Sequeira, Ágata, (2014), «Out in the streets: The possibilities and implications of making art in the city’s public space», in Pedro Soares Neves, Daniela V. de Freitas Simões (orgs.) (2015), The Lisbon Street Art & Urban Creativity, Lisboa, FCSH/FBAUL (original) (raw)

1 Sequeira, Ágata Dourado (2015) «Letting the Walls of the City Speak: The route of a sociological research project on Lisbon's street art». Street Art and Urban Creativity Journal , Vol.1, nº2: Places and Non Places, November 2015, pp.82-88.

This article sets out to show how a sociological research project on the production of street art in Lisbon was built, from the construction of an object of research to the development of a methodological approach that enabled the collection of a diverse set of expressive data. The notion of 'route' serves not only as a valuable instrument of research in the first stages of an investigation in urban sociology, but also as a powerful visual depiction of the development of a specific methodology and the set of techniques adopted. The diverse set of interrogations about the object that stem from these incursions, as well as the specific urban context at hand, allowed the researcher to conceptualize street art as a component of contemporary urban space and as a visual means to reveal social dynamics between the several actors involved in its production, and the city itself. Therefore, in this paper it is briefly shown how this object is theoretically framed, namely in what concerns the street artists and the way they build an artistic path and attribute meaning to the act of intervening artistically in the streets of the city, and how this connects with the worlds of contemporary art and the several contexts of production of street art; the contexts in which street art is currently created in Lisbon, from individual initiatives to the actions of associations or collectives, and the municipality; and the way in which the city, through its institutional powers, can instrumentalize street art as a way of creating 'images of the city', and how this can be explored in terms of tourism and the marketing of cities, and the conflict or opportunities that these processes reveal for the actors involved.

Sequeira, Ágata (2014), « The Street as Canvas: Street art and the construction of artistic careers», in Guerra, Paula e Andy Bennett (eds.) (2014), Underground Music Scenes and DIY Cultures. Proceedings, Porto, Faculty of Arts and Humanities of University of Porto

This communication aims to discuss the relations between art, urban space and the city, which is the aim of the ongoing PhD thesis project. Specifically, the purpose is to understand how an urban public space can be configured through the ways in which it connects with the city and the artistic field -namely the realms of art in the public space, considering in particular street art, as artistic manifestation of an intrinsic ephemeral nature.

Letting the walls of the city speak: The route of a sociological research project on Lisbon’s street art1

2016

This article sets out to show how a sociological research project on the production of street art in Lisbon was built, from the construction of an object of research to the development of a methodological approach that enabled the collection of a diverse set of expressive data. The notion of ‘route’ serves not only as a valuable instrument of research in the first stages of an investigation in urban sociology, but also as a powerful visual depiction of the development of a specific methodology and the set of techniques adopted. The diverse set of interrogations about the object that stem from these incursions, as well as the specific urban context at hand, allowed the researcher to conceptualize street art as a component of contemporary urban space and as a visual means to reveal social dynamics between the several actors involved in its production, and the city itself. Therefore, in this paper it is briefly shown how this object is theoretically framed, namely in what concerns the ...

Transforming the City: Shaping urban public space through collective street art initiatives

This paper results from the research for a PhD thesis about the relations between art, urban space and the city, namely through the ephemeral forms of art that are present in the city's public spaces. It is considered here that these relations are never neutral but, instead, very expressive of configurations of power and identity, being street art both a reflex and a critical approach to those configurations and constraints. Street art in Lisbon assumes several different meanings: from the individual initiatives, to collective and even institutional actions, various are the configurations of this artistic practice in the urban public space, and therefore also varied are the implications of each initiative in terms of the social production of space it might represent. In this paper I will specifically approach the street art initiatives in Lisbon of collective and independent nature – that is, that not only involve several different actors (street artists, architects and planners, volunteers, the population, among others), but also reveal different logics of action, such as projects, associations, events or festivals of street art in Lisbon. From the spectacular scale of the interventions in the derelict buildings of Lisbon, to participatory projects for the improvement of public structures, to even the exploration of the role that the practice of street art can have in the quality of life of

The interaction between urban form and public art. Two examples on Lisbon’s waterfront

In our contemporary cities, public art plays an important role, in urban regeneration processes and in the construction of social identities. Its placement on the public space raises several questions: which spaces are elected for the implementation of public art? In those spaces, what kind of relations are established between its morphologic characteristics and the new interventions? Finally, is it possible to identify models of placement? Despite the lack of systematization of these themes, some authors focuses on the interaction between urban space and public art, in a framework that positions it across different disciplines. In Lisbon, the criteria for the placement of public art are not always evident. Most of the times, there is not a true spatial integration. In this sense, this paper proposes an analysis of two artistic interventions, on Lisbon’s waterfront: The intervention in a viaduct, by Eduardo Nery (2003); The work Lisbon (a tribute to the builders of the city), by José de Guimarães (1999). By the way as they dialogue with its context, both interventions are in the opposite attitude of an understanding of public art as decorative objects on the public space. In fact, both contribute not only to the physical, visual and symbolic enhancement of the place, but also to the monumentalization of the waterfront.

Title: Street Art & Urban Creativity @@@@@@@@@@@@@@@@@@@@@@@@@ @@@@@@@@@@@@@@@@@@@@@@@ €€€€€€€€€€€€€€€€€€€€€€€€€€€€€€€€€€€€€€€ Knowledge Transfer Editorial, Pedro Soares Neves Articles Mind the trap: Street art, visual literacy, and visual resistance Essays / Working papers Invited Authors

Executive committee @@@@@@@@@@@@@@@@@@@ Editorial The SAUC 2017 conference bridged scholarly and practice-based approaches to urban creativity. This year we included interventions, roundtable discussions (guest-hosted by Nuart), exhibitions, a book launch, and guided visits to sites of urban creativity around the city of Lisbon. The impact of the practice-oriented activities was particularly positive, and generated a strong connection between theory and of the debates during the conference was inspiring and constructive. The intangible dimensions of the conservation heritage, albeit mainly through documentation. Although physical conservation was regarded by some as a 'non-greatest contemporary challenges-in response to which a range of possible solutions were suggested, such as self-preservation by the creator's communities. of public art and urbanism augmented the academic debate. The Lisbon council's experience was a particularly and opportunities associated with inst...

Street Art and Urban Creativity

2017

As director of the national organization that has a mission to promote the value and support the arts in Portugal I am honored to share this moment in this event that will undertake discussion about some of the paradigmatic approaches to arts and society in our present times. Direcao-Geral das Artes (General Directorate of Arts) is a public organization from the Portuguese Ministry of Culture, that coordinates the policies of art funding for the fields of architecture, digital arts, visual arts, dance, design, photography, music and theater. We cover a diverse range of disciplines and professional activities. Among our main attributes are the management of various funding programmes to support the arts, the promotion of art and artists resident in Portugal, both across the country and abroad at an international level, the fostering of international cultural exchange and institutional cooperation, and ensuring regular and widespread access to culture as well as new audiences outreach.