Fashionable subjects and complicity resistance: power, subjectification, and bounded resistance in the context of plus-size consumers (original) (raw)

Fashionably Voluptuous: Normative femininity and resistant performative tactics in fatshion blogs

Journal of Marketing Management, 2015

While research on consumer identity projects has begun to include marginalized consumers, we nevertheless lack insight of the ways in which socio-historical understandings of gendered identity are (re)constructed in the context of consumer resistance and in relation to the market. Using Critical Discourse Analysis, we draw on Butler’s notion of performative identity formation and combine this with Bourdieu’s notion of capital as identity resource, first to explore performative identity construction of fatshion bloggers embedded in the normative understandings of gendered identity, of adopting and negotiating the dominant cultural discourses of fashion, and second, to consider the subversion of such discourses and resistant acts as these are enabled by normativity. We establish two performative identity tactics that highlight normativity as a resource for resistance.

Does This Make Me Look Fat? Aesthetic Labor and Fat Talk as Emotional Labor in a Women's Plus-Size Clothing Store

Drawing on participant observation at a women's plus-size clothing store, “Real Style,” this article draws on the unique experiences of plus-sized women in their roles as workers, managers, and customers, to examine how mainstream beauty standards, body-accepting branding, and customers' diverse feeling rules shape service interactions. Despite branding that promoted prideful appreciation for “Real” bodies, the influence of these body-accepting discourses was constrained by women's internalization of mainstream fat stigma, resulting in an environment characterized by deep ambivalence toward larger body size. This ambivalence allowed hierarchies between women to be reified, rather than dissolved; although plus-sized employees and customers expressed gratitude to have Real Style as a “safe space” to work and shop, workers experienced gender segregation of jobs, and thinner employees were privileged with special tasks. Further, managers and white (but not black or Latina) customers used body-disparaging “fat talk” to elicit workers' emotional labor while confronting thinner workers for defying aesthetic expectations. This research offers a more nuanced understanding of the ties between aesthetic labor and emotional labor, while highlighting some of the factors that prevent stigmatized groups from successfully reclaiming status within consumer contexts.

Queering beauty: Fatshionistas in the fatosphere

Qualitative Market Research: An …, 2013

Purpose -The purpose of this paper is to analyse the representations and experiences of beauty amongst fat women to understand how females located outside of the normative ideal consume, express, challenge and resist "straight" beauty. Design/methodology/approach -A netnographic approach is taken to analyse 922 blog posts written by five female "fatshionistas" who play a significant role in the Australian fat activism movement. Findings -The research findings illustrate that fatshionistas (re)negotiate cultural notions of beauty through three performative acts -coming out as fat, mobilising fat citizenship and flaunting fat.

Through the (New) Looking Glass: Gendered Bodies, Fashion and Resistance

Journal of Consumer Culture, 2002

In 1947, French designer Christian Dior released the New Look, a style of women's clothing characterized by long, stiffened skirts and wasp waistlines. For Dior, the fashion offered a glamorous, feminine look following many women's more functional -and ostensibly masculine -wartime garb. The 'Look' arrived in New Zealand from Europe in mid-1948. The New Zealand debates around the fashion offer a useful 'looking glass' into contemporary cultural and political currents, as the female body adorned in 'the Look' can be understood as a site at which regimes of bodily discipline, debates over women's work and discourses of 'women's emancipation' converged. This article examines a range of New Zealand women's responses to 'the Look' in order to critically interrogate these convergences and to reexamine intellectual debates over consumption, pleasure, domination and resistance. The New Look engendered a complex web of embraces and resistances and this suggests a more nuanced framing of conceptions of domination and resistance in consumption studies than has often been the case.

Women's Bodies as Sites of Control: Inadvertent Stigma and Exclusion in Social Marketing

Journal of Macromarketing, 2012

Responding to the call for critical examinations of the inadvertent effects of marketing (Dholakia 2012), this article offers an examination of the underexplored impacts of social marketing campaigns that derive from government-defined agendas of ''healthism.'' Specifically, we examine how efforts aimed at the management of women's bodies can inadvertently render them sites of control. Drawing on embodiment theory, we consider how the neoliberal body project positions certain bodies as less acceptable, leaving women who engage in activities that run counter to prevailing health messages vulnerable to stigmatization and exclusion. Through three body control projects-breastfeeding, weight management, and physical activity-and a critical visual analysis of social marketing campaigns, we contend that the emerging field of critical social marketing must develop a broader social justice agenda along the lines of macromarketing. In doing so, consumers' corporeal representations and lived experiences will be better addressed and improved evaluations of social marketing's societal impacts can be developed.

The Diet Prada Effect: Call-out Culture in the Contemporary Fashionscape

Clothing Cultures, 2019

Fashion criticism has found a new democratic platform in this technetronic age that has been impacted by the emergence of online 'call-out culture', a cultural phenomenon born of this digital age. Independent voices are finding traction within the famously hermetic fashion industry who are holding fashion designers, marketers, editors and all those gatekeepers in between, accountable not only for copycat fashion products but also for racist and bigoted appropriations that appear in campaigns and editorials. In examining 'call-out culture' in the fashion industry this article will extrapolate on how and why these cultural phenomena have gained traction in relation to the contemporary fashion industry and what this means for the future of the industry. I do so through the wider contextualization of looking at ideas of authenticity and transparency, effects of social media, and the role of cultural criticism in fashion. The methodology utilized in this article is in the form of the close analysis of two case studies, the independent fashion critic sites Diet Prada and The Fashion Law, which have both gained traction in the past two years for their unbiased and unrelenting agenda to call out fashion's indiscretions.