BRICS| The Global as the Postcolonial: Desire, Identity, and Liminality in Indian Rock (original) (raw)

The Global as the Postcolonial: Desire, Identity, and Liminality in Indian Rock

Sangeet Kumar

International Journal of Communication , 2016

View PDFchevron_right

Music and Nationalism in India

Elena Sobrino

View PDFchevron_right

Nomadic ethnoscapes in the changing global–local pop music industry

Allen Chun

Popular culture in Taiwan: charismatic modernity, 2010

View PDFchevron_right

World Music: A Medium for Unity and Difference?

Carsten Wergin

View PDFchevron_right

"Music, Migration, and Sexuality" [review essay], Journal of World Popular Music 2:2 (2015): 271–282.

Samuel Dwinell

View PDFchevron_right

Transported by Song: Music and Cultural Labour in Dharwad

Tejaswini Niranjana

Sangeet Natak, 2009

View PDFchevron_right

World music: deterritorializing place and identity

john connell

Progress in Human Geography, 2004

View PDFchevron_right

Music and Empire in Britain and India: Identity, Internationalism, and Cross-Cultural Communication by Bob van der Linden

Wim van der Meer

Asian Music, 2018

View PDFchevron_right

Bangla Rock:exploring the counterculture and dissidence in post- colonial Bengali popular music

Kamalini Mukherjee

'International Journal of Pedagogy Innovation and New Technologies', 2017

View PDFchevron_right

‘Come join the rock gharaana’: The cultural politics of MTV’s Kurkure Desi Beats Rock On

Chloe Coventry

View PDFchevron_right

Postnational Musical Identities. Cultural Production, Distribution, and Consumption in a Globalized Scenario

Alejandro L. Madrid

2007

View PDFchevron_right

The Aesthetics of the Global Imagination: Reflections on World Music in the 1990s

Veit Erlmann

Public Culture, 1996

View PDFchevron_right

“Sounding Through Time and Space: Music in Postcolonial South-Asian Literature”

Christin Hoene

Time and Space in Words and Music. Eds. Mario Dunkel, Emily Petermann and Burkhard Sauerwald, 2012

View PDFchevron_right

The politics of performance and the creation of South Asian music in Britain: Identities, transnational cosmopolitanism and the public sphere

Haekyung Um

Performing Islam, 2012

View PDFchevron_right

Introduction: Historicizing globalization—Popular musics in Asia and beyond

Anthony Fung

Global Media and China, 2019

View PDFchevron_right

Pop–Power–Positions: Engaging with the (Post)Colonial in Popular Music Studies. An Introduction

Hannes Liechti

~Vibes – The IASPM D-A-CH Series, 2021

View PDFchevron_right

Rethinking Globalization Through Music

Bob W . White

View PDFchevron_right

Exploring Music in a Globalized World 01 / 2017

andrea hollington

2017

View PDFchevron_right

Nationalism Remixed? The Politics of Cultural Flows between the South Asian Diaspora and 'Homeland'

Dhiraj Murthy

View PDFchevron_right

Music and Globalization: Critical Encounters

Bob W . White

2012

View PDFchevron_right

Bhangra and Asian Underground: South Asian Music and the Politics of Belonging in Britain

Falu Bakrania

Popular Music and Society, 2014

View PDFchevron_right

Transnational Musics and Cultural Authenticity Between Global Beats and Local Sounds

Hugh Lovatt

View PDFchevron_right

Bob van der Linden. Music and Empire in Britain and India: Identity, Internationalism, and Cross-Cultural Communication. Palgrave Studies in Cultural and Intellectual History series. Basingstoke, UK: Palgrave Macmillan, 2013. Pp. 232. $85.00 (cloth)

Bennett Zon

Journal of British Studies, 2014

View PDFchevron_right

North Indian Classical Music and the West: The Journey from the Realm of Multicultural to Transcultural

Soumya Goswamy

2019

View PDFchevron_right

Modernity’s ear: listening to race and gender in world music, by Roshanak Kheshti

naeem inayatullah

International Feminist Journal of Politics, 2017

View PDFchevron_right

Songs of Life in Calcutta: Protest and Social Commentary in Contemporary Bengali Popular Music

Stéphane Dorin

View PDFchevron_right

Interpreting Diasporic Music: An Ethnomusicological Understanding of Identity

Aneeta Joseph

2021

View PDFchevron_right

The Conflicting Discourses of World Music and world music

eammon msetfi

View PDFchevron_right

Hybridity, Identity and Global Music: A review of Cultural Globalization: A User’s Guide

Margaretha Geertsema-Sligh

2010

View PDFchevron_right

‘The Politics of Performance and the Creation of South Asian Music in Britain: Identities, transnational cosmopolitanism and the public sphere, Performing Islam, 1(1): pp. 57-72.

Haekyung Um

View PDFchevron_right

Spatializing the Musicking of an Expressive Urban Imagination: A Trans-Cultural Evaluation of The Early-Modern Rock Music of Bengal

Dr. Shankhadeep Chattopadhyay

Rupkatha Journal on Interdisciplinary Studies in Humanities , 2021

View PDFchevron_right

Towards a Global History of Music? Postcolonial Studies and Historical Musicology.

Jacob Olley

Ethnomusicology Review [non-peer-reviewed article], 2016

View PDFchevron_right

Pop – Power – Positions: Global Relations and Popular Music

Hannes Liechti

View PDFchevron_right

Indianness in Malaysia: Between Racialized Representations and the Cultural Politics of Popular Music

Sumit K Mandal

Kasarinlan: Philippine Journal of Third World Studies, 2007

View PDFchevron_right

Exploring Music in a Globalized World -Voices from around the world

andrea hollington

View PDFchevron_right