders (1610) in the Context of Counter-Reformation Rome
Patricia Simons
in Artemisia Gentileschi in a Changing Light. Ed. Sheila Barker. London: Harvey Miller, 2017
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Leonardo, Mona Lisa and" La Gioconda". Reviewing the Evidence
Jack M Greenstein
Artibus et Historiae, 2004
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Sebastiano Conca "Madonna col bambino e i santi Filippo Neri e Nicola di Bari / Madonna and Child with St Philip Neri and St Nicholas of Bari", (1743): Scheda di catalogo / Catalogue entry
Michele Drascek , Duccio K . Marignoli
Work in progress. Opere dalla Galleria d'Arte Moderna di Palazzo Collicola e dalla Fondazione Marignoli di Montecorona / Work in progress. Artworks from the Galleria d'Arte Moderna di Palazzo Collicola and from The Marignoli di Montecorona Foundation, 2021
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Rome Seen from Milan. Rereading the Debuts of Painters from Lombardy and Piedmont in Rome
Maria Cristina Terzaghi
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Florence at the Dawn of the Renaissance: Painting and Illumination, 1300-1350
Bryan C Keene
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